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Glasgow School of Art begins long road to return of The Mack

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The first phase of preparation works for rebuilding Glasgow School of Art’s fire-damaged Mackintosh building has been completed.

It involved stabilising the world-renowned building, which was designed by famous architect Charles Rennie Mackintosh, and removing tonnes of debris from the fire that devastated it in 2018.

As I toured the site with Eleanor Magennis, director of estates at Glasgow School of Art, the first surprise was how much of the structure remained.

We walked along what was the basement corridor, which without a roof, now offers a view of the floors above.

The charred plaster cast sculptures, rescued from the first fire and now in the neighbouring Reid building, would once have graced the corridor above.

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The director’s office, with its secret studio in the roof space above, is gone – just the fireplace remains, gripping the top of the wall.

 

The interior basement level of the Glasgow School of Art's Mackintosh building in Glasgow,

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The interior view up through the floors in the west side of the Glasgow School of Art's Mackintosh building

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View down through the floors along the main corridor in the Glasgow School of Art's Mackintosh building in Glasgow, which was significantly damaged by fire on 15 June 2018.

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The front door – where countless students once passed – from Alasdair Gray to John Byrne, Liz Lochhead to Robbie Coltrane – is still visible, the stone porch anyway, and the wrought iron railings and distinctive art nouveau finial.

The exposed brick has not only survived both fires, they have actually been strengthened, leaving solid foundations for the school they hope to rebuild.

Not that it has been a simple task.

Since the Scottish Fire and Rescue Service completed its report this time last year – unable to determine a cause – the work to clear the site has continued.

“It was three metres high in some places and that had to be painstakingly removed – often by hand,” said Ms Magennis.

More than 5,500 tonnes of debris was removed, and in among it, they found little scraps of history.

 

A piece of original Art Deco metal work at the Glasgow School of Art'

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Part of the original Art Deco metal railings at the front of the Glasgow School of Art's Mackintosh building

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The steel beams which Mackintosh drew different versions of, to the infuriation of construction workers on site, are now revealed on a studio wall.

“It’s the little glimpses you get of the building you knew and love, the concrete stair with the little cut-outs, the ironwork., the entrance porch with the guardians over the door, all these glimpses of Mackintosh, combined with the drawings we have, show we can bring the building back,” Ms Magennis said.

The plan set out in the school’s Strategic Outline Business Case is for a “faithful reinstatement” of the original building and this marks the end of the first phase of a three-part project.

The next stage is “enabling works” including installing a temporary roof.

Meanwhile, the school’s director Prof Penny Macbeth believes it is an important moment in the return of the Mack.

“The integrity of the building is still there,” she says. “The presence of Mackintosh is still there. There’s a lot to be done but we’re on our way.”

Raising the necessary funds will be a challenge in the current economic climate but she’s confident that it can be done with the support of the wider community.

“They’ve had a really difficult time, and we understand that,” Prof Macbeth says. “We are looking at the wider estate, and the wider community but we’re keen to remember why this building was originally built.

“It was for the industry of Glasgow but it was for the community too. They came here to do night school classes , and they still do.

“Partnership will be at the heart of the rebuild, and we will continue to collaborate with a wide range of people as we work to bring back this remarkable and inspirational building for our students and staff and a major resource for our community and for the city.”

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Criss Bellini Art Fans Urge for Pop-Up Gallery – E! NEWS

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Since the brand’s launch in 2020, Bellini’s sales have skyrocketed, selling over $1 million in its first year and exceeding its sales in 2021, in 2022, with over 2 million sales in euros. Seeing this, it is clear that art sales are booming, and people want to see more of his unique pieces.

However, because Bellini’s website is the only place to view and purchase his art, the public has begun to request a gallery or a pop-up gallery where they can go visit Bellinis’ work and see it for themselves.

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Wish you could set fire to the last 3 years? A huge flaming art installation is coming to Toronto – CBC.ca

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3D digital rendering of The Burn, an art installation. Visible is a brassy dodecahedron adorned with perforated patterns. It appears to glow from within and floats above still dark water.
Rendering of The Burn, 2023. (Javid JAH)

What if you could just set fire to the past? Would you feel liberated — free to start fresh in 2023, flush with feelings of love and peace and other things you could file under positive vibes?

The City of Toronto launched an interactive art project last Thursday called The Burn, a seven-week initiative that aims to offer a moment of respite in the wake of COVID-19, and it comes to a climax on March 11 — the third anniversary of the pandemic. 

On that date, a monumental art installation will go up at Nathan Phillips Square, and the centrepiece involves three towering steel sculptures that’ll be set aflame for 24 hours — fires that will keep on burning with a little help from the public, who’ll be invited to add bits of (supplied) wood to the blaze.

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It’s a scenario that sounds significantly more thoughtful and controlled to hear Roger Mooking describe it. Mooking is the lead creative on the project, and he talks about The Burn as a chance to heal and grow as a collective. In short, it’s bigger than an all-day bonfire. 

