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How art, music and dance affect your brain and body

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Richard Sima will return next week.

Art is not a luxury for our downtime, but an important contributor to physical and mental well-being, says Susan Magsamen, co-author of an upcoming book on the new field of neuroaesthetics, which studies the brain’s responses to art.

To Magsamen, founder and executive director of the International Arts + Mind Lab at Johns Hopkins University School of Medicine, her artistic pursuits are about far more than hobbies. “I need it for my soul and my health and my survival,” she says. “It’s not a nice to have, it’s a have to have.”

This is your brain on art

Magsamen gardens, knits and crochets. She writes prose and poems, and sings and hums daily “to the chagrin of my husband,” she says. Every Friday night, she and her husband get together in their living room and dance.

I spoke with Magsamen about the emerging field of neuroarts and her new book, “Your Brain on Art: How the Arts Transform Us,” co-written with Ivy Ross, vice president of design for Hardware Products at Google. The interview has been lightly edited for clarity.

Q: Why did you think that a book on art and the brain was needed?

A: Most people think about the arts or about health, but they don’t really think about arts and health together.

Q: You write in the book about many studies showing that when people are creating or viewing art, they end up in a very focused, calm state. What is it about creating art that leads to those mindful states?

A: There are some similarities to mindfulness and meditation, and to a flow state. Part of what’s happening in those kinds of very focused spaces where you’re not thinking about 100 other things is that you’re letting your mind go, and that brings you to a stress-free state.

Q: How do dance and music affect the body and brain. How much of the effect is creative expression, and how much is about exercise?

A: We get a lot of really positive benefits from exercise. But when you think about dance, dance is a very social activity. Cultural dances have specific uses and meanings, including ceremonies and rituals (weddings, births, rights of passage) as well as pleasure. Cultural dances often have a story to tell and a message to be expressed, and they are passed down generation to generation.

These stories through dances are told to us when we are young, and they have great meaning for us individually and as a culture. And that meaning is important for memory and for being able to do something that feels good. Also, there is an aspect of community-building that’s different from exercise.

Music’s effects on the brain

Q: One of the most well-known effects of art on our health and mental state is the effect of music on people with dementia or Alzheimer’s. Why do you think we respond so strongly to familiar tunes, even when we can’t remember the faces of our loved ones?

A: Every week, my husband and I spend an hour or so with our cousin who has frontotemporal dementia. And it’s extraordinary how when we sing “You Are My Sunshine” or “Amazing Grace,” she comes right back. It’s the closest thing to magic I have seen.

Scientists know that music is processed in many different areas of the brain. There’s repetition in the way that music is encoded; the hippocampus is the region of the brain that stores short-term memory, which is often the first region to fail for people with dementia. Over time, memories are consolidated and are stored in a distributed manner in the cerebral cortex. It’s fascinating that somehow our brains have figured out how to duplicate knowledge, especially information that’s really important.

Q: What do you want people to take from this book?

A: We misunderstand the arts and aesthetics and their role in our lives. I hope that this book pulls us back, and allows us to have more of a conversation about the fact that we’re wired for art. We are physiologically wired for art, our brains respond to it without needing to be taught.

It really makes sense to understand the neurobiology, physiology and psychology of our responses to art and how that can inform practice that we do every day. I’m really hoping that the book starts a conversation about how this work, these arts and aesthetics, can change our lives in little and big ways.

How to bring art into your life

In “Your Brain on Art,” Magsamen and Ross offer a vision of what a life lived with an aesthetic mind-set could look like. Here are some ways Magsamen suggests to bring more art into your life.

  • Develop an arts practice: “We hope that people start to think about 20 minutes of an arts practice, whatever that is, throughout the day,” Magsamen says. This could be music, dancing, coloring, sculpting or knitting,
  • Appreciate art in your daily life: It doesn’t have to be an art workout — it can be an effort to appreciate the art in your daily activities. Preparing food or gardening can both be artistic pursuits.
  • Be creative about living with art: Other ways to live with the arts include waking up to smells that make you happy. Embrace the sheer joy of singing in the shower. Gaze at the clouds and find new images. Bring flowers indoors.

The point, Magsamen says, is to allow an appreciation of art and what it can do for us back into our lives. “These are tools that are available to you right now,” she says.

Do you have a question about human behavior or neuroscience? Email BrainMatters@washpost.com and we may answer it in a future column.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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