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Mann Art Gallery summer student steps up to curate Pamela Burrill exhibit – Prince Albert Daily Herald

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Summer Collections Assistant Nicholas Markowski curated the current project space exhibit featuring seven artworks by Pamela Burrill. (Jayda Taylor/Daily Herald)

The Mann Art Gallery is giving a young, up-and-coming art historian the unique opportunity to curate a permanent collection show.

This is Nicholas Markowski’s second year there as a summer student. He’s currently working towards a double major in history and art history at the University of Toronto.

The gallery had originally slated to display work from Pamela Burrill in November. However, because of its temporary closure for a few months because of COVID-19, staff decided to bump the show up to correspond with the exhibit currently in the main gallery.

“It’s very exciting. It was sort of an unexpected opportunity,” said Markowski.

“I’m really grateful for the opportunity to develop my skills in this sort of job position.”

The curatorial process consisted of looking at images of Burrill’s work before pulling out the physical pieces to see how they mesh together. Markowski decided to display seven of her artworks alternating between sizes, keeping a subtle gradient of colour in mind. He also wrote a curator’s statement.

Registrar Tia Furstenberg hung and lit the pieces.

Pamela Burrill was born in Britain, but lived in Saskatchewan in the late 20th century. She immigrated to Canada following her studies in geography in London, and then travelled to various countries including North Africa, Ireland and Australia.

Burrill completed her bachelor’s and master’s degrees in fine arts at the University of Saskatchewan, holding an exhibit at the Mann Art Gallery in 1996. She passed away in 2001.

Part of Markowski’s responsibilities in curating the show is researching Burrill to share with the wider community.

Pamela Burrill: Motion & Gesture is currently on display in the gallery’s project space. In the main gallery is Migration and Transformation, a show by a trioof artistsexploring movement of diseases, animals and humans.

“Basically, we wanted a show to go in here that kind of corresponded to the themes of the main exhibition gallery, but also demonstrated the breadth of Pamela’s work,” explained Markowski.

“So I went through our pieces by her and chose the ones that I thought were thematically coherent with the theme in there, and also just best represented her work.”

Burrill primarily painted landscapes, he said, but in a very abstract way. The paintings of water and clouds, for example, work well with the theme of inevitable movement in the main gallery exhibit.

According to Acting Director/Curator Lana Wilson, the idea of handing a curatorial role to a summer student originated with the Mac Hone exhibit in the John V. Hicks Gallery in January.

That show was curated by a longtime volunteer, Russ Mode. The exhibit originally slated for that time wasn’t feasible because of the large sizes of the artworks, so Mode—who knew Hone—stepped up with a new idea.

“There was an opportunity for a community member to curate, and so I would say that that experience, as well as Nicholas’ knowledge, made me feel confident in giving him the opportunity,” said Wilson.

Normally, the process of curating a show takes months. Markowski, however, pulled it off in a matter of days.

“It was very gratifying for me as a director/curator to be able to give the staff such leeway and really see them rise to the challenge as I knew that they could. It makes me really proud,” emphasized Wilson.

Markowski is also in the process of putting images of Burrill’s pieces online. That’s something that Furstenberg said they’re hoping to do more of, not just because of the pandemic, but to make art that much more accessible.

“This is exhibit is going to be sort of the first one to make an appearance and we’re in the process of putting more artists and their artworks on the website,” she said.

Furstenerg, a recent bachelor of fine arts graduate, was also happy to see Markowski taking on a new role.

“We’ve been trying to give him projects that help him grow to new experiences, and so I think this really helps and ties that all in.”

Pamela Burrill: Motion & Gesture is on display until August 22.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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