Art
Inspired by birds, these LTC residents used art to cope with isolation – CBC.ca
For residents of Perley Health’s long-term care home, birds have always brought colour to their world.
Seniors have crafted bird houses at the wood shop for several years to hang outside their windows, and observed different species stop to feed in the courtyard. During the pandemic, bird-watching became even more important for those locked in their rooms.
Art instructor Gillian King says it came as no surprise the art took on an avian theme when residents were asked to contribute to an exhibit about sources of strength.
“We started making work and very organically, birds started to show up,” said King.
“We were like, why is that happening? We realized that birds are actually the animal that residents interact with the most here … Even when we were on lockdown and it was harder to move around, we were still able to bird-watch.”
About 50 residents participated in the program over the past year, painting, sculpting and creating works with ceramics, many of which are on display at the Ottawa Art Gallery’s spring exhibit “Wingspan.”
Joyce Tuepah, 82, sculpted a blue bird to contribute to the show, explaining “they’ve always been a favourite bird of mine. They’re colourful, they’re joyful, they’re happy. They’re singing a lot, and they’re just nice to watch.”
She says she kept busy during the pandemic watching bossy blackbirds chasing squirrels and chipmunks outside her window. For her, it was a comfort during darker times.
”I have been there and it’s not a good feeling. You almost think you’re the only one in the world with these kind of problems. But then, you wait for a while and you talk to yourself and say, ‘no, I’m not alone. There’s always someone worse off than you in any situation.'”
For 69-year-old Paul Louiseize, making art together has been a way to rebuild community.
“You were essentially separated … You were in a room and that’s it. You couldn’t go out or do much … you couldn’t even go outside,” he said.
“But here, we talk and work together and help each other out. Whenever there’s a problem we try to put our heads together. It shows us that we’re not alone in this place.”
For King, those connections are almost as important as the works produced.
“There are a lot of really beautiful and rich conversations that came out of making works for this show,” she said.
“We were talking about similarities that we have with birds and how that could relate to experiences during the pandemic … whether we feel like we’re flying free or we feel like we’re nesting or we feel like we’re trapped. There’s a lot of really potent metaphors that were happening.”
“Making work for this show brought out some really wonderful conversations and connections.”
For Louiseize, who previously worked as a metal engraver, there’s another lesson. That art is something that anyone, of any age, can do.
”[Art] has always been inside of everybody. Everybody has it. It’s just you got to let it out. Let your little boy out or little girl out, you know?”
Wingspan is on display until May 22 at the Ottawa Art Gallery. Perley Health has scheduled visits for residents to see their works on display there over the coming weeks.
Art
Art and Ephemera Once Owned by Pioneering Artist Mary Beth Edelson Discarded on the Street in SoHo – artnet News
This afternoon in Manhattan’s SoHo neighborhood, people walking along Mercer Street were surprised to find a trove of materials that once belonged to the late feminist artist Mary Beth Edelson, all free for the taking.
Outside of Edelson’s old studio at 110 Mercer Street, drawings, prints, and cut-out figures were sitting in cardboard boxes alongside posters from her exhibitions, monographs, and other ephemera. One box included cards that the artist’s children had given her for birthdays and mother’s days. Passersby competed with trash collectors who were loading the items into bags and throwing them into a U-Haul.
“It’s her last show,” joked her son, Nick Edelson, who had arranged for the junk guys to come and pick up what was on the street. He has been living in her former studio since the artist died in 2021 at the age of 88.
Naturally, neighbors speculated that he was clearing out his mother’s belongings in order to sell her old loft. “As you can see, we’re just clearing the basement” is all he would say.
Some in the crowd criticized the disposal of the material. Alessandra Pohlmann, an artist who works next door at the Judd Foundation, pulled out a drawing from the scraps that she plans to frame. “It’s deeply disrespectful,” she said. “This should not be happening.” A colleague from the foundation who was rifling through a nearby pile said, “We have to save them. If I had more space, I’d take more.”
Edelson’s estate, which is controlled by her son and represented by New York’s David Lewis Gallery, holds a significant portion of her artwork. “I’m shocked and surprised by the sudden discovery,” Lewis said over the phone. “The gallery has, of course, taken great care to preserve and champion Mary Beth’s legacy for nearly a decade now. We immediately sent a team up there to try to locate the work, but it was gone.”
Sources close to the family said that other artwork remains in storage. Museums such as the Guggenheim, Tate Modern, the Museum of Modern Art, the Brooklyn Museum, and the Whitney currently hold her work in their private collections. New York University’s Fales Library has her papers.
