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Google in Talks to Take Over More Search Tasks on Samsung Phones – Bloomberg



Photographer: Michael Short/Bloomberg

Alphabet Inc.’s Google and Samsung Electronics Co. are negotiating a major deal that would give Google products more prominence on the South Korean company’s smartphones, according to correspondence viewed by Bloomberg News.

The talks involve giving Google more control over search on Samsung handsets globally. Samsung is the largest smartphone maker in the world, selling close to 300 million phones last year. Google’s Android is already the underlying operating system on Galaxy devices, but a potential deal would promote Google’s digital assistant and Play Store for apps on those devices, details from a person briefed on the matter show.

That would provide the U.S. internet giant with more valuable daily access to Samsung users and would mean the Korean company’s own mobile services, such as the Bixby digital assistant, are less integrated on its own devices, according to the correspondence. The move would be a capitulation for Samsung, but the drop in demand for mobile devices during the Covid-19 pandemic has intensified the company’s need for revenue and weakened its negotiating position with a key partner.

Unprecedented Decline

Already on a downward trajectory, smartphone market was felled by Covid-19

Source: IDC Worldwide Mobile Device Trackers

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Read more: Smartphone Shipments Projected to Fall a Record 12% in 2020

“Like all Android device makers, Samsung is free to create its own app store and digital assistant,” a Google spokesperson said in an emailed statement. “That’s one of the great features of the Android platform. And while we regularly talk with partners about ways to improve the user experience, we have no plans to change that.”

“Samsung remains committed to our own ecosystem and services,” said a Samsung spokesperson. “At the same time, Samsung closely works with Google and other partners to offer the best mobile experiences for our users.”

Samsung won’t be giving up this valuable digital real estate for free. Terms of a potential deal could not be confirmed. However, Google pays billions of dollars each year to be the default search engine on the iPhone’s Safari web browser and other Apple Inc. devices.

Google and Samsung have a tense but successful partnership through Android, Google’s mobile operating system. The web giant provides the basic software for free, but has previously required hardware makers to pre-install its Play app store and suite of commercial products like Search, Chrome and YouTube. In return, Google sometimes agrees to share advertising revenue with the manufacturers.

Samsung has tried to develop its own services for its smartphones, including an Android alternative that was initially called Bada OS and later merged with other unsuccessful mobile software into the Tizen project. Samsung’s Google Assistant rival, Bixby, has also met with little positive reception. The company has over the years trimmed the overlapping apps and services on its handsets, but it still has a few vestiges of prior efforts to more actively take on Google’s apps suite.

Samsung shipped 58 million smartphones in the first quarter, according to researcher IDC. While that led all manufacturers, the Covid-19 pandemic has hammered handset sales, leaving the company relying on other sources of revenue.

Deal talks are happening in the midst of antitrust investigations into Google. The company’s Play Store is one of several services at the center of this scrutiny. Beyond China, Google and Apple control how most mobile app developers reach consumers, and the tech giants take a cut of as much as 30% on many sales through their digital marketplaces. Samsung’s deal with Google may give the U.S. company even more power over developers.

Sundar Pichai, Google’s chief executive officer, and Tim Cook, Apple’s CEO, are set testify to a U.S. congressional antitrust panel on Wednesday, along with the leaders of Facebook Inc. and Inc.

— With assistance by Mark Gurman

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    Xiaomi Mi 10 Ultra in white poses for the camera, alleged pricing leaks – news –



    A few days ago it was made clear that Xiaomi is going with the Mi 10 Ultra moniker instead of the previously rumored Mi 10 Pro Plus. A couple of leaked promo posters revealed the back design of the phone but a more recent live image is here to give us a closer look at how the handset will look in person.

    The white back panel isn’t just plain white. It has a subtle pearl-like gradient while the close-up shot of the camera module confirms the 120x zoom, the quad-camera array and the overall design of the camera stack.

    Xiaomi Mi 10 Ultra in white poses for the camera, alleged pricing leaks

    The pricing of the Mi 10 Pro Ultra has leaked as well from the same source. The report claims that the Mi 10 Ultra will start at CNY 6,299 (~$900) for the 12GB/256GB version and will ask additional CNY 700 (~$100) for the beefed-up 12GB/512GB configuration. The same screenshot reveals the Redmi K30 Ultra pricing, which is believed to be CNY 2,399, CNY 2,799 or CNY 3,499 depending on the storage configuration.


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    Huawei may no longer be able to produce its own chips after Sept. 15 – IT World Canada



    As Huawei copes with its 5G network gear being banned in key global markets, the production of its Kirin system-on-chip (SoC) used for its smartphones has all but stalled.

    According to the Associated Press, Huawei will stop producing its Kirin SoCs after Sept. 15. Richard Yu, Huawei’s president of its consumer group, described the news as a “very big loss” during the China Info 100 conference.

    “Unfortunately, in the second round of U.S. sanctions, our chip producers only accepted orders until May 15. Production will close on Sept. 15,” Yu elaborated. “This year may be the last generation of Huawei Kirin high-end chips.”

    In May 2019, the U.S. government placed Huawei onto an Entity list over concerns that the company may use its telecom equipment to spy for the Chinese government. The blacklist also barred Huawei’s gear from being installed in the U.S.’ 5G networks.

