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Hockney’s secrets, a Mike Nelson thriller, and graffiti gets a retrospective – the week in art

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Exhibition of the week

 

David Hockney: Bigger & Closer (not smaller & further away)
Britain’s greatest pop artist continues his unique trajectory through the modern world with an immersive spectacle that plunges you into his pictures.
Lightroom, London, 22 February to 4 June

 

Also showing

 

Golden Mummies of Egypt
This newly modernised Victorian museum shows off its world-class collection of ancient Egyptian embalmed people.
Manchester Museum, 18 February to 31 December

Mike Nelson: Extinction Beckons
A retrospective of Nelson’s fictional places that snare you in his mind’s dark labyrinth.
Hayward Gallery, London, 22 February to 7 May

Beyond the Streets London
Jenny Holzer, Brassaï and Gordon Matta-Clark are among the less predictable inclusions in this history of graffiti art.
Saatchi Gallery, London, until 9 May

Annie Morris and Idris Khan: Two Worlds Entwined
This artist couple show together for the first time.
Newlands House, Petworth, until 7 May

 

Image of the week

 

Freezer is removed from the Banksy artwork, titled ‘Valentine’s Day Mascara’, installed on the side of a building in Margate, Kent.

A Banksy artwork appeared on the streets of Margate on Valentine’s Day, showing a woman with a swollen eye and a missing tooth disposing of a man’s body in a chest freezer. The image above shows a council worker removing the freezer “on the grounds of safety” after its presence had been highlighted by the national press. It was later returned, only to be removed a second time by a local gallery.

 

Masterpiece of the week

 

Manchester Madonna, Michelangelo, about 1494

The Virgin and Child with Saint John and Angels (The Manchester Madonna)

In 1857, the Manchester Art Treasures of Great Britain exhibition drew direct comparison between the booming capital of Britain’s industrial northwest and the great commercial cities of the Italian Renaissance. One of its highlights was this early painting by Michelangelo, which has been known as the Manchester Madonna ever since. Michelangelo, who was about 19 when he left this work unfinished, was a protege of the Medici, bankers and effective rulers of Florence, but by 1494 the city was in revolution. Oligarchic tyranny was replaced by a popular government under the sway of the prophet Savonarola. Michelangelo captures the intense mood of religious renewal in this visionary painting of curly haired angels surrounding a pensive Mary. He’s visibly influenced by his older contemporary Botticelli, who was a disciple of Savonarola. But this is also a farewell to Florence and its artistic heritage: soon he would move to Rome where he made a name for himself by faking a pagan love god.
National Gallery, London

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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