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Israel-Hamas war: The impacts of social media

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As conflicts unfold across the world, social media platforms have become the front line for witnessing the raw realities of war.

The endless stream of graphic imagery, harrowing accounts and poignant posts flash between a funny dog video and someone’s lunch, raising questions about how social media war coverage is impacting people’s perception of humanity and their individual well-being.

In this digital age, are we equipped to navigate the emotional toll of viewing wars through our screens?

WHAT HAPPENS TO THE BRAIN WHEN WATCHING A WAR CLIP ON SOCIAL MEDIA?

The current war in Israel erupted on Oct. 7 when Hamas militants launched a shocking surprise attack from Gaza. More than 1,400 Israelis, mostly civilians, have been killed, making this the deadliest war for Israel since the 1973 conflict with Egypt and Syria.

The Sunday after the attack, the Israeli government formally declared war against Hamas, saying it had approved “significant military steps” in retaliation.

A week later, the Gaza Health Ministry reported 2,670 Palestinians have been killed, making this the deadliest of the five Gaza wars for Palestinians.

Wars readily broadcasted on social media are, sadly, not isolated to the Israel-Hamas war. Last year, as Russia launched a large-scale attack in Ukraine, people around the world scrolled tirelessly, seeking any piece of information.

In all corners of the world, people remain glued to their phones and laptops as it was one of the first moments in history when war reporting was not limited to major publications and first-hand experiences were being spread virtually.

A Ukrainian soldier, nicknamed Stem, presents an attack drone he just loaded with shells for a social media post in the outskirts of Kremmina, Ukraine, Sunday, Aug. 20, 2023. (Bram Janssen/AP Photo)Steve Joordens, a psychology professor at the University of Toronto Scarborough, said online posts about human suffering such as the Israel-Hamas war are awakening the primitive flight-or-fight response in people, thus increasing their anxiety.

This instinctive reflex releases adrenaline in the body and blocks cortisol, a hormone used to combat stressful situations like a bear encounter, Joordens explained to CTVNews.ca in an interview on Friday.

He said this constant “bear encounter” from videos and photos of war, or other triggering topics like the climate crisis and social injustices, is making many people chronically anxious.

“Anytime you go back (to your phone), you are opening yourself up to seeing the bear again,” he said.

While scrolling on social media the constant switch from a “feel-good” post to a tragic one triggers that response.

Since people have no control over the algorithm, they don’t know when the next war reminder will pop up.

POSSIBLE EFFECTS: EMOTIONAL NUMBNESS AND HATRED

As the heart-wrenching stories from the Israel-Hamas war continue to flood social media feeds, individuals worldwide are experiencing a surge of empathy.

Over the last week, people around the world have marched in solidarity with both Israel and the Palestinians.

Yet, as emotions run high, the disheartening reality of feeling powerless to affect real change could take a toll on some people, explained Joordens, who pointed out the crucial link between empathy and action.

“We want to help these people in some way, but there’s just no obvious way to do it,” he said.

Joordens said an overload of distressing content may lead to a state of “learned helplessness,” where people convince themselves there’s nothing they can do to help so “they feel the emotions and just don’t react.”

“We may end up with people who are less pro-social and less willing to help their fellow human beings, because they’ve just reached this point of feeling that they can’t,” he added.

Besides emotional numbness, the deluge of videos and photos circulating on social media can provoke other stronger feelings, even on those who are physically removed from the war.

That’s why Walter Callaghan, a PhD candidate in medical anthropology at the University of Toronto, said people need to be careful about falling prey to sensationalized content online.

Callaghan explained to CTVNews.ca in an interview on Friday that people can have a vicarious trauma response from viewing the “grotesque videos and images” on social media.

“You’ll have those people who have an overwhelming grief or a fear response,” he said. “But there’s another group of people who will have an anger response.”

He fears that anger response can quickly transform into hate.

HOW TO TAKE CARE OF YOUR MENTAL WELL-BEING WHEN WATCHING TRAUMA ON SCREENS

Before social media, people used to wait for war reporters to give a curated update on TV or the radio about what was going on in a particular region.

Now, as nearly every civilian and soldier has a smartphone, watching uncensored war clips in real time from a screen has become the norm, making everyone experience traumatic events as a collective.

However, watching these events impacts everyone differently.

It depends on previous experiences with trauma, current life circumstances, resiliency and proximity to the event, said Callaghan.

Recognizing the normal and natural reactions to traumatic events is the first step to being able to cope with the personal aftermath of trauma, said Callaghan.

“The moment that you feel horrified, that you feel the tears coming on, that you feel the anger building, you’re already overloaded,” he said.

Callaghan said while some can scroll for hours before feeling overwhelmed, these reactions can appear any time from the same day to a month or a year later.

“Even myself, as an expert, I’ve had to step back several times this week and have said, ‘I can’t do social media anymore,'” he said.

A good strategy to cope with the ongoing war coverage is to turn off the phone and rely on a good, strong social support network to have “honest, heartfelt conversations,” Callaghan suggested.

“Having a good cry is (also) healthy,” he added.

