Connect with us

Art

HiFi Club to hold month-long online art auction to prevent closure in wake of COVID-19 – TheChronicleHerald.ca

Published

on


The owners of another Calgary live-music venue at risk of shutting down are appealing to patrons for help to weather the COVID-19 pandemic and will launch an online art auction to raise funds.

The HiFi Club on 10th Avenue Southwest has operated as a music venue and art gallery for the past 15 years. It has earned a reputation for hosting early performances from future superstars, including American DJ Skrillex, rapper Kid Cudi and New Orleans bounce-music pioneer Big Freedia.

As with most nightclubs, it was forced to shut its doors when the pandemic hit and it’s unclear when it can reopen. Sarmad Rizvi, managing partner of the HiFi Club, said the venue has continued to cover bills despite having no income and will need some sort of intervention in the next couple of months to survive.

“We have no idea when Phase 3 is going to happen and we can open up again,” Rizvi says. “So we’re trying to do everything we can to keep the lights on for when we are eventually given the go-ahead.”

Rizvi says the club would like to raise $20,000 through the auction, which will kick off Sept. 8. He said the operators of the club were intending to spend this year celebrating HiFi’s 15th anniversary. Because the club has operated as a “rotating pseudo-art gallery space” in the past, it has acquired art pieces from local and global artists. Works from Vancouver artist Ben Tour, the late Dust La Rock from California, San Diego-based illustrator Matt Luckhurst, Los Angeles art collective HVW8, Dutch illustrator Parra and Calgary puppetry artist Jane Trash, among others, will be up for grabs.

Patrons and art fans will get a chance to bid on these “iconic pieces of art from Hifi’s past” over a month-long online auction beginning Sept. 8. The auction will be held at 32auctions.com/hificlub.

While music has returned to some clubs, restrictions involving social distancing and capacity and the sort of entertainment allowed has made it tough for club owners to make ends meet. A fundraiser featuring live music and silent auction was held for the Ironwood Stage and Grill in late August and another is scheduled from Sept. 18 to 20.

Copyright Postmedia Network Inc., 2020

Let’s block ads! (Why?)



Source link

Continue Reading

Art

Jennifer Irving's Journey From Buckwheat Pillows And Falafels To Fine Art – country94.ca

Published

on


Jennifer Irving’s Journey From Buckwheat Pillows And Falafels To Fine Art

Jennifer Irving on Paris Crew’s front steps (Credit: Kelly Lawson)

The opening of local photographer Jennifer Irving’s Uptown art gallery, Paris Crew, is another step in a lifelong entrepreneurial journey.

“I feel like it was something I’ve had since I was young, starting little businesses,” said Irving. “I’ve had a buckwheat pillow business, I’ve had a falafel business with my brother in the City Market, I had a nail polish business when I was 12. I just always loved business for some reason.”

She pursued the idea of operating a bricks-and-mortar gallery after she held a pop-up once at the Moonlight Bazaar two years ago.

“I was just so energized about talking to people about my work. Instead of doing an online interaction, I was able to talk to people and tell them about the photos,” she explained. “That launched me into a whole idea of working with galleries or starting my own so I could showcase my work.”

Paris Crew logo close up (Credit: Kelly Lawson)

After a tip from her framer, she purchased 62 Water Street, the former souvenir shop Distant Waters and a historic property built in 1885 in the wake of the Saint John fire.

Paris Crew, named after the Saint John area rowers who won the World Rowing Championship in Paris in 1867, showcases the work of artists like Cliff Turner, Timothy “Bjorn” Jones, Melanie Koteff, Shannon Gates, Leigh Donovan, as well as Irving’s own photography.

COVID-19 threw a wrench into Paris Crew’s plans to benefit from the summer cruise ship and tourist season, as well as causing renovation delays, but Irving believes the gallery will help further develop the increasingly busy Water Street.

“It’s always boggled my mind that our waterfront isn’t more developed,” she said. “I’ve fallen in love with this little block, this little area which felt a little bit empty just a few years ago. It’s coming alive and I’m happy to be a part of that.”

#gallery-1
margin: auto;

#gallery-1 .gallery-item
float: left;
margin-top: 10px;
text-align: center;
width: 33%;

#gallery-1 img
border: 2px solid #cfcfcf;

#gallery-1 .gallery-caption
margin-left: 0;

/* see gallery_shortcode() in wp-includes/media.php */

Irving wants the Paris Crew to be another gallery and creative space for Saint John artists. It’s going to be a multi-functional venue where visual and musical artists could hold concerts and pop-ups, even though the pandemic has changed the shape of those original plans.

Livestreamed events and bubble concerts are some examples of potential events.

“We’re so excited to explore new ideas and different ways of doing things,” she said.

“We want to bring the arts community together, whether it’s people interested in photography, painting, or music. I’d like to see the community come together [here] and be able to celebrate the art scene here in Saint John.”

Let’s block ads! (Why?)