Edelson rose to prominence in the 1970s as one of the early voices in the feminist art movement. She is most known for her collaged works, which reimagine famed tableaux to narrate women’s history. For instance, her piece Some Living American Women Artists (1972) appropriates Leonardo da Vinci’s The Last Supper (1494–98) to include the faces of Faith Ringgold, Agnes Martin, Yoko Ono, and Alice Neel, and others as the apostles; Georgia O’Keeffe’s face covers that of Jesus.
In all, it took about 45 minutes for the pioneering artist’s material to be removed by the trash collectors and those lucky enough to hear about what was happening.
Dealer Jordan Barse, who runs Theta Gallery, biked by and took a poster from Edelson’s 1977 show at A.I.R. gallery, “Memorials to the 9,000,000 Women Burned as Witches in the Christian Era.” Artist Keely Angel picked up handwritten notes, and said, “They smell like mouse poop. I’m glad someone got these before they did,” gesturing to the men pushing papers into trash bags.
A neighbor told one person who picked up some cut-out pieces, “Those could be worth a fortune. Don’t put it on eBay! Look into her work, and you’ll be into it.”
Follow Artnet News on Facebook:
Want to stay ahead of the art world? Subscribe to our newsletter to get the breaking news, eye-opening interviews, and incisive critical takes that drive the conversation forward.
Art
Biggest Indigenous art collection – CTV News Barrie
[unable to retrieve full-text content]
Biggest Indigenous art collection CTV News Barrie
Source link
Art
Why Are Art Resale Prices Plummeting? – artnet News
Welcome to the Art Angle, a podcast from Artnet News that delves into the places where the art world meets the real world, bringing each week’s biggest story down to earth. Join us every week for an in-depth look at what matters most in museums, the art market, and much more, with input from our own writers and editors, as well as artists, curators, and other top experts in the field.
The art press is filled with headlines about trophy works trading for huge sums: $195 million for an Andy Warhol, $110 million for a Jean-Michel Basquiat, $91 million for a Jeff Koons. In the popular imagination, pricy art just keeps climbing in value—up, up, and up. The truth is more complicated, as those in the industry know. Tastes change, and demand shifts. The reputations of artists rise and fall, as do their prices. Reselling art for profit is often quite difficult—it’s the exception rather than the norm. This is “the art market’s dirty secret,” Artnet senior reporter Katya Kazakina wrote last month in her weekly Art Detective column.
In her recent columns, Katya has been reporting on that very thorny topic, which has grown even thornier amid what appears to be a severe market correction. As one collector told her: “There’s a bit of a carnage in the market at the moment. Many things are not selling at all or selling for a fraction of what they used to.”
For instance, a painting by Dan Colen that was purchased fresh from a gallery a decade ago for probably around $450,000 went for only about $15,000 at auction. And Colen is not the only once-hot figure floundering. As Katya wrote: “Right now, you can often find a painting, a drawing, or a sculpture at auction for a fraction of what it would cost at a gallery. Still, art dealers keep asking—and buyers keep paying—steep prices for new works.” In the parlance of the art world, primary prices are outstripping secondary ones.
Why is this happening? And why do seemingly sophisticated collectors continue to pay immense sums for art from galleries, knowing full well that they may never recoup their investment? This week, Katya joins Artnet Pro editor Andrew Russeth on the podcast to make sense of these questions—and to cover a whole lot more.
Follow Artnet News on Facebook:
Want to stay ahead of the art world? Subscribe to our newsletter to get the breaking news, eye-opening interviews, and incisive critical takes that drive the conversation forward.
-
Media11 hours ago
DJT Stock Rises. Trump Media CEO Alleges Potential Market Manipulation. – Barron's
-
Media13 hours ago
Trump Media alerts Nasdaq to potential market manipulation from 'naked' short selling of DJT stock – CNBC
-
Investment12 hours ago
Private equity gears up for potential National Football League investments – Financial Times
-
News23 hours ago
Best in Canada: Jets Beat Canucks to Finish Season as Top Canadian Club – The Hockey News
-
News22 hours ago
Ontario Legislature keffiyeh ban remains, though Ford and opposition leaders ask for reversal – CBC.ca
-
Sports16 hours ago
2024 Stanley Cup Playoffs 1st-round schedule – NHL.com
-
Business22 hours ago
RCMP national security team investigating Yellowhead County pipeline rupture: Alberta minister – Global News
-
Investment21 hours ago
Want to Outperform 88% of Professional Fund Managers? Buy This 1 Investment and Hold It Forever. – The Motley Fool