Security video from the museum showed Brian Hernandez, 21, using a metal chair to break in through the front entrance around 9:40 p.m. Once inside, he walked from room to room and began his destructive rampage.
The two most valuable pieces of art that Hernandez destroyed were a sixth-century Greek amphora and a pot that dates back to 450 B.C., around the time of the Peloponnesian War.
A sixth-century Greek amphora that was displayed at the Dallas Museum of Art before it was destroyed Wednesday. The amphora depicts a battle between the Greek hero Achilles and Prince Memnon of Ethiopia during the Trojan War.
Dallas Museum of Art
According to police documents, Hernandez punched the case in which they were displayed multiple times before grabbing a metal stool and shattering the glass and two ancient artifacts within. The amphora and pot were valued at $5 million combined.
This pot is an ancient Greek pyxis box from 450 B.C. that was used to store jewelry, incense and cosmetics. It was destroyed on Wednesday following a break-in at the Dallas Museum of Art.
Dallas Museum of Art
Hernandez also destroyed an ancient Greek kylix, a standard vessel for drinking wine, that dates back to 550 B.C. The outside of the kylix depicts Hercules slaying the Nemean lion, one of his famous mythological labours. The artifact is valued at around $100,000.
“The items inside of the display cases that were destroyed are rare ancient artifacts that are extremely precious and one of a kind,” Hernandez’s arrest sheet reads.
This ancient Greek kylix from the Dallas Museum of Art was destroyed Wednesday. Its exterior depicts Hercules slaying the Nemean lion, a mythical creature with golden fur that is impervious to mortal weapons.
Dallas Museum of Art
But it wasn’t just ancient art that he destroyed — Hernandez continued through the museum and destroyed a bottle in the shape of a “Batah Kuhuh Alligator Gar Fish,” which was completed in 2018 by artist Chase Kahwinhut Earles, a member of the Caddo Nation.
The piece is valued at $10,000 and Hernandez used a hand sanitizer stand to shatter its display case before picking up the statue and smashing it on the ground.
Earles told the DMA in an interview when it acquired his piece that he dug the clay for the statue himself from the Red River, collected and crushed mussel shells into the clay to strengthen the material, and used a traditional pit-firing method to fire the pottery. This is the ancestral way of making pottery in the Caddo nation.
This piece of pottery created by Caddo artist Chase Kahwinhut Earles was made using ancestral Caddo methods. It is in the shape of an alligator gar fish and was destroyed Wednesday after a break-in at the Dallas Art Museum.
Dallas Art Museum
Apart from these precious pieces of art, Hernandez was captured on video breaking a laptop, a phone, a monitor, two display signs and four plexiglass display cases, according to Dallas police.
Security guards from the DMA eventually found Hernandez and told him to sit on a bench while they called police.
Hernandez told a guard that he “got mad at his girl so he broke in and started destroying property,” according to his arrest sheet.
Police took him into custody and Hernandez confessed to the destruction during an interview with a detective. He has been charged with criminal mischief of more than or equal to $300,000, which is punishable by five years to life in prison. His bail was set at $100,000 and he has been booked into Dallas County Jail.
Apart from stools and hand sanitizer stands, the museum said Hernandez was not armed during his tirade.
“We don’t have any connection that we know of, for that person, related to the DMA,” Arteaga said.
Kenneth Bennett, the museum’s director of security and operations, estimated that Hernandez caused approximately $5.2 million in damage, pending a final assessment by the museum’s curator and insurance firm.
“This was an isolated incident perpetrated by one individual acting alone, whose intent was not theft of art or any objects on view at the Museum,” the museum said in a written statement. “However, some works of art were damaged, and we are still in the process of assessing the extent of the damages.
“This is something that we’ve seen recently on a different level, you know, the Mona Lisa being attacked at the Louvre. But we have a marvellous record of 120 years when we never suffer any kind of situation like this,” he said.
Just three days before Hernandez’s rampage, a man disguised as an elderly woman threw a cake at the Mona Lisa in an act of protest against climate change.
2:01 Calgary police investigate after student art vandalized at Alberta College of Art and Design
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