    Under the new restrictions, U.S. technology companies could no longer conduct businesses with Huawei. This caused Google to sever ties with the company, cutting Huawei off from the official release of the Android operating system and the Google Play Store. Google’s Android operating system is the most prevalent mobile operating system in the world. Losing access to it meant Huawei must find an alternative to recapture markets outside of China.

    The Huawei Mate 30 Pro uses Huawei’s Kirin 990 SoC.

    Today, Huawei smartphones run a custom version of EMUI based on the Android Open Software Project (AOSP), an open-sourced variant of Android. While AOSP doesn’t need special licensing from Google and can still get security updates, it doesn’t have access to Google’s Play Store. Additionally, compatibility and upgrading need extra work from the operator.

    Huawei developed Huawei AppGallery to fill in the hole void behind by the Google Play Store. Moreover, it prepared its Hong Meng multi-platform operating system in case it loses Android completely.

    In May 2020, the U.S. government further announced that semiconductor manufacturers using U.S. equipment would need to be granted a licence to sell chips for Huawei. Two months after the announcement, Taiwan Semiconductor Manufacturing Company (TSMC), which produces a lion’s share of Huawei’s Kirin smartphone SoCs, said it would stop supplying chips to Huawei after Sept. 14.

    It’s unclear whether the U.S. would grant a license to TSMC to sell chips to Huawei, or if TSMC has even applied for one.

    In the meantime, Huawei is looking within China for options. According to the Hong Kong publication Asia Times, one promising candidate is Semiconductor Manufacturing International Corporation (SMIC), China’s largest foundry. Although it lacks the capacity to fulfill Huawei’s massive demands, Huawei can offload extra orders to smaller fabs, such as Shanghai Microelectronics, who has recently announced that it’s willing to capture any excess orders.

    But, as highlighted by Yu, Huawei’s current predicament remains dire: Huawei’s smartphone production has “no chips and no supply,” he said.

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    Public Research Findings: Threat to live music extended as more Canadians to avoid public events for longer – Canada NewsWire



    TORONTO, Aug. 10, 2020 /CNW/ – Music Canada commissioned Abacus Data to conduct public opinion research to determine how the music industry is being impacted by Canadians’ changing feelings around music, during the pandemic. The second round of the national public opinion survey found that an increasing number of Canadians are concerned about COVID-19, and a growing number of them plan to avoid public events even after restrictions are lifted, resulting in a longer threat to live music.

    “The ongoing triple threat facing the live music industry, and all mass gathering industries, requires government action,” said Patrick Rogers, Interim co-Chief Executive Officer. “This threat includes the medical concerns that Canadians have about the virus, that government restrictions on large gatherings will remain well into recovery, and that even after government restrictions are lifted, confidence in returning to live events will continue to be low.”

    “Live music was one of the first sectors impacted by the pandemic, and it will continue to feel the impacts long after restrictions are lifted,” continued Rogers. “Artists, venues and support staff will require further support long after other elements of the economy have reopened.”

    Concern among Canadians about the pandemic remains elevated, with more believing that “the worst is yet to come” than did in April. The research shows that even as economies begin to slowly re-open, more Canadians expect to stay away from live music events long after physical distancing restrictions are lifted. Even those who regularly attended live music events before the pandemic, 55% said that they will wait at least 6 months or longer to attend a music festival after physical restrictions end – and for large concert venues, it was 60%. Perceptions of risk for attending these types of events are rising over time – instead of declining. The findings ultimately point to the prolonged threat faced by the live music industry.

    “This research confirms that Canadians continue to worry about the health impacts of COVID-19. While both artists and fans dearly miss the live music experience, it is clear that ongoing concerns about the virus will continue to significantly impact live events well into 2021,” said Jackie Dean, Music Canada’s Interim co-Chief Executive Officer. “The results show that certain safety measures will help attract some live music lovers back to live events – but many will remain hesitant.”

    Many Canadians want to get back to enjoying live music when it’s safe to do so. As the pandemic continues, the research found that self-identified “live music lovers” now miss live music even more than they did in April. 90% of respondents in this group now say “I really miss going to concerts” – and 89% of this group agree that digital content will never replace the feeling of seeing live music (an increase of 5% from polling conducted at the end of April).

    This research builds upon Abacus Data’s findings from earlier in the pandemic. In May, Abacus’ national public opinion survey identified the triple threat the music industry faces in its recovery from the impacts of COVID-19.

    Music Canada also commissioned Abacus Data to conduct national research that explores the impact of the COVID-19 pandemic through the experience of Canada’s artists. That research found that professional musicians are feeling increasing pressure as a result of the pandemic, due to a reduction in income and their ability to produce music that threatens their ability to survive.

    “The pandemic has had a devastating impact on artists’ ability to perform, to create, and to earn a living from their music,” said Miranda Mulholland, artist and Chair of the Music Canada Advisory Council. “While the findings are bleak, this series of research is providing valuable insights for artists, industry, and government as we look for safe ways to return to work. It is clear that artists and those who work closely with them in the live performance space will need further support as the economy begins to reopen.”

    For more information on the findings released from Abacus Data, please visit:

    About Music Canada

    Music Canada is a non-profit trade organization that represents the major record companies in Canada:  Sony Music Entertainment Canada, Universal Music Canada and Warner Music Canada. Music Canada also works with some of the leading independent record labels and distributors, recording studios, live music venues, concert promoters, managers and artists in the promotion and development of the music cluster.

    SOURCE Music Canada

    For further information: Erica Meekes, Music Canada, [email protected], (416) 462-1485

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