Article content
Sacha Taylor’s custom-made automotive portraits are too good for your ‘man cave’.
Sacha Taylor of Taylor Art Garage paints custom automotive portraits fit for the modern home
Sacha Taylor’s custom-made automotive portraits are too good for your ‘man cave’.
Those are my words, not hers, so if you’ve got beef, feel free to hang it to age in the comments section below.
Because her one-off pieces, created upon customer request, elevate traditional ‘car art’ to a place where you — and more importantly, your partner and family — can feel great about their prominent feature in the living room, kitchen, bedroom, or wherever else fine art is displayed.
From her home/studio in Mississauga, Ontario, Taylor has been taking requests and recreating peoples’ favourite rides with muted colours and no small amount of consideration for how each piece will look in its chosen setting. In doing so, she’s opening up ‘car art’ to an underserved market.
Since the below conversation was recorded in early August, Taylor has quit her ‘day job’ in manufacturing sales and is focussing on her full-time career as an artist and podcaster. It has been edited for clarity and length.
I’m new to the art world, actually. When I moved into my new condo in 2020 I started looking for artwork that I could put up on the walls, and as a car lover myself, I wanted something car-themed that also matched the rest of my furniture and decor. I couldn’t find the kind of art that I was looking for, so I thought “alright, I’m going to make it myself.” I saw that there was a gap in the market for it between traditional automotive art and home decor, which is very abstract a lot of the time. I got the business idea and bought the website the next day before having ever painted a car, and I’ve been going full steam ahead since.
I was not a painter before, but I’ve always been a creative person. I was always an artsy kid. My dad was a watercolour artist, so that’s where I think that I got most of my technique from. As a kid, I would just be stand for hours, watching him paint from beside his table. I think just doing that kind of instilled it in me, but no. I did a paint and wine night one time a couple of years ago (laughs), but I had never painted before that.
You know what’s so funny is that my dad is into cars, but I didn’t know my dad was into cars until I got into cars myself. We were not a car family growing up. My dad didn’t push that on us. He wasn’t a project car person, so it’s not like he was always out wrenching in the garage either. It wasn’t until I got older that I realized that he and his brother would always go to car shows together… maybe, subconsciously, he instilled that automotive love in me.
I should say that my immediate interest in cars came from watching Pimp my Ride, Overhaul and the car makeover shows. They totally lit up the creative part of my brain, and I saw that there’s so much potential in what you can do with these vehicles. I got sucked into the car world that way.
My home has a lot of artwork everywhere right now. I like things that look pleasant and I like spaces that have good energy, so when it comes to design I wanted artwork that was a little more energetic. I thought cars were perfect. I try to take that power and strength and sexiness from the auto world and bring it into the comfort and beauty of the modern home.
The first car I painted was a 1969 Ford Mustang. I still have the piece of paper I painted it on, but it’s definitely a far cry from what I’ve been selling since then.
The first one I sold was a Dodge Challenger SRT, and to this date, it’s one of my favourite paintings I’ve done because the person that it was sold to gave me total creative flexibility. It was a gift commissioned for her boyfriend for their anniversary, and it was his dream car. She said, “this is the car I want you to do… this is the canvas size.” She sent me a photo of the room it was going into and just said “go for it.” I was able to pull lots of neutrals into the painting, which I love because it separates it more from what people are used to seeing when it comes to auto art.
The biggest thing that I want to commit to is maintaining the iconic body lines of the car. That’s where I’m able to make that link between something you would typically put on the wall in your living room and the garage art that’s always been stuck in the ‘man cave’ or out in the garage. Making sure the key parts of the car, whether it be the silhouette or some body line, are recognizable when everyone sees it.
Picking the angle of the car is the first and biggest thing for me, then figuring out what body lines I want to focus on, and finally picking the colours that I’m going to use. Am I going to use the colours that were in the original reference photo that the customer gave me? Or, as is often the case, will I be given an idea of other colours that are in the house and put those into the painting instead?
I’m in a condo in Mississauga. And because floor space is limited, my “painting studio” is one-third workout space, one-third home office/recording studio, and one-third actual art studio, because the recording studio ended up being necessary when I launched my podcast. I started a podcast called Cars are for Girls, as an extension of what I’m doing with the artwork.
I realized that my female friends and the women in my network kept asking me about the artwork and the cars. I kept hearing the same message back to me over and over again: there was this feeling that cars weren’t really for them — they felt especially like car salespeople and mechanics were just taking advantage of them. I like solving problems so I thought, “what can I do to make the information and make the auto world more accessible to these women who don’t feel like they’re a part of it?” I wanted to be able to offer a resource for them that makes the auto world feel more inviting, so that they can show up with more confidence.
It’s a weekly podcast. Every Sunday I’ll release a new episode. The first couple I wanted to get straight out of the gate as a direct resource when it comes to buying cars, because that’s something that almost everybody can relate to… how to control the sale when you don’t know a lot about cars, and how to be able to take your time and inform yourself to feel more comfortable and know that you’re making a good purchase decision.
It’s just a little bit of everything. They’re short episodes — usually around 20 or 30 minutes — and it’s just bite sizes, like here’s an introduction so that you can have a baseline knowledge and have something to contribute to the conversation if you show up to a car meet. I would not classify myself as an auto expert. Leading up to each episode, I’m doing my research to make sure that I’m saying the right things and creating that connection point of actually providing not only the correct, but useful information to the listener.
For an original piece, which is completely custom to what the person wants, the pricing is really just based on how big of a canvas they want. So the smallest, the 12 by 36 inch, is $1,497. And then it really just goes up from there, all the way up to the big, mega-statement pieces — the 30 by 40 inch, three by four foot — those ones start getting closer to the three, four, or five thousand dollars.
I like to give a window of about eight weeks. Obviously I’m not painting for eight weeks straight, but it takes time. I’ve gotten rushed requests before, and in the nature of artwork, a rush isn’t always the best thing. Still, it can be accommodated when I’m leaving that kind of room with my schedule.
I am so glad that people are buying artwork from me, because otherwise I swear it would just be Mustangs the whole way. For the Mustangs, I was catching myself because I try not to show preferential treatment on my page. I almost got to do a GMC Safari, which I think would have been amazing and I still want to. I think that taking really unconventional cars and turning them into a piece of artwork could be really cool.
I don’t think so! On the podcast, I was talking about gatekeeping a few weeks ago. My own take is that there are too many people knocking other people’s cars, and not enough people just appreciating all of it. With my auto art business, my hope is that people can still see a way that a car that you may not like as much has been turned into something really attractive.
[unable to retrieve full-text content]
40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate Cracked.com
Source link
[unable to retrieve full-text content]
John Little, whose paintings showed the raw side of Montreal, dies at 96 CBC.ca
Source link
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
The Canadian Press. All rights reserved.
Chrystia Freeland says carbon rebate for small businesses will be tax-free
FACT FOCUS: Election officials knock down Starlink vote rigging conspiracy theories
Nova Scotia election promise tracker: What has been promised by three main parties?
Former B.C. premier John Horgan, who connected with people, dies at 65
Suncor Energy earnings rise to $2.02 billion in third quarter
Swearing-in ceremonies at B.C. legislature mark start of new political season
New Brunswick premier confirms her Liberal government will draft carbon pricing plan
B.C. teen with bird flu is in critical care, infection source unknown: health officer