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Google pitches media outlets on AI that could help produce news

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Google is in discussions with news publishers about building and selling artificial intelligence tools that could help reporters and editors produce written journalism, a potential major acceleration of the practice of using automated tools to produce news content.

Google has been presenting the tools to news outlets since early spring, according to news executives present for meetings or later briefed on them. The product was pitched as possibly being able to collect information as part of newsgathering, write an early draft of a news story, and handle postproduction elements like writing social media posts, according to one executive who sat in on a pitch, speaking on the condition of anonymity because they were not authorized to discuss the matter. Google suggested that the tool would be most appealing to local publishers.

News outlets are grappling with the latest “generative” AI tools like Bard from Google and ChatGPT from OpenAI that can write human-sounding text on any topic based on simple prompts and questions. Some news publishers have already employed the bots to speed up their ability to write lots of content quickly, spurring anxiety and anger from human writers. But the tools still make up false information and pass it off as factual, something AI experts say is an inherent part of how the technology works, raising doubts whether it can ever be trusted to write news stories.

“We have seen large-language models like ChatGPT and Bard produce factually incorrect information. Unleashing these models in the critical, and often time-crunched, field of journalism seems premature,” said Hany Farid, a computer science professor at the University of California at Berkeley and a member of its Artificial Intelligence Lab.

Jenn Crider, a Google spokesperson, confirmed the company was in discussions with news outlets with a focus on small publishers. The tools could provide different options for headlines or writing styles, with the goal of speeding up and improving how journalists work, Crider said. She compared the tools to AI features the company is adding to Gmail and Google Docs that automatically write emails, résumés or memos based on short prompts and questions entered by a human.

“Our goal is to give journalists the choice of using these emerging technologies in a way that enhances their work and productivity,” Crider said. “Quite simply these tools are not intended to, and cannot, replace the essential role journalists have in reporting, creating, and fact-checking their articles.”

The New York Times earlier reported that Google was pitching its AI product to news outlets. The news tool is code-named Genesis, and Google has had discussions with representatives from the Times, the Wall Street Journal and The Washington Post, the Times reported.

Times spokesperson Charlie Stadtlander declined to comment on whether the Times has had discussions with Google, referring instead to a memo Times Deputy Managing Editor Sam Dolnick and Chief Product Officer Alex Hardiman sent to employees on June 7. “We recognize the power, the potential and, importantly, the risks of generative AI tools both for the public and for journalism,” they wrote. “We also intend to stay at the forefront of identifying creative ways to deploy generative AI to advance our journalistic mission.”

Caitlyn Reuss, a spokesperson for the Journal, declined to comment. Kathy Baird, the chief communications officer of The Post, said, “A meeting took place this spring with Google to showcase their new tech, Genesis, and it included mostly Post executives from the Engineering and Business teams.”

News outlets should be wary of Google, said Jason Kint, the chief executive of Digital Content Next, a lobbying group for online news organizations. “The various tools which can be enhanced by AI are exciting and should be explored with an eye on the future,” Kint said. “At the same time, publishers should have their other eye on Google’s long history of harvesting their copyrighted material and their users’ data in a manner that maximizes Google’s own profits and interests.”

The latest crop of generative AI products has sent a shock wave of anxiety through content-producing industries such as art, film, music, marketing and news publishing. The bots, which have been trained on billions of words of text scraped from the open internet, are able to create human-sounding text based on simple prompts.

The generative AI tools are trained on content taken from the news outlets themselves, without payment or permission. A Post analysis of a data set used to train an earlier version of ChatGPT showed that news stories from the New York Times, the Los Angeles Times and The Post were major sources of training data for the bot. News outlets are part of a growing movement of content creators who argue that AI companies need to compensate those whose data they use to train their bots.

Last week, the Associated Press agreed to license its news archive to OpenAI in a deal that also gave the news organization access to OpenAI technology. The AP has been among a group of news outlets that have experimented with writing automated articles for years.

Some news organizations have already put chatbots to work writing news articles. In January, internet sleuths revealed the tech news website CNET published dozens of articles written by AI. The stories were littered with errors. One article on compound interest claimed a $10,000 deposit with 3 percent interest would earn the holder $10,300 in the first year of their investment, rather than the actual $300.

Google has a complicated relationship with the news industry. As the company rapidly grew through the first two decades of the 2000s, it gobbled up huge portions of the advertising industry, decimating the news business globally. Local and regional news outlets that relied on classified and local ads for decades saw their revenue crater, and thousands of them have shut down in the United States alone, leaving many towns without a news source beyond social media.

Larger news outlets pivoted toward online subscriptions, trying to avoid relying on an increasingly small share of the advertising market. In June, the largest newspaper chain in the country, Gannett, sued Google, claiming its dominance in digital advertising was further damaging the local news industry.

At the same time, Google search traffic is a lifeline for many news publishers, including ones who have subscription businesses. News outlets compete every day to have their stories show up higher in Google search results. Google has also been accused for years of cannibalizing traffic to news outlets by showing portions of articles directly in search results, a practice the company says helps its users.

For years, Google has tried to improve its reputation among news outlets by giving grants directly to local news and smaller publishers, as well as creating free tools like transcription software for news outlets to use. In some countries, governments are passing laws to require Google and Facebook to pay news producers directly for showing their content or portions of it on their platforms.

In Canada, a new law set to go into effect at the end of the year that forces the two tech giants to make payments to news outlets has become a major political flash point. Google and Facebook have said they would block Canadians from sharing links to news outlets, while the government of Prime Minister Justin Trudeau has accused the companies of “bullying tactics.”

 

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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