HOW TO TALK TO KIDS ABOUT WHAT’S HAPPENING

Viewing wars on social media is not only reaching adults – it’s also impacting children.

Diana Martin, the senior director of counselling at Kids Help Phone, said this is the perfect time to create a safe space at home for children to ask questions and share how they feel.

She advised parents and caregivers to initiate conversations by asking open-ended questions like, “How are you feeling about this?” This approach allows children to name their emotions, whether it’s confusion, fear or numbness.

“Remember that as we talk about emotions for young people, sometimes emotions that are coming up will trigger responses to other things in their life,” she said, adding these conversations can bring up other concerns such as health issues in the family.

If parents or caregivers choose to restrict a child’s exposure to electronic devices, Martin said it’s crucial to explain the decision, while also remembering that kids may have peers at school “who have family or close friends in Israel and Gaza.”

Overall, Martin said it’s important to provide accurate information about the ongoing war in the Middle East as young people’s imaginations can fill in gaps when facts are lacking.

With files from The Associated Press 

 

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Alberta unveils new municipal election and political party rules |

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Alberta’s Municipal Affairs Minister Ric McIver has unveiled new municipal election and political party rules. The rules make sweeping changes, including regulations new municipal political parties in Edmonton and Calgary will have to follow ahead of next year’s municipal election. The government says these rules will make local elections more transparent. (Oct. 18, 2024)



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One Direction was the internet’s first boy band, and Liam Payne its grounding force

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Liam Payne’s voice is the first one heard in the culture-shifting boy band One Direction’s debut single: “What Makes You Beautiful” launches into a bouncy guitar riff, a cheeky and borderline gratuitous cowbell and then, Payne.

“You’re insecure, don’t know what for / You’re turning heads when you walk through the door,” he sings, in a few words assuring a cross-section of generations that he’s got your back, girl, and you should like yourself a little bit more.

Payne, who died Wednesday after falling from a hotel balcony in Buenos Aires, Argentina, at just 31, was also the last solo voice on the band’s final single, “History” — effectively opening and closing the monolithic run of one of the biggest boy bands of all time.

While the exact circumstances of his death remain unclear — Buenos Aires police said in a statement that Payne “had jumped from the balcony of his room,” although they didn’t offer details on how they established that or whether it was intentional — in life, Payne was a critical part of the internet’s first boy band, one that secured an indelible place in the hearts of millennial and Gen Z fans.

How One Direction became the internet’s first boy band

Before One Direction became One Direction, its members auditioned for the U.K.’s “The X Factor” separately. The judges decided to put five promising, but not yet excellent, boys into a group. They were Harry Styles, Niall Horan, Louis Tomlinson, Zayn Malik and Payne, who together finished third in the 2010 competition.

As Rolling Stone contributing editor Rob Sheffield points out, it was an “unprecedented” way for a boy band to get their start.

“They were sort of assigned to be together. And you don’t expect longevity out of that situation. Honestly, you don’t even expect one good pop record to come out of that situation,” he says. And yet, not only did it work, but One Direction essentially created “a new template for pop stardom, really.”

The show allowed Day 1 fans to follow their career before their official 2011 launch with “What Makes You Beautiful.” Nascent fans could use rising social media platforms like Twitter and Tumblr to find community, draw attention to the group and, in the earliest days, speak directly to the members.

“I honestly made a Twitter so that I could keep up with One Direction, and that’s how I made so many different friends,” says Gabrielle Kopera, 28, a fan from California who remembers the band hosting livestreams and chats. “Sometimes they would say something back and it was so much fun. I feel like that fan interaction doesn’t even happen anymore.”

That feeling of accessibility reinforced the group’s personality and relationship with fans, says Maura Johnston, a freelance music writer and Boston College adjunct instructor.

“The fact that they came up on this British TV show and they became this worldwide phenomenon, I don’t think that would have happened as acutely and as quickly and as immersive without social media, without Twitter or without people being able to mobilize around the globe,” she says.

One Direction and their fans

Millennial and Gen Z audiences practically grew up with One Direction, but the band was truly ubiquitous. That, Johnston says, is at least partially attributable to arriving in a very different media environment from today’s.

“It was a lot more focused,” she says of the early 2010s. “Algorithmic sorting of stuff hadn’t really taken hold. So, there was this broader, mass approach. … They were one of the last gasps of that mass phenomenon, that anyone of any age, even if they weren’t a fan, had to take notice to.”

But it takes more than omnipresence to cultivate a loyal fanbase. And there were myriad reasons why listeners were attracted to One Direction.

“They were five very different musical personalities, along with five very different personalities,” says Sheffield.

They broke the rules associated with traditional boy bands, too: “They co-wrote many of their songs. They didn’t do, you know, corny, choreographed steps on stage,” he said.

After the news of Payne’s death, Kopera says she “got so many messages from people I haven’t talked to in years reaching out because I think everyone kind of realized that it does feel like we just lost a family member.”

That sentiment was mirrored in the masses of fans who gathered Wednesday outside Buenos Aires’ Casa Sur Hotel, feeding a burgeoning makeshift memorial of flowers, candles and notes as police stood guard.

