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How to better showcase Kansas City Black art? This woman brings it to where people shop

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Brian Roberts fills the shelves and tables of his midtown Black Pantry shop with Black-owned brands — books, wines, skin creams, candles and more.

He wanted to do the same for the bare walls.

“I wanted to create a sustainable marketplace for Black goods and to give the opportunity for those who want to support Black businesses and buy Black,” said Roberts, who opened the brick-and-mortar store at 325 E. 31st St. in 2021.

He came across the Natasha Ria Art Gallery and its owner, Natasha El-Scari. She told him about her partnership, Black Space Black Art, which pairs local businesses and Black artists to showcase and sell their works.

“It has been great to add to the aesthetic of the shop. It is usually the first thing (customers) notice when they walk in,” Roberts said.

Among the paintings at Natasha Ria Art Gallery: “Inner Stellar Space” by Adrianne D. Clayton.Among the paintings at Natasha Ria Art Gallery: “Inner Stellar Space” by Adrianne D. Clayton.
Among the paintings at Natasha Ria Art Gallery: “Inner Stellar Space” by Adrianne D. Clayton.

El-Scari works at the University of Missouri-Kansas City as the director of the Women’s Center and at the Kansas City Art Institute teaching African American experience through literature.

“I started Black Space Black Art with the purpose of shining a light on Black artists and Black art in Kansas City,” said El-Scari. “I felt like Black art was something that African Americans were missing that they didn’t know was missing, to see a reflection of their culture and their beauty in their homes and their lives.”

Starting in 2017 with barber and beauty shops, El-Scari and her collective branched out to over 40 minority-owned businesses. in the KC area. The gallery earns a commission on any sale of the works.

In 2018 she opened her gallery at 1014 W. 39th St., sharing a space with the Center for Spiritual Living Church. She set out to create a place where Black art could be on display and sold year-round.

The Natasha Ria Art Gallery shares a space with the Center for Spiritual Living church on West 39th Street.The Natasha Ria Art Gallery shares a space with the Center for Spiritual Living church on West 39th Street.
The Natasha Ria Art Gallery shares a space with the Center for Spiritual Living church on West 39th Street.

“I am really dedicated to Black people extending their own spaces in art and I want to see them receive more awards and residencies,” she said.

Artist Vivian Bluett had her first showing at the Natasha Ria Gallery and, through Black Space Black Art, her work has been displayed and sold in various businesses, including the Black Pantry. Bluett thinks the collective opens doors for new artists.

“That is where I got my confidence,” said Bluett. “Having the opportunity to show my work in a space, build community, network and that might not have happened if you had shown on your own.”

Bluett began to dive into her artistic inclinations in 2017 after being laid off. Self-taught, she developed a style that many, upon first sight, would describe as whimsical depictions of children’s paintings. However, Bluett, 40, says her style has deep cultural meanings.

“I make art based around social justice, having a conversation with the art about what we are teaching our children and what is the narrative we are leaving with them,” she said.

Paintings by Adrianne D. Clayton are on display at the Natasha Ria Art Gallery.Paintings by Adrianne D. Clayton are on display at the Natasha Ria Art Gallery.
Paintings by Adrianne D. Clayton are on display at the Natasha Ria Art Gallery.

Today, Bluett works as the instructor for The Village KC nonprofit’s youth art program, teaching lessons learned through Black Space Black Art.

“I think the beauty in Black Space Black Art and Natasha Ria is to educate the artists who don’t know and might not have a chance,” said Bluett. “The support in our community is getting a lot better, and seeing Black art becoming the norm when you go into one of our establishments is a great feeling as an artist.”

Paintings by artist Adrianne D. Clayton are on exhibit at the Natasha Ria Art Gallery.Paintings by artist Adrianne D. Clayton are on exhibit at the Natasha Ria Art Gallery.
Paintings by artist Adrianne D. Clayton are on exhibit at the Natasha Ria Art Gallery.

Roberts of Black Pantry hopes more local Black businesses will introduce their customers to Black art.

“It is great because we can elevate the walls and the space and give it some cultural cues, but to also recognize that we can work together and use our businesses to bring art to our community,” says Roberts. “But it is going to take us working together in larger capacities on larger stages to help.”

For more information on Black Space Black Art and partnering businesses visit natasharia.com/natasha-ria-art-gallery.

 

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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