Tony Bennett may have left his heart in San Francisco, but thanks to a Winnipeg fan who became a friend, he left some of his art in Winnipeg.
Just hours after learning about Bennett’s death Friday at the age of 97, local lawyer Ian Restall was reminiscing about his love of the legendary crooner’s music, talent and charisma in concert, his artwork and character.
Restall said during his many meetings with Bennett since they were introduced to each other after a Winnipeg show in 1983, some of which were over a glass of wine, their conversations were never about music.
Lawyer Ian Restall, a huge Tony Bennett fan, holds a painting by Tony.
“It was always about his art,” Restall said of the works Bennett signed with his family name, Benedetto. “He was far more interested in what I thought of his paintings and why I bought them and what I thought of them than what I said about his music.
“He had a list of all of the paintings I own; I don’t even know how he had this list. He would ask why I was interested in this one or that one. I told him I liked his use of light through colour. I’m always amazed how he did it.”
The 64-year-old Restall flew around the world to see Bennett perform almost 70 times. The first was at the Centennial Concert Hall in 1973.
“People say you should never meet your heroes, but Tony was just a very fine human being,” he said. “It always lifted my heart when he spoke. I was introduced to him through my father, who was a big fan, and my older brother. I’ve heard his music for as long as I can remember. I have most of his albums and I’m up to seven paintings now.”
At the end of his next Winnipeg concert in 1983 — just after then-mayor Bill Norrie presented Bennett with a key to the city and proclaimed him an honorary citizen — Restall said he and his brother approached Bennett and Norrie and the mayor introduced them to Bennett.
It became the first of many meetings through the years between the Winnipeg lawyer and the New York City-based singer. He saw Bennett again after most of the shows he attended, including one at the Royal Albert Hall in London, England, and another at Carnegie Hall in New York.
Bennett’s first Winnipeg performance was at the concert hall on March 19, 1969. He returned for shows in 1973, 1983, 1985, 1999, 2009 and 2012.
“Tony Bennett took Winnipeg by storm and won the hearts of 4,000 Winnipeggers,” read a review written by Peter Crossley in the Free Press after the latter of Bennett’s back-to-back afternoon and evening shows in 1973. “It is an evening they will long remember.”
Winnipeg Mayor Bill Norrie presents Tony Bennett with an Honourary Citizenship to the city in 1983.
Almost four decades later on Oct. 13, 2009, Free Press reviewer Rob Williams said, “With most songs under three minutes, Bennett performed 24 in 85 minutes, and no matter what he was singing he made it appear effortless with his smooth tenor and wonderful phrasing.”
Restall vividly remembers Bennett’s final show here, and what happened afterwards. He had purchased the three front rows of seats for family and friends, and had his wife and another relative present the singer with bouquets of roses at the end, and then hosted a secret after-show party for Bennett at a local restaurant.
“It was just a magnificent evening,” he said. “It was one of those perfect Winnipeg August evenings…. There were maybe 120 people there; it was just a terrific event.
“And Tony’s drummer, Harold Jones, said it was the first after-party Tony went to since 1968.”
Restall said Bennett loved coming to Winnipeg and he loved the venue he always sang at.
“He loved the concert hall — he thought the acoustics were terrific. He told me that.”
In the latter Bennett performances Restall attended but before his diagnosis became public, he could tell something had changed.
“I saw him in 2019 at Radio City Music Hall in New York, and then a few months later at the Orpheum in Minneapolis and then COVID hit,” he said.
Tony Bennett signed his art with his family name, Benedetto.
“I could tell he was a bit off. He was diagnosed (with dementia) in 2016, but it was not announced until 2021. But I could tell he was slightly off. He did not have conversations with the audience between songs like he always did.”
Restall said the world has lost more than just a singer who racked up hits and awards over his remarkable eight-decade career.
“He was a mentor to many, both in music and in life,” Restall said.
“We have lost a great man. I think Tony demonstrated how someone should be. He was a real example of how you should conduct yourself. You should be generous in thought and time.”
kevin.rollason@freepress.mb.ca
If you value coverage of Manitoba’s arts scene, help us do more. Your contribution of $10, $25 or more will allow the Free Press to deepen our reporting on theatre, dance, music and galleries while also ensuring the broadest possible audience can access our arts journalism.
Kevin Rollason is one of the more versatile reporters at the Winnipeg Free Press.
Whether it is covering city hall, the law courts, or general reporting, Rollason can be counted on to not only answer the 5 Ws — Who, What, When, Where and Why — but to do it in an interesting and accessible way for readers.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
