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In photos: Snuneymuxw women teach the art of wool weaving

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Stephanie Thomas, whose traditional name is Naalthwiik, wears a blanket she weaved. Her niece, Chenoa Point, says a blanket like this can take up to 300 hours. Photo by Anna McKenzie

On a cool November evening, a group of six students are gathered at the Snuneymuxw Learning Academy to learn the art of Coast Salish wool weaving.

The quiet darkness of outside quickly dissipates when entering the bright classroom filled with conversation and laughter. There are looms of varying sizes, and the students eagerly return to their individual weaving projects.

Located on the unceded territory of the Snuneymuxw First Nation, the learning academy was once an elementary school. Now, since reopening earlier this year, it’s a hub for engaging with the Snuneymuxw way of life: the Hul’qumi’num language, songs, traditional medicine making, cedar weaving and — tonight — wool weaving.

Stephanie Thomas has been weaving with both cedar and wool for 30 years. Her mother helped to bring weaving back to Snuneymuxw in the 1980s. Photo by Anna McKenzie

This is the space that Chenoa Point and her aunt Stephanie Thomas have curated to teach their Snuneymuxw kin and Coast Salish relatives the practice of weaving. This weekly class, which started back in October, is generations in the making. The sessions quickly filled up and Point and Thomas hope it will be the first of many to be hosted at the centre.

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Point explains that the practice of traditional weaving was almost lost during colonization. However, revitalization efforts by xʷməθkʷəy̓əm (Musqueam) people in the 1980s kept the practice alive — and crossed the waters to Snuneymuxw by way of the late Margaret Pointe, Stephanie’s mother.

As she spins, Chenoa explains that after you spin the wool once, you then shock it in a big pot of hot water for two minutes. The wool is then drained and put in a bucket of cold water to strengthen it. Photo by Anna McKenzie

The original weaving process included washing, separating, teasing, and carting the wool, followed by spinning. Before European contact, a spindle whorl was used to spin the wool.

Now, Point and Thomas guide their students to spin the wool using a wooden table and spinner, with a foot pedal.

Selisya, a weaver from xʷməθkʷəy̓əm , uses a traditional spindle whorl. Photograph by Charles F. Newcombe. Supplied by the Royal BC Museum/BC Archives; PN 83

“When we first started weaving, I wanted to see these blankets back in our Big House, ” says Thomas, whose traditional name is Naalthwiik.

“The first thing I did was a speaker blanket for someone to use in the Big House. My goal is to have as many of these as I can make for our families.”

Thomas now sees her work, and the work of her students, when she enters the Big House. Kin rest on woven sitting blankets, speakers are adorned with woven blankets that sit like sashes over their shoulders. There are also lap blankets, shawls, drum bags, purses, headbands and belted skirts.

Image caption: Point says that procuring wool is a challenge now. Colourful yarn is often used along with the wool. Photo provided by Chenoa Point
Photo by Anna McKenzie

Thomas speaks softly about her craft, yet the impact she’s made through weaving has created waves all over the world. She has shared her knowledge at conferences in Hawaii and New Zealand. One of her blankets was even gifted to the Dalai Lama during a visit to xʷməθkʷəy̓əm in 2014.

Chenoa, whose traditional name is Kwasilwit, coaches her student softly to go “over over under under.” She says that weaving is relevant to her people’s way of being, and it’s an exciting time to have people come to learn and weave. Photo by Anna McKenzie

Once used as currency and a signifier of wealth, Coast Salish people once raised woolly dogs, whose wool was utilized for their respective weaving projects.

Snuneymuxw people and surrounding communities raised their own woolly dogs, or used mountain goat hair originally. However the dogs became extinct, and other traditional types of wool are harder to come by, so colourful pieces of yarn are now often used.

Stephanie started teaching weaving to others about five years ago, she says. Her niece Chenoa, who refers to her as “Mom”, beams with admiration as she speaks about Stephanie and the work she has done. Photo by Anna McKenzie

When asked how the weaving process makes her feel, Point says it gives her a sense of tranquillity.

“It’s an honour to be able to teach our people so that the tradition gets carried on … for the people who are learning today for future generations,” says Point.

“Like sitting by the ocean, there’s a sense of connection, a sense of calm. I feel like I am at peace with the Ancestors.”

 

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Criss Bellini Art Fans Urge for Pop-Up Gallery – E! NEWS

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Since the brand’s launch in 2020, Bellini’s sales have skyrocketed, selling over $1 million in its first year and exceeding its sales in 2021, in 2022, with over 2 million sales in euros. Seeing this, it is clear that art sales are booming, and people want to see more of his unique pieces.

However, because Bellini’s website is the only place to view and purchase his art, the public has begun to request a gallery or a pop-up gallery where they can go visit Bellinis’ work and see it for themselves.

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Wish you could set fire to the last 3 years? A huge flaming art installation is coming to Toronto – CBC.ca

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3D digital rendering of The Burn, an art installation. Visible is a brassy dodecahedron adorned with perforated patterns. It appears to glow from within and floats above still dark water.
Rendering of The Burn, 2023. (Javid JAH)

What if you could just set fire to the past? Would you feel liberated — free to start fresh in 2023, flush with feelings of love and peace and other things you could file under positive vibes?

The City of Toronto launched an interactive art project last Thursday called The Burn, a seven-week initiative that aims to offer a moment of respite in the wake of COVID-19, and it comes to a climax on March 11 — the third anniversary of the pandemic. 