Source link

Continue Reading

Art

The art of compassionate care – Sherbrooke Record

Published

on


Thanks to a very generous donation from an art gallery in Montreal, Grace Village is giving out thousands of dollars-worth of art this week as a way of saying thank you to its staff members for their hard work over the last six months.
“They are dedicated, committed, and have really sacrificed a lot,” said Andrea Eastman, the home’s interim executive director, explaining that the donation was arranged through a board member following a discussion about how the community could recognize the work of the staff during the pandemic. “The board had been trying to come up with a way to thank the employees and do something that is a little bit different.”
The artworks have been put on display for the residents to enjoy, and workers are being invited to come and select a work of their choice over the course of the week, based on their seniority.
Looking back on the last few months, Eastman said that the word “challenging” only scratches the surface of the realities that people working in retirement communities and long-term care homes have been facing.
“Our focus has been on keeping our residents safe and healthy,” she said. “That has guided every decision about what we needed to do.”
Eastman underlined the importance of clear communication and trust as key pillars to the success of the Grace Village community since the start of the pandemic
“It’s a shared responsibility with employees, residents, their families and other people in the community; You have to have trust in each other,” she said. “The more you communicate about what you’re doing and how you’re doing it, the clearer it is that we’re all in this together.”
Asked whether the home has faced the same sorts of difficulties with people failing to respect rules and guidelines that have been reported at other care homes in the region, the interim director said that there have certainly been cases where people needed to be reminded of the reasons why things are the way they are.
“We’ve remained quite strict, but we’re trying to be as sensitive as possible,” she said.
In matters ranging from employee scheduling during a time when multiple days off in a row might be needed for a test, to figuring out how to offer residents enrichment when gathering together is largely off limits, Eastman said that her key word has been optimism.
“I try to focus on what we are able to do, rather than what we are not able to do,” she said, adding that the support and commitment of the whole team plays an important role in making a challenging situation more feasible. “What they are doing goes above and beyond what their employer is asking of them.”

For full story and others, subscribe now.

Let’s block ads! (Why?)



Source link

Continue Reading

Art

This Magazine → Black art matters – This Magazine

Published

on


Photo by Brandon Brookbank

Shaya Ishaq’s work moves fluidly between mediums—words, ceramics, fibres, jewellery—while maintaining a central locus of honouring Black lineages and sparking light toward liberated Black futures. Tenacious and ever-evolving, Ishaq walked away from journalism school and signed up for a hand-building course at a pottery studio in her hometown of Ottawa. “I really fell in love that winter,” she says. “It was pretty magical to come into the studio first thing in the morning to see my work come out of the kiln or even just how the clay would change when the pieces would air dry before firing. I was totally enraptured by the many stages of the medium of clay.”

Now, Ishaq masterfully combines ceramics and fibres to create ornate and intricate wearable art pieces. On the origin stories of these designs, she says, “At their core, [these materials] come from the earth (before mass production and industrialization, before creating synthetic versions) and I am very dedicated to working with them to see what connections arise. Both invite a meditative process that has saved me time and again.” She started bridging relationships between ceramics and textiles when she began art school in Halifax, going on to continue her studies in Montreal. “It’s only been in recent years that some kind of visual vocabulary has emerged.”

Ishaq’s wearable art possesses a distinct aesthetic that plays with the juxtaposition of hardness and softness, gloss and matte, the whimsy of tassels and sharp curves of ceramic. That aesthetic is visible in her Holy Wata collection, showcased on her online portfolio, and her most recent solo show Mirror Mirror, exhibited at the Anne Dahl Concept Studio in Ottawa.

“Some of my stylistic choices are definitely informed by Black and Afro-diasporic futurist and Indigenous aesthetics,” she says. “More and more, I am trying to find inspiration from my own cultural background in East Africa … which requires a lot of digging, but is ultimately worth it because it brings me closer to myself in a way, by allowing me to reconnect with an em bodied sense of self.” Ishaq is also inspired by people who express a certain kind of “unfuckwithable energy,” including characters like Lauren Olamina from Octavia E. Butler’sParable series or Ketara from Avatar, and performers like
Moor Mother, Debby Friday, Backxwash, and Kelsey Lu.

Themes of Blackness in regards to identity, craft, culture, and liberation are integrally woven into Ishaq’s spatial design, as well. During a month-long residency at Halifax’s Khyber Centre for the Arts, she created Black Libraries Matter, for which she reimagined the gallery space by creating a Black library by inviting community members to donate books by Black authors.

Soon after, she had a collaborative exhibit, Reconcile/Overcome, at the Ottawa Art Gallery. It consisted of a handwoven sculptural textile piece and written work reflecting on the consequences of the transatlantic slave trade and labour of enslaved Black people on the foundation of Canada and the United States. Her written work from the exhibit includes this excerpt: “Made by my Black hands in celebration of Black spiritual resilience in all corners of the world. Not all our struggles are alike yet we are gold. We are nuanced and yet are gold. We are resilient and we are gold.”

In reflecting on the intersections of Blackness, fashion, beauty, and culture, Ishaq understands that Blackness and popular material culture are also deeply entwined. “I believe this includes Afro-diasporic cultural production as well. I really believe that materiality is political and omnipresent.” Black culture, she says, “is celebrated yet the people who create it are oftentimes disregarded, treated as disposable, only celebrated when they are dead or in moments like this where the world has to recognize the deep systemic patterns at play. There are so many case studies of appropriation that intersect Blackness, fashion, and beauty.”

In its variety of mediums, Ishaq’s practice seeks to centre Blackness and move closer toward creative sovereignty, despite continued appropriation of Black art and culture. “Ultimately, the more we are able to lean into our own creative sovereignty, the more authentic our creations can be. That sovereignty can look like not fighting for ‘a seat at the table,’ detaching ourselves from Eurocentric symbols of success but really doing things for us and by us.”

TOP: Photo by Cheryl Hann; Models: Francesca Ekwuyasi and Portia Karegeya LEFT: Photo by Mallory Lowe; Model: Jada BOTTOM: Photo by Brandon Brookbank; Model: Candy Contrera

Let’s block ads! (Why?)



Source link

Continue Reading

Trending