adplus-dvertising
Connect with us

Media

Kyoto Animation massacre puts Japan's media at crossroads on disclosure – The Japan Times

Published

 on


The horrific Kyoto Animation Co. arson attack that killed 36 people and injured 33 others in July could very well be remembered as a pivotal moment in the Japanese media’s coverage of crime victims.

Domestic media refrained from excessively covering the relatives of those hurt or killed at the studio in Kyoto’s Fushimi Ward, but also explained their rationale for disclosing the victims’ names over their families’ objections.

Reporters on the scene agonized over how to cover the tragedy professionally while taking into account the feelings of the next of kin, who were in the midst of processing their grief.

300x250x1

Families in the meantime were afraid the reputations of their loved ones would be tarnished on social media once their names were released.

Ultimately, many news organizations felt that attaching names and faces to the tragedy, instead of just figures, would humanize it.

Media customs regarding disclosure differ from country to country and by organization.

In the United States and Britain, for example, disclosure of accident or crime victims’ names is widely practiced, with the public’s right to know taking precedence. Germany and South Korea, on the other hand, withhold victims’ names in principle to prioritize privacy.

Reporters covering the arson attack in Kyoto were bewildered because each news organization’s reporting activities were exposed on the internet, often resulting in public criticism of their coverage.

The attack on Kyoto Animation, abbreviated KyoAni, took place on July 18. But the victims’ names were released in stages, starting with 10 on Aug. 2, then 25 on Aug. 27. The 36th victim died in early October.

Why did it take so long?

The Kyoto Prefectural Police made contact with the next to kin for consent to release the victims’ names and to ask whether anyone in the family would agree to a media interview. The National Police Agency also instructed the Kyoto police to get consent before releasing any names. Of the 36 victims’ families, 22 declined.

According to a petition claiming a violation of human rights brought to the Kyoto Bar Association in early December, even though the Kyoto police told news outlets that family members had refused to release victims’ names, they did so anyway.

Some argue that disclosure is vital in reporting major criminal cases or accidents accurately and providing valuable lessons for society.

Both national dailies and local papers ran reports on the KyoAni attack using the names released by the police. At the same time, they cooperated to avoid engaging in excessive coverage.

For example, representatives from each organization visited the families and others concerned instead of mobbing them with the usual media scrum and immediately left when their requests were rejected. They also shared information amongst themselves on the families’ reactions.

The Asahi Shimbun and many other newspapers also explained their reasons for naming the victims.

In its coverage, the Mainichi Shimbun decided to offer a detailed explanation of why it chose to name the victims, paying due consideration to the families and avoid media scrums.

On the day after the names of 25 victims were announced, the Mainichi ran an article on its stance on releasing the names and included past cases where it chose to withhold names.

“Speaking from my experience of being a reporter covering incidents and accidents, I think a name offers ‘proof of living,’” said freelance journalist Akihiro Otani in the Mainichi’s Sept. 16 edition.

“There were people who came to the scene of the incident, saying ‘Because I knew the names I felt the need to come to offer my prayers.’ … Reporting names in the media is a manifestation of the resolve not to allow a victim’s life to fade away with time.”

The Kyoto Shimbun released a story on distressed KyoAni reporters under the headline “Torn over the risks of hurting bereaved families” in its Aug. 18 edition. On Aug. 28, the daily also reported on an in-house debate it held on whether anonymous coverage truly conveys the families’ grief to readers.

While the Kyoto daily decided to post photos after receiving consent in principle, the reporters reached an agreement, endorsed by senior editors, not to cover the wakes and funerals, according to Shigetaka Meguro, a managing director in the general news section.

Just rattling off such reasons as the “right to know,” “matter of record” and public disclosure being “common sense abroad” may not hold much sway with grief-stricken families. Experts argue that more convincing justification is needed.

At a third-party meeting organized by Kyodo News in November, journalist Yasushi Kamada made the point that “The rationale of releasing names because there is a ‘right to know’ is not a persuasive argument for the average person.”

Masahiro Sogabe, a professor of information law at Kyoto University’s graduate school, posed the question, “Are victims’ names for public purview? I think the people involved and their families’ intentions should also be respected.”

In the United States, the names of the deceased are usually disclosed after their next of kin are notified but are sometimes withheld in sex-related crimes or cases involving minors.

In Britain, police have worked out a guideline with media outlets stipulating that victims names are to be disclosed once their families have been notified. If the victim is alive, they need to get consent from the victim or the next of kin.

In Germany, victims’ names are usually withheld except in the case of public figures. In principle, protection of privacy also applies to perpetrators. But their given names, along with the first letter of their surnames, appear in media reports. Full names and photos of the accused, however, can be revealed at each news organization’s discretion in high-profile cases.

