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Is Artificial Intelligence Set To Take Over The Art Industry? – Forbes

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Many people considered it a “formless blur of colors,” an image that was abstract but slightly resembling a human face. The image isn’t even properly positioned on the canvas, rather it is skewed towards the northwest. 

In October 2018, this “art piece”: Portrait of Edmond de Belamy, an algorithm-generated print, was sold for $432,500, thus beginning the AI-Art goldRush. 

Humans have always created and enjoyed all forms of art, for viewing purposes, for aesthetic purposes, and even for therapeutic purposes. Since the discoveries of an artistic shell carved by homoerectus, the art business has grown in leaps and bounds and become a highly profitable industry. Leonardo Davinci’s, Salvator Mundi went for $450.3 million, becoming the most expensive art piece to date.

Understanding and thriving in this industry is not as easy as it may appear, it requires a lot of knowledge, time, and exposure. 25-year-old Arushi Kapoor is the CEO and co-founder of ARTSop art consulting, is an entrepreneur who boasts all of these traits. She is also the founder of Arushi, a cultural center and art warehouse based in Echo Park, Los Angeles. In this article, Kapoor shares her knowledge of the art industry and the influence that tech and AI have on it. 

Technology has impacted the way art is created and enjoyed for the better part of the last 100 years, the invention of portable paint tubes enabled artists to paint outdoors and sparked a contingent of stunning landscape and horizon paintings. Today cameras and software like Photoshop have redefined the way art is created and enjoyed. 

Kapoor, who is herself a tech-enthusiast agrees that these advancements have been great, but insists that they have not changed the antiquated meaning of art.

“I will always be grateful for technology and technological advancements,” says Kapoor. “I wouldn’t have a business or be able to do what I have done in the industry since the age of 19, had it not been for technologies of various kinds.”

She continues,“However, in my experience, I feel that there is still and will always be that reverence in the hearts of art lovers towards handmade art and crafts. Technological creations have great utility and aesthetic value, but paintings and craft tend to have what I refer to as ‘artistic glory. Human creativity is what art is all about. Technology is a help to it, not a full replacement for it.” 

Kapoor’s foray into the industry dates back to when she wrote her first book, “Talking Art” at age 19. With that book, she put the world on notice that art was not going to be just a fleeting interest for her. Kapoor grew up in India, Europe, and the US, and this multicultural exposure has certainly influenced her knowledge and understanding of art. 

Kapoor is the director of Arushi, a US-based venture that made history as the first to present a sold-out all-Indian art show; “Art of India, Reclaiming The Present.”

ArtSop Consulting, a facet of Arushi, provides private art consulting to people around the world, buying and selling art for clients in the secondary art market. Additionally, ArtSop represents primary artists that are featured in the art warehouse, Arushi.  

Kapoor is also a technology investor, who has done a lot of research and invested capital into AI-driven art startups that are moving the needle when it comes to the future of art tech. 

Kapoor comments that the integration of AI and art has been received with mixed feelings. 

“Personally, I haven’t seen any extraordinary artworks created by AI exclusively yet,” she says. “I think there is always going to be some human intervention required to create out of the park art. I recently heard, DeviantArt is an AI tool thats helping find stolen artworks. That’s extraordinary and that’s how I believe AI can make a positive impact on the art world”

The success of the AI-generated Portrait of Edmond de Belamy seems to have sparked off a series of AI art creations all wanting to cash out on the AI intrigue among some high spending art lovers. 

In a recent exhibition of prints shown at the HG Contemporary gallery in Chelsea, the epicenter of New York’s contemporary art world, 20 prints were displayed as part of the “Faceless Portraits Transcending Time.” 

The ARTSop CEO isn’t necessarily intrigued by this development, Kapoor’s MO has always been about highlighting upcoming local and female contemporary  artists who have no platform to showcase their creations. In the opening of her “Invite-only” warehouse in LA, she featured a local female artist, Lindsay Dawn, for her first exhibition. Kapoor believes that real art should be discovered and celebrated. 

