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Graffiti art exhibit 'transforms' outside of Agnes Etherington Art Centre – The Kingston Whig-Standard

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The facades of the Agnes Etherington Art Centre are sporting a fresh makeover.

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Over a four-day period, six graffiti artists used 4,500 cans of spray paint to cover a 55-metre stretch of wall in a graffiti art exhibit known as Transformations. The artwork was unveiled last week.

“It’s reoriented the Art Centre in a way,” Emelie Chhangur, director and curator of the Art Centre, told the Whig-Standard. “This brick building is actually beautiful architecturally. It’s all about changing perceptions.”

The new installation is meant to distinguish the corner of Bader Lane and University Avenue from the ubiquitous limestone low-rises of Kingston. It also intends to break the norms of art galleries.

“Agnes might be the only institution in the world that can say it has graffiti on the outside and Rembrandt on the inside.”

The Art Centre opted for an open-ended approach to Transformations. Rather than blueprinting and actively directing a redesign, Chhangur entrusted the six artists’ collaboration to create something “six times more beautiful than what each of them make (on their own)”.

“It was very organic.”

Diverse styles of graffiti art now cover the walls of the Art Centre. Within the mix, Emily May Rose’s signature raccoons make an appearance, and locals may recognize Kingstonian artists’ contributions from their other works in the area.

Kingston-raised graffiti artist Oriah Scott took the lead on assembling the team. He and Chhangur met while Scott was painting in a Toronto alleyway.

“Agnes is deeply connected to its local (surroundings) and manifests a civic function,” Chhangur said. “This is a curated project that brings art conservation, Agnes, graffiti artists, and the facades (of the Art Centre) together into a new relation.”

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“The main process was building trust with artists who are not shown in institutions, artists who have a long history of being rejected in the city streets.”

Scott and others, who according to Chhangur used to refuse to step foot onto the Queen’s University campus, are now involved in the Queen’s art conservation program.

“Next thing you know, they’re in the lab giving talks to our students.”

Chhangur refers to Transformations as a “reciprocal” relationship building project resulting in the “transformation” of an art institution.

In other news of transformation, the Art Centre will be undergoing a renovation dubbed “Agnes Reimagined” beginning in June 2023, marking the expiry date of the Transformations exhibit.

Similarly to the graffiti exhibit, the Art Centre is leaving it up to artist collaboration to determine exactly what the renovation will entail. The Art Centre recently held a competition to choose its architects, and plans to continue consulting community groups in the decision-making process.

“Transformation doesn’t have an end goal in sight,” Chhangur said. “You don’t know where it’s going to lead you. But if you do it in a good way, you’ll end up with something very spectacular.”

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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