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Imagery speaks to culture and resilience, the art of Jay Soule – Anishinabek News

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Toronto-based artist Jay Soule, recently opened a new location as a gallery, studio and tattoo parlour. – Photo courtesy of Jay Soule

By Brian Wright-McLeod

TORONTO— The Idle No More movement was a high-water mark for contemporary Indigenous activism across Canada. It was also the catalyst for grassroots entrepreneur Jay Soule who was inspired to act in a creative way.

“When Idle No More kicked off, I felt I needed a change from what I was doing,” he said. “I did some research and watched what was going on.”

Simple and direct, his imagery resonates with many consumers of his t-shirts and paintings. But it was a long road to arrive at his current status as a sole proprietor of business and a creator of unique designs.

Originally from the Chippewas of the Thames First Nation, he was adopted and raised in a non-Indigenous family that he left at the age of 16. Admittedly, it was not an ideal situation and it led to a rugged life on the streets that fostered a level of awareness that unwittingly set a path to entrepreneurial opportunities.

“I learned tattooing in Florida and then in England in 2001,” he said. “I had some friends there, so I went to hang out with them.”

His struggles growing up existed outside of the Indigenous community.

Soule recently opened a retail store front, studio and tattoo parlour called Chippewar Nation on Toronto’s famed Queen Street West, an area renowned for its alternative arts and music scene. Prior to occupying his current location, Soule operated a store further up the street at Queen and Bathurst for 14 years.

“I got business development loans through my reserve and support from backers who believed in what I was doing,” he explained.

His experience in silk screening was derived from his experience in the tattoo industry.

“I ran a silk screening business for a long time, so I’ve been at this a while, learning the ropes of running a business and dealing with all the aspects that it involves,” he said.

The walls of Soule’s shop showcase paintings and silk-screened apparel adorned with his original designs.

There has to be a diverse effort to bring everything together far beyond a brick-and-mortar location.

“It’s the pow wow trail, online presence, travelling to art shows,” he said. “You have to be out there engaging the public. It’s not one thing. It has to be a push engaging all of them to be successful.”

Soule’s images have appeared in catalogues and exhibits for Toronto’s all Indigenous imagiNative film festival.

“I showed paintings with them for three years including the Movie Monster series, the Cult Classic series and the Tool Kit for Revolution,” he said.

Though his Indigenous imagery might be perceived as activist based, Soule’s perspective is not as obvious.

“I wouldn’t say that my work is political. I’m just stating the obvious,” he said. “I’m reacting to what I see around me and I’m learning about what’s going on in the community – things that need a spotlight and I’m simply contributing to that effort.”

His next steps involve filmmaking and larger pieces in murals. But his determination is unbowed, and serves as an example for upcoming entrepreneurs.

“My success has come from more than 15 years in the industry,” he said. “If someone wants to do this, it’s all about hard work being original in order to achieve your goals.”

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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