Mooking says he began thinking about the work in 2021, prompted by the “overwhelming melancholy” of lockdown. “I recognized that I was not the only one, that we were in this kind of collective consciousness globally, and we all needed to heal,” he tells CBC Arts. And with The Burn, he’s inviting Torontonians to actively begin that healing process. 

The first phase of the project is already underway, and involves a series of interactive sculptures — significantly smaller vessels than the ones that’ll go up at Nathan Phillips Square. They’re being stationed at public sites around the GTA as part of a tour that launched Jan. 19 in three locations: Fort York National Historic Site, the Toronto Zoo and Twist — Mooking’s restaurant at Toronto Pearson International Airport. 

Here he is, testing it out in Terminal 1.

As of writing, people can find The Burn at three new sites through Feb. 1: Spadina Museum, Native Canadian Centre and the Market Gallery at St. Lawrence Market.

“We want to make sure that we’re hitting every corner of the GTA: north, east, south, west, central — all the nooks and crannies,” says Mooking. Twenty-one locations are currently scheduled for the tour, and a full map and schedule can be found through the city’s website. 

Through March 11, visitors will find metallic dodecahedrons at different destinations — sculptures created by local artist Javid JAH. And under each sculpture is a bowl of wooden balls: spheres the size of marbles that have been carved out of cedar. 

Photo of a brassy dodecahedron adorned with perforated ornate designs. It's mounted on a wooden stick. A wood bowl full of small wooden spheres rests below the polyhedron. In the background, two step-and-repeats printed with extensive instructions for how to engage with the artwork, are visible.
Find vessels like this one throughout the GTA. This shot was taken during The Burn’s install at Fort York National Historic Site. (CBC Arts)

Take a ball, and you’ll be asked to stop and think — to sit with your feelings, really. In the language of The Burn, you’ll be “setting an intention.” Is there something weighing on you: an emotion you wish you could change or simply set free? Once you’ve identified that feeling, you’re asked to drop your ball inside the sculpture. It’s a moment for “letting go,” so to speak. 

“People are carrying so many things, especially coming through this COVID time,” says Mooking. “It’s a very simple thing … that can be very, very emotional.”

A multihyphenate known for his success as a chef, TV personality (Man Fire Food), and musician (Bass is Base), Mooking’s presented participatory art projects for the city before. Just last August, to coincide with Emancipation Month programming at Toronto history museums, he launched Read(In), an interactive installation that also appeared in multiple locations throughout the GTA. 

To bring The Burn to life, project curator Umbereen Inayet connected him with collaborators JAH (who designed and produced the installation’s ornate sculptural elements) and artist Catherine Tammaro, a Wyandot Elder who served as an advisor, particularly concerning the project’s spiritual bent. Says Mooking: “There’s a deep history of Indigenous cultures using fire and water for cleansing and preservation and healing, so we needed that guidance to make sure that we were respecting that tradition.”

The wooden balls collected at each tour site will eventually fuel the fire on March 11, and Mooking says those attending the activation at Nathan Phillips Square will also have the opportunity to set an intention. At the big event, visitors will send their cedar spheres down a chute, directly into the flames. And when the fire’s extinguished, all the ash that’s left behind will be collected for use in city gardens. “We’re really trying to emulate the cycle of life: from the spark to the ash,” says Mooking. “We’re looking to carry the spiritual intentions from everybody in the city to fortify our Earth.”

The city says it will be announcing more public projects that respond to COVID’s impact on residents. Like The Burn, they’re part of a program called Stronger Together that launched in late November. More programming is expected to be revealed in February.

In the first few days of The Burn’s cross-city tour, Mooking says he was receiving reports from the participating venues. Folks are interacting with the sculptures already, he says. “It’s been cathartic, I hope. … I can’t wait to see how much healing we’re able to do when we really roll out the full scale of this at Nathan Phillips Square.”

Full event details, including a map of The Burn’s tour locations, can be found on the project’s website.

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Art is everywhere this weekend

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Saturday, Jan. 28

2023 ArtsEverywhere Festival

Multiple locations; 10 a.m. to 10 p.m.

From film screenings to drag brunches and book fairs, the free annual festival has something for everyone. Learn more here.

Winterstock

Royal City Studios; 7 p.m. to 11 p.m.

Join Royal City Studios for a live music tribute to Woodstock 1969; attendees are encouraged to wear their best 60s style clothes. Get tickets here.

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Music Weekends

Western Burgers & Steaks; 2:00 p.m. to 5 p.m.

The genre-bouncing Probable Cause will perform live at The Western, pay-by-donation. Doors open at 2 p.m., show starts at 2:30.

Sunday, Jan. 29

2023 ArtsEverywhere Festival

River Run Centre; 10 a.m. to 2:30 p.m.

The last day of the free festival features a lecture and a film screening, both at the River Run Centre. Learn more here.

Music Weekends

Onyx Nightclub; 2p.m. to 5 p.m.

Join SHEBAD for their live concert at Onyx. It’s family-friendly and pay-by-donation. Doors open at 2 p.m., show starts at 2:45.

OHL Hockey

2 p.m.: Guelph Storm vs. Sudbury Wolves, Sleeman Centre

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