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Hunter Biden knew 70% of art buyers, contradicting White House narrative on ‘anonymous’ collectors: Gallerist

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The White House said in July 2021 that a “system” had been “established” to ensure the identities of those who bought Hunter Biden’s artwork would remain anonymous for ethical reasons.

However, the first son’s art dealer testified that a new agreement to stop the disclosure of Biden’s art buyers was not set up for several months following that statement and said the first son knew the identities of approximately 70% of those buyers.

George Bergès, the art dealer for Biden, took part in a closed-door, transcribed interview before both the House Judiciary and Oversight Committees earlier this month as part of the House impeachment inquiry against President Biden.

 

Gallerist Georges Berges

Georges Berges attends SNOW JOB “defying gravity” Exhibition at Root NYC on Oct. 30, 2018 in New York City. (Photo by Jimi Celeste/Patrick McMullan via Getty Images)

House investigators, during his interview, showed Bergès a statement made by then-White House press secretary Jen Psaki on July 9, 2021.

“After careful consideration, a system has been established that allows for Hunter Biden to work in his profession within reasonable safeguards,” she said. “All interactions regarding the selling of art and the setting of prices will be handled by a professional galleries, adhering to the highest industry standards. Any offer out of the normal court would be rejected out of hand.”

Psaki added, “The galleries will not share information about buyers or prospective buyers, including their identities, with Hunter Biden or the administration, which provides quite a level of protection.”

Hunter Biden at the White House

Many have joked that the cocaine found in the White House belonged to the president’s son, Hunter Biden. (Kevin Lamarque/Reuters)

When pressed further, Psaki stressed that “it would be challenging for an anonymous person who we don’t know and Hunter Biden doesn’t know to have influence — so that’s a protection.”

However, Bergès testified that at the time of the White House’s July 2021 statement, he had an agreement with Hunter Biden which called for him, instead, “to disclose to Hunter Biden who the purchasers of his art were.” Bergès said that contract was agreed to in December 2020.

Hunter Biden Jen Psaki

Hunter Biden’s art buyers were supposed to be anonymous, according to then-White House press secretary Jen Psaki’s statement in July 2021. (Getty Images | AP Newsroom)

Bergès said that it was not until September 2021 that a new agreement with Hunter Biden was created. That agreement stated that “the gallery will not disclose the name of any buyers of artist’s artwork to artist or any agent of artist.”

Bergès stressed, though, that there was not a “White House-involved agreement,” and that Hunter Biden did know the identities of approximately 70% of the buyers of his art.

Meanwhile, Bergès testified that he had spoken to President Biden both on the phone and in person.

Bergès told lawmakers that he spoke to the president “at the White House wedding during Hunter’s — Hunter’s daughter getting married.”

Art Dealer Georges Bergès

Georges Bergès attends Dr. Gina Sam’s Resident Magazine Cover Party at Georges Bergès Gallery on Sept. 20, 2018 in New York City. (Jared Siskin/Patrick McMullan via Getty Images)

Hunter Biden’s daughter, Naomi Biden, got married at the White House on Nov. 19, 2022.

As for his phone conversation with the president, Bergès said, “My daughter finished camp, and he called to, you know, wish her, congratulate her for finishing camp and I answered the phone.”

Bergès’ testimony comes after the House formalized the impeachment inquiry against President Biden.

The inquiry is being led by House Judiciary Committee Chairman Jim Jordan, Oversight Committee Chairman James Comer and Ways & Means Committee Chairman Jason Smith.

Jordan and Comer react to Biden defying subpoena

From left, House Judiciary Committee Chairman Jim Jordan, R-Ohio, Rep. Marjorie Taylor Greene, R-Ga., and House Oversight and Accountability Committee Chairman James Comer, R-Ky., speak to reporters after Hunter Biden defied a congressional subpoena to appear privately for a deposition. (AP Photo/J. Scott Applewhite)

House Republicans are investigating any foreign money received by the Biden family, whether President Biden was involved in his family’s foreign business dealings and steps allegedly taken by the Biden administration to “slow, hamper, or otherwise impede the criminal investigation into the President’s son, Hunter Biden, which involves funds received by the Biden family from foreign sources.”

Republican investigators have suggested they are suspicious over whether Hunter Biden’s art career, which began in recent years, has led to any conflicts of interest between wealthy buyers and the White House.

“The Biden White House appears to have deceived the American people about facilitating an ethics agreement governing the sale of Hunter Biden’s art,” Oversight Committee Chair James Comer, R-Ky., said in a statement earlier this month, calling the agreement a “sham.”

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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