Olena Kayinska was forced to put down her paintbrush at the end of February.
The Ukrainian artist was in the middle of a project when Russian troops invaded her country, prompting her to leave her studio and stay with her mother.
Thoughts of returning to art seemed like a luxury amid all the death and destruction, but the events also provided material for the project she had to unexpectedly abandon six months ago.
Now, some of her pieces are among those featured in a global online auction co-organized by a former Winnipegger.
“In a mystical way, it’s very connected to the war,” Kayinska said in a phone interview from Lviv, Ukraine. The project titled Trauma explores the theme of recovery.
With her career in limbo, Kayinska knew she needed to do something that would not only occupy her time, but give her the ability to help her people. So she joined Doctors Without Borders as an interpreter and project manager with the humanitarian organization.
“Psychologically, it’s easier to overcome this fear and loss of war when you’re surrounded with people and when you are doing something useful,” she said.
Olena Kayinska is an artist based in Lviv and has submitted eight pieces to be included in the Fight With Art global art auction including this piece from 2020 called Desert Sand Witches. (The Canadian Press)
Another calling, this time more in line with Kayinska’s roots, came in spring when members of FestivALT, a Krakow-based Jewish arts and activism organization, reached out on social media to see if she wanted to be part of global art auction called Fight with Art.
Winnipeg-born actor and playwright Michael Rubenfeld, who now lives in Krakow, Poland, is co-director of the auction along with James Arellano, who is from California.
Rubenfeld got a close-up view of the war’s frightening effects as many fleeing western Ukraine crossed over the border to seek refuge in Poland. He and his wife took in a Ukrainian woman and her mother soon after the invasion. Their home quickly filled with tourniquets, bandages and other supplies as the woman led efforts to collect supplies to distribute to the Ukrainian army.
It was clear the war’s effects didn’t end at the border and the art collective needed to pivot, said Rubenfeld.
“There was just so much news and so much noise about the war that we wanted to ensure that there was also a contribution of the human element, the cultural element to also keep people rooted in the fact that we’re dealing with humans,” he said.
‘Small miracle’ transporting art amid war
The team came up with the idea to host an online global art auction to showcase and support Ukrainian artists whose careers had been halted, as well as financially support charities assisting with war relief.
They were able to source more than 130 pieces of original artwork from roughly 40 artists across Ukraine.
It was no small feat.
The team had to figure out how to get art out of a country at war.
They built a network of people to help. Their goal was to get everything to Lviv in western Ukraine, where they had two storehouses. The art was then transported by truck to Krakow. It took about two months to collect everything.
“It was kind of a small miracle that we managed to get it all here,” said Rubenfeld. “When the final truck came, we were just so overjoyed that it arrived because you never know with a country at war.”
The collection includes pieces done before and after the war started.
Artists are fighting to preserve their culture and people against genocide, and the auction is a way to show the world what Ukraine is through art, said Rubenfeld.
“The exchange is not that you bought a piece of art, it’s that you’ve actually contributed to a people who are trying to preserve their country and culture.”
Works reflect artists’ resolve
For Nata Levitasova, practising art has become a form of therapy.
“Art has helped me feel a little less pain and now it [takes] my attention from war to art,” she said by phone from the Carpathian Mountains in Ukraine.
The artist, whose style reflects neocubism and geometric simplification, submitted 10 paintings to the auction. All pieces were created before the invasion, but she has since created a series called “PAINted,” which reflects themes of war.
The auction goes until Sept. 4.
Back in Lviv, Kayinska says Russian attacks have diminished. She has been able to develop four pieces about the war for her “Trauma” project. While the future remains uncertain, she hopes to one day exhibit the project internationally.
Artwork coming out of Ukraine is showing the true spirit, strength and resistance of artists, she says.
“The art shows things that we just now are starting to reveal in ourselves.”
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