“If AI prints continue to sell for huge amounts it may de-incentivize actual human creation and creativity,” says Kapoor. 

“At the rate at which technology is being accepted in every industry, it is no longer difficult to imagine a future where fewer artists are creating because they lack platforms to sell. ‘Arushi’ along with many other art companies and galleries, hopes to find a balance and to create an ecosystem where both kinds of art can co-exist in the future. This shift to accepting non man made artworks isnt widely accepted currently. I am optimistic that there would always be a large section of art lovers who prefer man-made creations or perhaps love both.”

Artificial Intelligence wasn’t initially applied to art as a creator but as an impersonator. The technique is called style transfer and it uses deep neural networks to replicate, recreate and blend styles of artwork, by teaching the AI to understand existing pieces of art. Alexandra Squire is an excellent example of how the very human process of making art is not easily replicated. Squire believes art is a universal language with vast meanings, and focuses on art that is substantial, open to interpretation, and rich in depth and texture. 

The increased usage of all kinds of AI in all kinds of art suggests that it is here to stay. From the AI-written book, “1 The Road”,  to Anna Riddler’s AI-generated blooming tulip videos, creators have found value in utilizing artificial intelligence.

The question then becomes, is AI the future of the art industry? Kapoor shares her sentiment on this pertinent question. 

Kapoor adds, “The more optimistic view is that artificial intelligence evolves into a greater tool for existing creators to enhance, discover and replicate their works. We all hope for a world where our technologies help us, and not replace us.”

Kapoor’s perspective on the future of art and AI is probably the most tenable and desirable. There is a strong perception amongst art lovers that machines can not produce art in the real sense of the word.

This sentiment is partly true because so far, AI has only demonstrated an ability to study and understand existing art and to somehow enhance or combine them to produce something new, and in some cases, something better.

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New App Aims to Promote Province's Thriving Art Community – VOCM

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A new app aims to get people outside and appreciating art in public places all over the province.

The Explore Art NL app leads users to more than 100 existing works of art in communities from St. John’s to Makkovik, inviting people to spend more time in those locations, while possibly meeting others with mutual appreciation.

The works thus far include everything from sculptures to memorials and murals, but anyone can upload their own creations to the growing list.

Business and Arts NL executive director Amy Henderson says they modelled their app on a smaller version in Manitoba.

She says they were inspired by the app used by the Winnipeg Arts Council, but needed to expand it on a larger scale for the entire province.

Vanessa Iddon came up with the design for their so-called ‘Art Car’, a Genesis GV80 which will be touring the region to promote the new app.

The overall initiative is also supported by the federal government, City of St. John’s and Tract Consulting.

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Art Crawl bounces back for 2021 – Coast Reporter

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The 2021 Sunshine Coast Art Crawl, from Oct. 20 to 24, will feature more venues, more artists, and fewer pandemic-related changes than were in place in 2020, unless new health orders are issued before then by the provincial government.

“Because there are so many individual venues, there’s no way we can do any kind of [COVID-related] recommendations overall, other than that the venues follow the provincial guidelines,” Coast Cultural Alliance (CCA) board member and spokesperson Linda Williams told Coast Reporter.

In 2020, the Art Crawl dropped to 97 venues, down by nearly half from the record high of 186 locations in those heady pre-COVID days of October 2019.

This year, the number of venues has jumped back up, to 164, with more than 250 artists participating.

The 2020 version also tried to accommodate health concerns by offering vendors some options, as on online-only venue, or taking in visitors only by appointment. Those choices aren’t on the table for 2021, but the overarching guideline is still safety-first.

“We are following all the health regulations, period,” Williams said.

At press time, the only restriction on indoor events where participants are not seated is that masks be worn at all times by those over the age of 12. Requiring proof of vaccination is optional for venues where the number of visitors is kept under 50. Some smaller Art Crawl venues might ask for vaccination cards, but for now that’s at their discretion.

“We were just going to have to take responsibility as individuals, as artists and as visitors,” said Williams.