Korean media do not report names except in cases involving celebrities because the police refuse to release them under a law protecting crime victims. Perpetrators’ names are also withheld, though exceptions are sometimes made for particularly heinous crimes.

The detailed explanation provided by newspapers as well as media reports on how this issue has sparked internal debate at news outlets in the wake of the KyoAni attack suggest a new direction for media coverage in Japan.

Let’s block ads! (Why?)

728x90x4

Source link

Media

Social Media Tips for Event Profs – BizBash

Published

 on


Social media changes rapidly—and what worked last year might not work in 2024. (Just look at X’s, or Twitter’s, dramatic revenue loss after many major platforms have stopped posting or advertising on the platform.) So what does work on social media right now, particularly for event professionals?

“We don’t just want our audience to understand what we do—we want them to know who we are,” says Zoe Haynes, the sales and marketing coordinator for PlatinumXP who oversees the event planning agency’s digital marketing. “Social media has evolved into a space for cultivating relationships and building trust. We utilize various platforms to tell stories—the story of an event transformation, behind the scenes with our production crew, or maybe even some fun office shenanigans with our CEO.”

Haynes’ focus on maintaining a consistent, authentic brand presence was a common theme among event professionals we spoke to about how they’re using social media right now. It’s all about “fostering an ongoing connection with our followers,” agrees Elias Contessotto, social media manager for event production company 15|40.

300x250x1

But remember: Not every platform is created equal. Contessotto stresses the importance of tailoring your approach with each platform—but also not being afraid to experiment a bit to ensure you’re staying ahead of trends and maximizing audience engagement. “By creatively testing new tactics, we gauge audience response and efficacy, gradually integrating successful approaches into our channels,” he explains. “This iterative process empowers us to refine our content strategy continuously, adapting to evolving trends and audience preferences.”

In short, “It’s all about meeting your audience where they’re at,” says Taylor Elliot, vice president of marketing and brand strategy for Shepard Exposition Services. “Social media is such a great tool to amplify your brand voice. I always say as marketers we need to create a system that works for our brand even when we are sleeping, and social media is one of the tools to help achieve this.”

LINKEDIN & INSTAGRAM

From our conversations, LinkedIn and Instagram quickly emerged as the two top platforms in the event industry. “Instagram is our go-to for showcasing stunning event photos—however, LinkedIn holds equal if not greater importance in our strategy,” explains Haynes. “While Instagram captures attention with its visual allure, LinkedIn allows us to dive deeper into industry conversations and build relationships with our peers.”

Contessotto likes to target a B2B audience with 15|40’s LinkedIn presence, posting content that focuses on industry insights, professional networking, and collaborations with studios. “We often share static posts similar to those on Instagram, tagging relevant studios to expand our reach,” he says, noting that LinkedIn posts are often reshared by team leaders and executives. “LinkedIn [also] serves as a prime platform for spotlighting press coverage, award nominations, and industry highlights.”

On Instagram, meanwhile, Contessotto expands 15|40’s content to cater to both B2B and B2C audiences. “We share visually engaging posts that highlight our expertise, industry leadership, and collaborations, appealing to a wider range of followers,” he says. “Instagram will have ‘POV’ content, which is much more personal and requires less high-quality tools to tell our story. I came to 15|40 from an influencer background, and from experience, I notice that more amateur content does better on that platform, like using an iPhone for reels rather than a DSLR camera.”

Heather Rouffe, director of sales at Atlas Event Rental, also appreciates the more personal touch that can come with Instagram. “Through that platform, we strive to educate the industry, create brand awareness, and most importantly to us, show the personal side to our company, brand, and rentals,” she explains. “With so much of the human side of things lost in a digital age, being personable and showing the people behind the brand is very important to us. We find the clients really appreciate the behind-the-scenes content and becoming familiar with the Atlas crew.”

On the flip side, though, that doesn’t mean LinkedIn can’t get a little personal. Al Mercuro, senior account director at trade show display company Genesis Exhibits, prioritizes LinkedIn due to the connections he’s been able to make with marketing directors and event directors at companies he’d like to do business with.

“I try to not promote my company as much as my brand by sharing information that will help them in their jobs—I find I get many referrals this way,” Mercuro notes. “I believe it is also a living resume; before I meet with someone, they will often check out my LinkedIn page to learn more about me. The more you can build up your profile and the number of connections you have adds to your value and makes it attractive to have them want to work with you.”

Jonathan Kazarian, the founder and CEO of Accelevents, also uses LinkedIn to build up his personal thought leadership—and therefore, build awareness of his event management software company. “Ninety-nine percent of what I share on LinkedIn is professional,” he says. “I’ll share something about my personal life to build connection, but that’s not my focus with LinkedIn.” 