“I’ve always loved One Direction since I was little,” said Juana Relh, 18, outside Payne’s hotel. “To see that he died and that there will never be another reunion of the boys is unbelievable, it kills me.”

Liam Payne’s place in the band, and its legacy

Payne was a “brooding” older brother-type in One Direction, says Johnston. He also co-wrote many songs, especially in their later career — like the Fleetwood Mac-channeling “What A Feeling” and “Fireproof.”

“He was this grounding force in the band,” Johnston says.

In an Instagram tribute, Tomlinson called Payne “the most vital part of One Direction.”

“His experience from a young age, his perfect pitch, his stage presence, his gift for writing. The list goes on. Thank you for shaping us Liam,” he wrote.

“I always remember that he was the responsible and the sensible one of the group, and I feel like he wore his heart on his sleeve,” Kopera says.

Payne had recently been vocal about struggling with alcoholism, posting a YouTube video in July 2023 where he said he had been sober for six months after receiving treatment. Buenos Aires police said they found clonazepam — a central nervous system depressant — and other over-the-counter drugs in Payne’s hotel room, along with a whiskey bottle in the courtyard where he was found.

“Looking at what happened to Liam, it just makes you feel even more sad, that it just feels like he needed help,” Kopera says. “And it’s so scary to think about how the entertainment industry can just, like, eat up artists.”

After One Direction disbanded in 2016, Payne’s solo career — a single R&B-pop album in 2019, “LP1,” and a number of singles here and there — never took off the same way as some of his bandmates. He was “the least successful,” Sheffield says. “It’s safe to say that on the terms that he was going for, he didn’t really find what he wanted to do.”

“It’s hard, transitioning from being a boy bander to be a pop star,” Johnston says.

At Payne’s solo shows, Sheffield explains, “He would show a little montage of One Direction performing, which is the kind of thing you don’t do when you’re starting out as a solo artist. But fans took that in the spirit it was offered, which is a very generous statement that he’s like, ‘Yep, you’re here because of this history that we share, and I’m here because of that same history.’”

Despite Payne’s struggles and the tragedy of his death, Kopera is confident “his legacy is going to always point back to One Direction.”

For fans, the same is true.

“When I look back on One Direction, I’m like, that was my girlhood. One Direction was the soundtrack to growing up, and I’m so thankful for it,” she says. “They really were just a group of normal boys.”

____

AP journalist Brooke Lefferts contributed to this report.



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Fledgling Northern Soccer League expected to announce first player signings soon

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The Northern Super League will likely start rolling out player signing announcements next week but its full schedule isn’t expected until early next year, according to co-founder Diana Matheson.

The former Canadian international said the fledgling six-team women’s pro league, which is scheduled to kick off in April, is having to wait on others for the full schedule although an update on the start and end of the season plus transfer window information is expected soon.

“The reality is we share venues with other teams. We’re either second, third or fourth tenant in some places,” Matheson explained.

The new league has to wait for the CFL to sort out its schedule and broadcast information, so the full NSL schedule likely won’t come out until late January or early February.

“It’s a starting point. We’ll get better,” said Matheson,

In some cases, as in the PWHL, teams may also play several games outside their primary venue, which adds to the complexity.

Matheson said teams have already started signing players, with news to follow.

“Player announcements will just keep coming until February-March,” she said. “We operate, as you know, in a global market. All the players out there are under contract right now so there’ll probably be some incredible Canadian stories signed early that you’ll start to learn about.

“And then the reality is the clubs actually get more leverage over players and agents the closer we get to the season so there’ll be some patience of clubs to sign players too, to sign the strongest possible rosters across the league from Day 1, the kickoff in April. And then we’re in market and we’re competing against the rest of the world.”

Matheson said there will be no requirement in the new league to play a certain number of young players, at least in its early stages. The 20- to 25-woman team rosters will be limited to seven internationals.

Matheson is headed to Spain next to help with the Canadian women’s team.

Sixth-ranked Canada will be coached by committee for the Oct. 25 friendly with No. 3 Spain in Almendralejo, Spain. With coach Bev Priestman suspended for a year in the wake of the Olympic drone-spying scandal, the coaching will be handled by returning assistant coaches Andy Spence, Jen Herst and Neil Wood.

Katie Collar, head coach of Whitecap FC Girls Elite, will serve as interim technical assistant and Maryse Bard-Martel as interim performance analyst.

The 40-year-old Matheson, who won 206 caps for Canada in a senior career that stretched from 2003 to 2020, is serving in an interim team support role, “providing leadership and serving as a resource for both staff and players.”

Matheson said it is likely a “one-off … as someone who has lived the program on the players’ side.”

But she said it was “an honour” to be part of the Canadian setup — and also a chance to answer any questions from players about the new league.

The NSL league will kick off with teams in Vancouver, Calgary, Toronto, Montreal. Ottawa and Halifax.

Matheson hopes veteran midfielder Desiree Scott, who is returning at the end of the NWSL season, can play a role with the new Canadian women’s league — hopefully when her native Winnipeg joins the circuit.

This report by The Canadian Press was first published Oct. 18, 2024

The Canadian Press. All rights reserved.



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