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How Ontario painter Sacha Taylor is elevating car art – Driving

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Sacha Taylor of Taylor Art Garage paints custom automotive portraits fit for the modern home

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Sacha Taylor’s custom-made automotive portraits are too good for your ‘man cave’. 

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Those are my words, not hers, so if you’ve got beef, feel free to hang it to age in the comments section below. 

Because her one-off pieces, created upon customer request, elevate traditional ‘car art’ to a place where you — and more importantly, your partner and family — can feel great about their prominent feature in the living room, kitchen, bedroom, or wherever else fine art is displayed. 

From her home/studio in Mississauga, Ontario, Taylor has been taking requests and recreating peoples’ favourite rides with muted colours and no small amount of consideration for how each piece will look in its chosen setting. In doing so, she’s opening up ‘car art’ to an underserved market. 

Taylor Art Garage
Taylor Art Garage Photo by Sacha Taylor

Since the below conversation was recorded in early August, Taylor has quit her ‘day job’ in manufacturing sales and is focussing on her full-time career as an artist and podcaster. It has been edited for clarity and length. 

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Are you a longtime artist? 

I’m new to the art world, actually. When I moved into my new condo in 2020 I started looking for artwork that I could put up on the walls, and as a car lover myself, I wanted something car-themed that also matched the rest of my furniture and decor. I couldn’t find the kind of art that I was looking for, so I thought “alright, I’m going to make it myself.” I saw that there was a gap in the market for it between traditional automotive art and home decor, which is very abstract a lot of the time. I got the business idea and bought the website the next day before having ever painted a car, and I’ve been going full steam ahead since.

Taylor Art Garage
Taylor Art Garage Photo by Sacha Taylor

Did you know how to paint before?

I was not a painter before, but I’ve always been a creative person. I was always an artsy kid. My dad was a watercolour artist, so that’s where I think that I got most of my technique from. As a kid, I would just be stand for hours, watching him paint from beside his table. I think just doing that kind of instilled it in me, but no. I did a paint and wine night one time a couple of years ago (laughs), but I had never painted before that.

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So you inherited your art talent from your father. Is that also where you got your love of cars?

You know what’s so funny is that my dad is into cars, but I didn’t know my dad was into cars until I got into cars myself. We were not a car family growing up. My dad didn’t push that on us. He wasn’t a project car person, so it’s not like he was always out wrenching in the garage either. It wasn’t until I got older that I realized that he and his brother would always go to car shows together… maybe, subconsciously, he instilled that automotive love in me.

I should say that my immediate interest in cars came from watching Pimp my Ride, Overhaul and the car makeover shows. They totally lit up the creative part of my brain, and I saw that there’s so much potential in what you can do with these vehicles. I got sucked into the car world that way.

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Taylor Art Garage
Taylor Art Garage Photo by Sacha Taylor

What style of art did you want for your own apartment?

My home has a lot of artwork everywhere right now. I like things that look pleasant and I like spaces that have good energy, so when it comes to design I wanted artwork that was a little more energetic. I thought cars were perfect. I try to take that power and strength and sexiness from the auto world and bring it into the comfort and beauty of the modern home.

What was the first car you painted?

The first car I painted was a 1969 Ford Mustang. I still have the piece of paper I painted it on, but it’s definitely a far cry from what I’ve been selling since then.

What’s the first piece you sold?

The first one I sold was a Dodge Challenger SRT, and to this date, it’s one of my favourite paintings I’ve done because the person that it was sold to gave me total creative flexibility. It was a gift commissioned for her boyfriend for their anniversary, and it was his dream car. She said, “this is the car I want you to do… this is the canvas size.” She sent me a photo of the room it was going into and just said “go for it.” I was able to pull lots of neutrals into the painting, which I love because it separates it more from what people are used to seeing when it comes to auto art.

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What’s your process like?

The biggest thing that I want to commit to is maintaining the iconic body lines of the car. That’s where I’m able to make that link between something you would typically put on the wall in your living room and the garage art that’s always been stuck in the ‘man cave’ or out in the garage. Making sure the key parts of the car, whether it be the silhouette or some body line, are recognizable when everyone sees it.

Picking the angle of the car is the first and biggest thing for me, then figuring out what body lines I want to focus on, and finally picking the colours that I’m going to use. Am I going to use the colours that were in the original reference photo that the customer gave me? Or, as is often the case, will I be given an idea of other colours that are in the house and put those into the painting instead?

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Are you in a studio or your apartment? What’s your setup like?

I’m in a condo in Mississauga. And because floor space is limited, my “painting studio” is one-third workout space, one-third home office/recording studio, and one-third actual art studio, because the recording studio ended up being necessary when I launched my podcast. I started a podcast called Cars are for Girls, as an extension of what I’m doing with the artwork.

Very cool! Why? 

I realized that my female friends and the women in my network kept asking me about the artwork and the cars. I kept hearing the same message back to me over and over again: there was this feeling that cars weren’t really for them — they felt especially like car salespeople and mechanics were just taking advantage of them. I like solving problems so I thought, “what can I do to make the information and make the auto world more accessible to these women who don’t feel like they’re a part of it?” I wanted to be able to offer a resource for them that makes the auto world feel more inviting, so that they can show up with more confidence.

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What kind of format does the show take?

It’s a weekly podcast. Every Sunday I’ll release a new episode. The first couple I wanted to get straight out of the gate as a direct resource when it comes to buying cars, because that’s something that almost everybody can relate to… how to control the sale when you don’t know a lot about cars, and how to be able to take your time and inform yourself to feel more comfortable and know that you’re making a good purchase decision.

It’s just a little bit of everything. They’re short episodes — usually around 20 or 30 minutes — and it’s just bite sizes, like here’s an introduction so that you can have a baseline knowledge and have something to contribute to the conversation if you show up to a car meet. I would not classify myself as an auto expert. Leading up to each episode, I’m doing my research to make sure that I’m saying the right things and creating that connection point of actually providing not only the correct, but useful information to the listener.

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Taylor Art Garage
Taylor Art Garage Photo by Sacha Taylor

Going back to the paintings, how much do they typically cost?

For an original piece, which is completely custom to what the person wants, the pricing is really just based on how big of a canvas they want. So the smallest, the 12 by 36 inch, is $1,497. And then it really just goes up from there, all the way up to the big, mega-statement pieces — the 30 by 40 inch, three by four foot — those ones start getting closer to the three, four, or five thousand dollars.

How long does a painting usually take?

I like to give a window of about eight weeks. Obviously I’m not painting for eight weeks straight, but it takes time. I’ve gotten rushed requests before, and in the nature of artwork, a rush isn’t always the best thing. Still, it can be accommodated when I’m leaving that kind of room with my schedule.

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I see a lot of Mustangs on the feed. What would you say is your most painted or most requested car?

I am so glad that people are buying artwork from me, because otherwise I swear it would just be Mustangs the whole way. For the Mustangs, I was catching myself because I try not to show preferential treatment on my page. I almost got to do a GMC Safari, which I think would have been amazing and I still want to. I think that taking really unconventional cars and turning them into a piece of artwork could be really cool.

Taylor Art Garage
Taylor Art Garage Photo by Sacha Taylor

Is there anything you wouldn’t paint?

I don’t think so! On the podcast, I was talking about gatekeeping a few weeks ago. My own take is that there are too many people knocking other people’s cars, and not enough people just appreciating all of it. With my auto art business, my hope is that people can still see a way that a car that you may not like as much has been turned into something really attractive.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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