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Local artists chosen for annual art exhibition – Timmins Press

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Exhibition held at Timmins Museum until Jan. 26

Karina Douglas-Takayesu, a veteran member of the Porcupine Art Club was chosen for the second time to be featured in the 63rd annual Northern Ontario Art Exhibition. Her watercolour painting is based on the Ontario Northland Christmas Train that passed through Iroquois Falls in 2017. Elena De Luigi/The Daily Press

jpg, TD

Four members of the Porcupine Art Club have been selected for the Northern Ontario Art Association’s (NOAA) 63rd-annual juried exhibition.

One of those members, Karina Douglas-Takayesu, who has been painting with the art club for 10 years, said she was happy to hear her painting was chosen.

“It can be a little bit of a challenge getting in, but it’s nice to have the recognition.”

This is Douglas-Takayesu’s second time being selected for the exhibition, which sees around 200 submitted paintings, but only the top 40 are chosen by two jurors.

This year’s exhibition was organized by VISIONorth Arts in Cochrane, and was juried by Maxine Noel and Pam Atherton.

Karen Bachmann, the director and curator for the Timmins Museum: National Exhibition Centre, said the artwork featured in the exhibition was selected from paintings done by members of fifteen Northern Ontario art clubs, adding the artists are located from Algoma to Walden.

The pieces travel across Northern Ontario on a year-long tour to be shown in the different communities that participated.


Karen Bachmann, the Timmins Museum’s director and curator, is seen here with one of 40 pieces of art that was chosen for the Northern Ontario Art Association’s (NOAA) 63rd annual juried exhibition. The museum is showing the exhibition from now until Jan. 26 in the Grey Gallery. Admission is free. Elena De Luigi/The Daily Press

jpg, TD

Douglas-Takayesu, who is the Timmins Public Library’s reference librarian, said her painting is two years in the making, and based on the Ontario Northland Christmas Train that passed through Iroquois falls in 2017.

“I’m glad it does sort of encapsulate a piece of history because sadly they have at least as of this year cancelled the program. Hopefully they might bring it back. Maybe this painting will convince people to have it because it’s been about seven years and I mean just any time that they show up the children are very enthusiastic about it.”

Ontario Northland announced last year it would not continue with the Christmas train due to a workforce shortage, but did say it wanted to find other ways to celebrate the holidays with all the communities the train visited.

“One of the things that’s really challenging is if you look you can see there’s all sorts of different types of colours because of the lighting. The unique lighting of the Christmas decorations and that made it a challenge, so it’s also to try and render it in watercolour. This is actually the first time I’ve done a full sheet watercolour,” Douglas-Takayesu said, adding the painting is a 22 by 30-inch sheet that has been matted and framed a little smaller.

“Some of my friends in the art club are saying, ‘that’s a watercolour?’ so yes it’s sort of like pushing the boundaries of the media.”

Douglas-Takayesu said it took her “a few all-nighters” to complete the painting, which is modelled after a number of photos she took when she went to see the train in downtown Iroquois Falls.

“It’s really fun and challenging trying to do a night scene. Just as an example, the sky is about six different layers of colour to do that. Starting with the white background which was masked off to do the stars and then was built up to do that sort of wintry (look) where you have a little bit of the orange from the street lights and then you have the natural sky.

“That year, it was about a -30 C night, with very little snow so that’s why when you look at the scene there’s not much snow, and actually the snow of course is reflecting all the colours off the lights.”

Douglas-Takayesu said she joined the Porcupine Art Club because she has always been interested in art. She also enjoys the peer support because “a lot of the times you’re literally just in your little world painting. I mean when I’m painting at two o’clock in the morning, it’s just by yourself. You’re often in that zone and it’s nice to come out and see what others have done and discuss.”

The three other members from the art club who were selected to be part of the exhibition are Bruce MacKinnon, Catharine Cribbs and Shafik Al-Hamdani.

Paintings are now submitted to the jurors digitally as a photo that is a true representation of the painting.

Douglas-Takayesu said this makes it trickier for artists to submit their work because some paintings continue onto the side of the canvas and the submitted photo may lose the depth of the art.

Before going digital a few years ago, paintings were shipped off to the jurors to be judged and then sent back to the artist.

Now, paintings that are not chosen to be featured can be put in a slide show so they still go on the tour which is another way to showcase your work, said Douglas-Takayesu.

In the future, she said she hopes to enter more of her artwork which she tries to submit every year, adding that she likes the fact that the art goes on tour so it is not only seen locally but also all over Northern Ontario.

The exhibition is being held in the Grey Gallery at the Timmins Museum and will be open to the public from now until Jan. 26. Admission is free.

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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