FACEBOOK, TWITTER (X), TIKTOK, & MORE

In a sign of changing times, most of the event professionals we spoke with are not investing much in Facebook or Twitter (now known as X)—though many are still updating them. 

“We push out all of our Instagram content to our Facebook, to ensure our followers and intended audiences on both platforms are receiving similar content,” says Contessotto. “We also maintain our Twitter, or X, channel to share some of our event photos, as well as retweet content that clients we work with post that are captured at our events.”

Mercuro finds that Facebook is still an effective way to reach older generations—but for younger generations, he’s found some success marketing events on TikTok. “I am a board member of a nonprofit concert venue, and we needed to attract a younger audience,” he remembers. “I suggested we work with a local university and their marketing classes to take on a project like our organization to give them real-life experience. They chose to use TikTok to reach the younger demographics in our area, and it has been extremely successful.”

Contessotto agrees that TikTok is naturally very Gen Z-oriented, so content should be tailored accordingly. “We’ve noticed that we typically receive high engagement when our content is celebrity-focused,” he says. “Our team is constantly working to balance out our TikTok pages to include viral content, as well as videos that highlight our diverse portfolio of work to attract the right kind of audience.”

Haynes says she’s still exploring TikTok’s potential for Platinum XP. “I’ve noticed its popularity as a discovery platform,” she says. “It’s a great tool for driving awareness, but we should also consider whether our target audience is active on TikTok.” One tool that Haynes does invest time in? Pinterest. “It’s a powerful tool for SEO purposes. Its visual nature allows us to drive awareness to our website through captivating photos. By sparking curiosity, we encourage users to click through and explore further.”

Adblock test (Why?)

728x90x4

Source link

Continue Reading

Media

North Korea conducts test on new ‘super-large warhead’: State media – Al Jazeera English

Published

 on


Pyongyang says new warhead designed for cruise missiles, adding that a new anti-aircraft rocket was also tested.

North Korea has conducted a test on a “super-large warhead” designed for a strategic cruise missile, state media reports, adding that it also launched a new type of anti-aircraft missile.

“The DPRK Missile Administration has conducted a power test of a super-large warhead designed for ‘Hwasal-1 Ra-3’ strategic cruise missile”, KCNA news agency reported on Saturday, referring to North Korea by an abbreviation for its official name – Democratic People’s Republic of Korea.

300x250x1

North Korea also carried out a test launch on Friday afternoon of a “Pyoljji-1-2”, which state media said was a “new-type anti-aircraft missile”.

KCNA added that “a certain goal was attained” through the test without providing further details.

The weapons tests were part of the “regular activities of the administration and its affiliated defence science institutes”, KCNA reported, referencing the operation of “new-type weapon systems”.

The tests “had nothing to do with the surrounding situation”, KCNA added, but did not give any further information.

In early April, North Korea said it had tested a new medium-to-long-range solid-fuel hypersonic missile, with state media sharing a video of it being launched as leader Kim Jong Un looked on.

Cruise missiles are among a growing collection of North Korean weapons designed to overwhelm regional missile defences. They supplement the North’s vast arsenal of ballistic missiles, including intercontinental variants, which are said to be aimed at the continental United States.

Analysts say anti-aircraft missile technology is an area where North Korea could benefit from its deepening military cooperation with Russia, as the two countries align in the face of their separate, intensifying confrontations with the US.

The US and South Korea have accused the North of providing artillery shells and other equipment to Russia to help extend its warfighting ability in Ukraine.

Since its second nuclear test in 2009, Pyongyang has been under heavy international sanctions, but the development of its nuclear and weapons programmes has continued unabated.

Adblock test (Why?)

728x90x4

Source link

Continue Reading

Media

Lawmakers pan Ben Gvir for ‘unforgivable’ tweet on alleged Israeli strike on Iran – The Times of Israel

Published

 on


Italian FM says Israel gave US ‘last minute’ warning about drone attack on Iran

CAPRI, Italy (AP) — The United States told the Group of Seven foreign ministers that it received “last minute” information from Israel about a drone action in Iran early this morning, Italy’s foreign minister says.

Italian Foreign Minister Antonio Tajani, who chaired the meeting of ministers of industrialized countries, says the United States provided the information at session this morning that was changed at the last minute to address the suspected attack.

Tajani says the US informed the G7 ministers that it had been “informed at the last minute” by Israel about the drones. “But there was no sharing of the attack by the US. It was a mere information.”

300x250x1

Early Friday, Iran fired air defenses at a major air base and a nuclear site near the central city of Isfahan after spotting drones, part of an apparent Israeli attack in retaliation for Tehran’s unprecedented drone-and-missile assault on the country last weekend.

In a communique following the three-day meeting, the ministers urged the parties “to prevent further escalation.”

Adblock test (Why?)

728x90x4

Source link

Continue Reading

Trending