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Jatiwangi art Factory's 'Lair' brings collaborative music to Kingston – Queen's Journal

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Jatiwangi art Factory (JaF), an artistic collective from Jatisura, Indonesia, is bringing their music ensemble to Kingston for a micro-residency.

Sebastian De Line, associate curator at Agnes Etherington in Indigenous Art Care and Relations, was introduced to JaF during his residency in Indonesia.

“I’ve always thought it would be a nice opportunity to eventually invite JaF over to my home and have a kind of reciprocal exchange where they could come here, see our art scene, and participate in some different programming,” De Line said in an interview with The Journal.

The collective’s use of clay is influenced by the Jatiwangi District’s historic terracotta industry, highlighting the region’s reputation for clay tile making.

“From sculptural practices to music practices, and even perfumes [and] architecture, everything is made from the clay of [Jatisura’s] land,” he said.

The collective includes approximately 50 multimedia artists, musicians, designers, and curators. Their music ensemble, Lair, is composed of six musicians who use clay instruments.

In partnership with the Agnes, Isabel Bader Centre for the Performing Arts, and Toronto Biennial of Art, Lair will deliver a range of programming to the communities of Kingston and Toronto.

Mar. 6 marks the residency’s first event—a jam session hosted in the Agnes Etherington House.

“It’ll be a nice chance for everyone here to meet and share different stories and music, [as well as] how we relate to the land and [artist’s] music practices,” De Line said.

The jam session will be an informal drop-in where attendees can listen to musicians and speak with local artists and professors from the DAN School.

“It’s about hanging out together—that’s a part of art practice that I find [is] the glue which is not always recognized,” he said.

De Line finds inspiration in how JaF works together as a collective unit, differing from European art’s traditional focusing on individual artists.

“[It’s] that kind of collective mentality that’s very grounded in the land and in your community,” he said. “[Collective collaboration is] something [I’ve noticed becoming] more and more of interest here at home, but they’ve been doing that for a really long time in Indonesia.”

Lair will also record new music in the Isabel’s Jennifer Velva Bernstein Performance Hall, culminating in a public streaming event on Mar. 8 at 7:30 p.m.

“It’s kind of like an incubation period where they get to just go wild with all the really amazing people that work there,” De Line explained.

“[They can work with [the Isabel’s] world class technicians, equipment, and really beautiful facilities, and spend time with our music experts [while] recording some songs.”

De Line can’t wait to see what JaF produce during their micro-residency.

“Something as a curator that I strive for is to facilitate the conditions which make a space comfortable, [and] feel warm [and] welcoming,” he said. “[So, I] really sit back and let the artists do their thing, [since it’s] what they do best, and see what beautiful things come out of this.”

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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