On that date, a monumental art installation will go up at Nathan Phillips Square, and the centrepiece involves three towering steel sculptures that’ll be set aflame for 24 hours — fires that will keep on burning with a little help from the public, who’ll be invited to add bits of (supplied) wood to the blaze.

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It’s a scenario that sounds significantly more thoughtful and controlled to hear Roger Mooking describe it. Mooking is the lead creative on the project, and he talks about The Burn as a chance to heal and grow as a collective. In short, it’s bigger than an all-day bonfire. 

Mooking says he began thinking about the work in 2021, prompted by the “overwhelming melancholy” of lockdown. “I recognized that I was not the only one, that we were in this kind of collective consciousness globally, and we all needed to heal,” he tells CBC Arts. And with The Burn, he’s inviting Torontonians to actively begin that healing process. 

The first phase of the project is already underway, and involves a series of interactive sculptures — significantly smaller vessels than the ones that’ll go up at Nathan Phillips Square. They’re being stationed at public sites around the GTA as part of a tour that launched Jan. 19 in three locations: Fort York National Historic Site, the Toronto Zoo and Twist — Mooking’s restaurant at Toronto Pearson International Airport. 

Here he is, testing it out in Terminal 1.

As of writing, people can find The Burn at three new sites through Feb. 1: Spadina Museum, Native Canadian Centre and the Market Gallery at St. Lawrence Market.

“We want to make sure that we’re hitting every corner of the GTA: north, east, south, west, central — all the nooks and crannies,” says Mooking. Twenty-one locations are currently scheduled for the tour, and a full map and schedule can be found through the city’s website. 

Through March 11, visitors will find metallic dodecahedrons at different destinations — sculptures created by local artist Javid JAH. And under each sculpture is a bowl of wooden balls: spheres the size of marbles that have been carved out of cedar. 

Photo of a brassy dodecahedron adorned with perforated ornate designs. It's mounted on a wooden stick. A wood bowl full of small wooden spheres rests below the polyhedron. In the background, two step-and-repeats printed with extensive instructions for how to engage with the artwork, are visible.
Find vessels like this one throughout the GTA. This shot was taken during The Burn’s install at Fort York National Historic Site. (CBC Arts)

Take a ball, and you’ll be asked to stop and think — to sit with your feelings, really. In the language of The Burn, you’ll be “setting an intention.” Is there something weighing on you: an emotion you wish you could change or simply set free? Once you’ve identified that feeling, you’re asked to drop your ball inside the sculpture. It’s a moment for “letting go,” so to speak. 

“People are carrying so many things, especially coming through this COVID time,” says Mooking. “It’s a very simple thing … that can be very, very emotional.”

A multihyphenate known for his success as a chef, TV personality (Man Fire Food), and musician (Bass is Base), Mooking’s presented participatory art projects for the city before. Just last August, to coincide with Emancipation Month programming at Toronto history museums, he launched Read(In), an interactive installation that also appeared in multiple locations throughout the GTA. 

To bring The Burn to life, project curator Umbereen Inayet connected him with collaborators JAH (who designed and produced the installation’s ornate sculptural elements) and artist Catherine Tammaro, a Wyandot Elder who served as an advisor, particularly concerning the project’s spiritual bent. Says Mooking: “There’s a deep history of Indigenous cultures using fire and water for cleansing and preservation and healing, so we needed that guidance to make sure that we were respecting that tradition.”

The wooden balls collected at each tour site will eventually fuel the fire on March 11, and Mooking says those attending the activation at Nathan Phillips Square will also have the opportunity to set an intention. At the big event, visitors will send their cedar spheres down a chute, directly into the flames. And when the fire’s extinguished, all the ash that’s left behind will be collected for use in city gardens. “We’re really trying to emulate the cycle of life: from the spark to the ash,” says Mooking. “We’re looking to carry the spiritual intentions from everybody in the city to fortify our Earth.”

The city says it will be announcing more public projects that respond to COVID’s impact on residents. Like The Burn, they’re part of a program called Stronger Together that launched in late November. More programming is expected to be revealed in February.

In the first few days of The Burn’s cross-city tour, Mooking says he was receiving reports from the participating venues. Folks are interacting with the sculptures already, he says. “It’s been cathartic, I hope. … I can’t wait to see how much healing we’re able to do when we really roll out the full scale of this at Nathan Phillips Square.”

Full event details, including a map of The Burn’s tour locations, can be found on the project’s website.

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Art is everywhere this weekend

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Saturday, Jan. 28

2023 ArtsEverywhere Festival

Multiple locations; 10 a.m. to 10 p.m.

From film screenings to drag brunches and book fairs, the free annual festival has something for everyone. Learn more here.

Winterstock

Royal City Studios; 7 p.m. to 11 p.m.

Join Royal City Studios for a live music tribute to Woodstock 1969; attendees are encouraged to wear their best 60s style clothes. Get tickets here.

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Music Weekends

Western Burgers & Steaks; 2:00 p.m. to 5 p.m.

The genre-bouncing Probable Cause will perform live at The Western, pay-by-donation. Doors open at 2 p.m., show starts at 2:30.

Sunday, Jan. 29

2023 ArtsEverywhere Festival

River Run Centre; 10 a.m. to 2:30 p.m.

The last day of the free festival features a lecture and a film screening, both at the River Run Centre. Learn more here.

Music Weekends

Onyx Nightclub; 2p.m. to 5 p.m.

Join SHEBAD for their live concert at Onyx. It’s family-friendly and pay-by-donation. Doors open at 2 p.m., show starts at 2:45.

OHL Hockey

2 p.m.: Guelph Storm vs. Sudbury Wolves, Sleeman Centre

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