Sign-in sheets will be required for all venues, not for pandemic contact purposes, but in order that the CCA can collect a few statistics.

Art crawlers can also answer a quick online survey to be eligible for prizes of a two-night stay at Painted Boat Resort Spa & Marina, or ferry travel vouchers. Winners will be named in a draw to be held on Oct. 31.

Williams noted there are 46 new venues this year. Also, there are more in the Pender Harbour area than ever – 15. And for some reason, there’s been a blossoming of new Art Crawl locations at the west end of Beach Avenue in Roberts Creek.

“There are eight of them that are on Beach Avenue close to Henderson (Road) this year,” she said. “And I think seven of them are new.”

The Art Crawl is also welcoming a new major sponsor this year, Longman Developments.

“They’ve come in because their core values are similar to ours, in community-building,” said Williams. Sunshine Coast Credit Union is also back as a major sponsor, Williams noted, as it has been since 2010.

Art Crawl does receive modest grant support from local governments but is not eligible for provincial or federal funding, so is otherwise dependent on local business sponsorships and $135 venue fees to make the event possible.

The Art Crawl generated close to $600,000 in sales and commissions in 2019.

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Art Beat: Coast artist heads to show in New York City – Coast Reporter

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Roberts Creek artist Kandice Keith is on the U.S. East Coast this week to show her nature-inspired paintings at the Affordable Art Fair in New York City, Thursday, Sept. 23 to Sunday, Sept. 26. “It’s a really amazing opportunity,” Keith said in an interview. “I’m very fortunate.” Keith was set to go to the twice-yearly fair in March 2020, but the outbreak of COVID-19 put an end to that plan. “This is a make-up for that show,” Keith said. She’s also slated to return to the NYC fair at the Metropolitan Pavilion next March. You can see some of Keith’s vivid and luminous work currently on display at the Gumboot Café.

Oktoberfest

Anna Lumiere, Grant Olsen, and Coast String Fiddlers are among the performers featured at Oktoberfest, which has been on all week in downtown Sechelt until Friday, Sept. 24. A full rundown of acts and events can be found at secheltdowntown.com. Celebrations move to Rockwood Lodge on from 1 to 6 p.m. on Saturday, Sept. 25, where more live music is planned. Prizes for best lederhosen and beer stein.

Raincheck

FibreWorks Studio & Gallery in Madeira Park had planned an opening reception last Saturday for its new, juried exhibition, A Beautiful Mess: the joyful & random discovery of the artistic process. The reception has been rescheduled for this Saturday, Sept. 25, from 2 to 4 p.m.

Scent and Soul

You can meet Rohanna Goodwin Smith, author of Scent and Soul: The Extraordinary Power of the Sense of Smell, at One Flower One Leaf Gallery on Marine Drive in Gibsons, Saturday and Sunday, Sept. 25 and 26, from 1 to 3 p.m.

Live Music

Peter Van plays a solo show on piano at the Clubhouse Restaurant in Pender Harbour on Friday Sept. 24, from 5 to 8 p.m. Then, for a $5 cover on Sunday, Sept. 26 from 2 to 5 p.m. you can hear the Steve Hinton Band.

The Howesounders host a Friday night jam session at Roberts Creek Legion on Sept. 24, starting at 7 p.m. Sign up at the door to book some solo- or group stage-time. On Saturday, Sept. 25, there’s a Jeevious/Jaggs Jambouree, where members of the Jeevious family and a few players from Vancouver’s Staggers and Jaggs will shake things up for a few hours, starting at 7 p.m. Jim Foster is at the Backeddy Resort and Marina in Egmont, weather permitting, on Saturday, Sept. 25 from 4 to 7 p.m.

Banditry Cider on Pratt Road in Gibsons is staging its first Apple Festival on Sunday Sept. 26, with a lot of family-friendly frivolity starting at 11 a.m. The band The Burying Ground plays from 4 to 6 p.m.

Let us know about your event by email at arts@coastreporter.net.

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