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‘He Was Hungry’: A Korean Art Student Untaped Maurizio Cattelan’s Infamous $150,000 Banana From a Museum Wall and Ate It

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We’ve all been there: wandering the halls of an art museum, when suddenly hunger strikes. But when one South Korean art student got peckish at the Leeum Museum Art in Seoul, he made the bold decision to eat one of the artworks: Comedian, a banana taped to the wall by the notoriously prankster artist Maurizio Cattelan.

“The student told the museum he ate it because he was hungry,” a spokesperson for the Leeum told CNN. “It happened suddenly, so no special action was taken. The artist [Cattelan] was informed of the incident but he didn’t have any reaction to it.”

Noh Huyn-soo, a student of aesthetics and religion at Seoul National University, had a friend record a video of him eating Cattelan’s Comedian. Someone can be heard in the background shouting “excuse me” as Noh removes the banana from the wall. It took just over a minute for him to consume the fruit, after which he taped the peel back on the wall and smiled for the camera.

“There was a buzzer sound when I got close to other works, but there was no problem with Comedian when I got close,” Noh told Artnet News in an Instagram message. “After eating the banana, I went back to looking around. The banana was fresh.”

It’s not the first time such a fate has befallen Comedian. The infamous conceptual artwork, which absurdly elevates an inexpensive perishable item into the realm of fine art, debuted at the Art Basel Miami Beach art fair in 2019, on sale for an eyebrow-raising $120,000 from the gallery Perrotin.

The piece became an immediate sensation, with two editions selling in the early hours of the fair’s VIP opening. Then, Perrotin hiked the price to $150,000 for the third edition. As word of Comedian spread, the booth had to set up a velvet rope in front of it as a means of crowd control—but such measures didn’t stop artist David Datuna from unsticking the work from the wall, and promptly peeling and eating it.

“I have traveled in 67 countries around the world in the last three years, and I see how people live. Millions are dying without food. Then he puts three bananas on the wall for half a million dollars?” Datuna said to the Guardian. He claimed that eating the notorious sculpture was not vandalism, but a performance art piece in its own right—which he christened Hungry Artist. (He later teamed up with Dole on a banana-themed NFT.)

<img aria-describedby=”caption-attachment-2293290″ loading=”lazy” class=”size-full wp-image-2293290″ src=”https://news.artnet.com/app/news-upload/2023/05/189393a8-d9b1-79ef-03dc-fc1f5ab43fec.png” alt=”David Datuna, Hungry Artist (2019). Photo courtesy of Galleria Ca’D’Oro, Rome, Miami, and New York.” width=”929″ height=”508″ srcset=”https://news.artnet.com/app/news-upload/2023/05/189393a8-d9b1-79ef-03dc-fc1f5ab43fec.png 929w, https://news.artnet.com/app/news-upload/2023/05/189393a8-d9b1-79ef-03dc-fc1f5ab43fec-300×164.png 300w, https://news.artnet.com/app/news-upload/2023/05/189393a8-d9b1-79ef-03dc-fc1f5ab43fec-50×27.png 50w” sizes=”(max-width: 929px) 100vw, 929px”>

David Datuna, Hungry Artist (2019). Photo courtesy of Galleria Ca’D’Oro, Rome, Miami, and New York.

Noh had similar thoughts about his actions. “In a way, Cattelan’s work is a rebellion against a certain authority. But in fact, it could be another rebellion against rebellion… I wondered how the damaged work could become a work in a way,” he told KBS News. “Isn’t it taped there to be eaten?”

In both incidents, Cattelan was unfazed. Eating the banana cannot destroy the work, he said in 2019, because “the banana is the idea.” The incident at the Leeum Museum was “no problem at all,” he told the BBC.

Neither the artist nor the gallery opted to press charges against Datuna, who died in May 2022. But the next day, the gallery had to remove the installation, which the fair dubbed “a serious health and safety risk,” from view.

In Seoul, it took about 30 minutes for the Leeum Museum staff to procure and install a new banana. (Normally, the fruit is changed every two or three days.) The institution has no plans to pursue disciplinary action against Noh.

Comedian is one of 38 works by Cattelan on view in his first South Korean solo show. The exhibition, which opened in January, is the largest showing of the artist’s work since his 2011 retrospective at New York’s Guggenheim Museum. An anonymous donor gifted an edition of the Comedian to the institution in 2020.

In creating the artwork, Cattelan had originally experimented with creating a banana sculpture in bronze and resin before ultimately deciding that the genuine article couldn’t be topped. The gallery was dispatched to a local supermarket to buy a banana and to carefully affix to the wall according to his precise specifications—about 68 inches above the ground, at a 37-degree angle.

<img aria-describedby=”caption-attachment-2293919″ loading=”lazy” class=”size-large wp-image-2293919″ src=”https://news.artnet.com/app/news-upload/2023/05/Snapinsta.app_344280930_1019920802309281_6711532775017902831_n_1080-1024×773.jpg” alt=”Maurizio Cattelan’s Comedian after being eaten by Noh Huyn-soo and taped back on the wall at the Leeum Museum of Art in Seoul. Photo courtesy of Noh Huyn-soo. ” width=”1024″ height=”773″ srcset=”https://news.artnet.com/app/news-upload/2023/05/Snapinsta.app_344280930_1019920802309281_6711532775017902831_n_1080-1024×773.jpg 1024w, https://news.artnet.com/app/news-upload/2023/05/Snapinsta.app_344280930_1019920802309281_6711532775017902831_n_1080-300×226.jpg 300w, https://news.artnet.com/app/news-upload/2023/05/Snapinsta.app_344280930_1019920802309281_6711532775017902831_n_1080-50×38.jpg 50w, https://news.artnet.com/app/news-upload/2023/05/Snapinsta.app_344280930_1019920802309281_6711532775017902831_n_1080.jpg 1080w” sizes=”(max-width: 1024px) 100vw, 1024px”>

Maurizio Cattelan’s Comedian after being eaten by Noh Huyn-soo and taped back on the wall at the Leeum Museum of Art in Seoul. Photo courtesy of Noh Huyn-soo.

If you own the artwork, you are responsible for sourcing both the banana and the tape, but you do get the instruction manual for installing it, as well as a certificate of authenticity. Among the collectors are Billy and Beatrice Cox—who promised to donate theirs to a museum—and Sarah Andelman. Perrotin held on to two artist proofs, despite numerous offers, including from Damien Hirst.

Cattelan is currently battling a lawsuit from American artist Joe Morford, who claims Comedian infringes on his copyright for the 2000 artwork Banana & Orange. Both works feature a banana duct taped to the wall at a similar angle. Cattelan has maintained that he never saw the earlier work.

Maurizio Cattelan: We” is on view at the Leeum Museum of Art, 60-16, Itaewon-ro, 55-gil, Yongsan-gu, 140-893 Seoul, South Korea, January 31–July 16, 2023.

 

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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