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How the British media helped Boris Johnson win – Al Jazeera English

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The mediation of messages plays a key part in the outcome of most elections and the United Kingdom’s December 12 general election was no exception.

Incumbent Prime Minister Boris Johnson‘s Conservative Party took the single strapline “Get Brexit Done” and repeated it endlessly. The slogan was plastered on billboards and emboldened on every pamphlet. It was also Johnson’s preferred response to most questions, even when it made very little sense in context. But after three and a half years of political wrangling over whether the referendum vote to leave the European Union would be implemented or not, with parliamentary processes stuck in an endless mire of withdrawal agreements and with news broadcasts seemingly talking of nothing else, it is no surprise that this slogan resonated strongly with the British public.

Pretty much everyone was sick of anything “Brexit” and the Conservative message enabled those frustrations to be vented. As a result, the Conservative Party secured a comfortable majority, while its main rival, Jeremy Corbyn’s Labour Party, which pledged to negotiate yet another withdrawal agreement with the EU and put it to a public vote, experienced its worst showing of seats since 1935. 

In those seats where more than 60 percent of voters voted Leave in the 2016 EU referendum, the increase in Conservative support on average was 6 percent. However, in seats where more than 60 percent opted for Remain, the party’s vote fell by three points.

Many of the additional seats won by the Conservatives came from what used to be called the “Red Wall” – a block of largely post-industrial areas in the Midlands and the North of England that have traditionally been Labour strongholds. 

Many people in these areas voted to leave in 2016 and supported the party that promised, above all else, a swift exit from the EU in the 2019 general election, for several reasons. 

These are also areas that have often faced long-term economic problems and where markers of deprivation are high. People in these areas suffered the sharp end of the global financial crash, with many of them losing all hope for secure employment. A government policy of debt reduction has left local authorities experiencing massive cuts, leading to greatly reduced social services. Moreover, welfare benefits were slashed, leaving the poorest and most vulnerable in these areas yet more impoverished. 

The Brexit referendum brought to the fore the economic dislocation that has taken place since the 1980s revealing deep class as well as generational and ethnic divisions. Marginalised voices voted Leave to kick back against a post-war party system that has failed them and a professional political elite that has largely ignored them. And in this election, they just wanted the job done, so they voted for the party that promised to do just that.

Getting Brexit “done”, however, is unlikely to resolve the deep-rooted social and economic problems facing many of the people who voted for it.

Some predictions estimate that leaving the EU will further exacerbate place-based inequality across the country, causing England’s regions to grow 13-16 percent less than they would have done if the UK had remained in the EU. Moreover, some regions like Cornwall are forecast to lose up to an additional £60m ($78.5m) per year in EU funding.

This was clearly not a message that the Conservatives wanted broadcast, so their rebuttal tactics were  robust. Any attempt by the media to get the Conservative candidates to talk about the risks and realities of leaving the EU, or anything else that shows them in a bad light, was side-stepped – sometimes literally. The approach was straightforward – dodge the detail, just repeat the mantra, “Get Brexit Done”.

This resulted in a series of tactics of evasion and misinformation. The Conservatives tried their best to avoid difficult debates, with Johnson refusing to be interviewed by BBC’s Andrew Neil, a veteran journalist known for his combative interview style. The prime minister also vetoed several other programmes during the election campaign, including a climate debate on Channel 4, where he was replaced with an ice sculpture.

When a reporter used his phone to show Johnson a picture of a boy with pneumonia lying on the floor of a Leeds Hospital due to lack of beds, the prime minister took the phone and hid it in his pocket to avoid answering questions. And then there was the time the prime minister hid in a large fridge at a dairy in order to avoid giving an interview to ITV’s Piers Morgan.

The Conservative pledge to “Get Brexit Done” was grossly misleading. With the large majority that Johnson now has, his withdrawal agreement will no doubt be ratified in Parliament. However, there will still be very many years of negotiations on multiple trade deals before Brexit is finally “done”. 

Misleading statements did not stop there, either. An investigation by First Draft, a nonprofit focusing on truth and trust in the digital age, found that 88 percent of Conservative campaign ads on Facebook were deemed by Full Fact, the UK’s leading fact-checking organisation, to be misleading. 

In an age of social media, honesty is not straightforward. Earlier this year Facebook confirmed that posts from political organisations and political adverts are exempt from fact-checking. The move to targeted messaging, and the inability for all citizens to see and adjudicate between information in a targeted online campaigning environment, raises critical questions about equality of information, open debate and transparency.

The Conservatives played on this and focused on messages that would be crowd-pleasing, circulate rapidly and feed off emotional responses rather than accuracy. During a TV debate between Corbyn and Johnson in November, they even rebranded one of their official party Twitter accounts to make it look like a fact-checking service. 

Labour tried desperately to broaden the agenda so that the election would be about more than just Brexit, attempting to focus on public services and the environment. Many of their plans were popular –  renationalisation of railways, water companies and the Royal Mail gained large support and a promise to increase public spending, particularly on the NHS and education, resonated strongly on the doorstep.

They put forward an ambitious manifesto with multiple new initiatives that promised widespread transformation. Different aspects of it were highlighted at regular intervals – free universal broadband one day, and a million climate jobs in every region of the UK, the next.

All this should have been seen as a gift by those seeking a better life after years of austerity. But as the days passed, rather than becoming more enthusiastic about Labour’s pledges, people started to query their economic viability. Years of rationalising austerity politics have clearly left their mark.

And although the Labour Party had settled on a Brexit strategy in support of holding a second Brexit referendum once the detail of a new deal was agreed, with “Remain” also on the ballot paper, it did not satisfy Leave voters and did not excite remainers.

Labour’s vote fell on average by more than 10 points in the most pro-Leave areas. Labour also had to battle the majority of the mainstream press which continuously pushed out anti-Corbyn and anti-Labour reports, analyses and opinion pieces.

Research by Loughborough University showed that the election coverage of the Labour Party by most national British newspapers was overwhelmingly negative. This was no surprise when just three companies – News UK, DMG and Reach – dominate 83 percent of the national newspaper market and hold the power to set the mood and the agenda for much of the mainstream media.

Traditionally, the British public relies on the broadcast media, which is subject to impartiality requirements, to make sense of the raucously biased reports they see in newspapers during election periods. This election, however, the adequacy of impartiality rules was also challenged.

Broadcasters were fastidious in ensuring that each of the main parties had the same amount of airtime. But counting minutes aired did not necessarily translate into fairness in content. News agendas were dominated by Brexit, the economy and taxation (all preferred issues for the Conservatives), with those that put Labour on the front foot such as health care and the environment distinctly lagging behind.

The BBC also suffered a series of gaffes that seriously dented its credibility. It was twice forced to apologise for misleading editing that showed Johnson in a good light; its leading journalists repeated Conservative Party spin on Twitter; and its programming highlighted allegations of anti-Semitism against Corbyn over those of Islamophobia in the Conservative Party. Amplification of the Conservative agenda was the news of the day.

Explaining election outcomes is never simple. While the media undoubtedly plays an important role, many other factors also influence the results. Nevertheless, if UK media organisations and journalists are guilty of even the slightest distortion of democracy, then we should be very worried.

In a complex and confusing digital age, the time has surely come for new regulations to ensure all elections are free and fair, and all forms of power, including the media, are held to account.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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