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Miami Art Week + Art Basel Miami Beach 2022 Day-By-Day Guide



Miami becomes the center of the art world November 29 through December 4, 2022, hosting over 20 international art fairs, more than 1,200 galleries, thousands of artists and tens of thousands of art lovers.

It would take a month of looking at art as a full-time job to see everything taking place during Miami Art Week which also includes pop-ups, festivals, installations, parties, museums exhibitions, street art, talks, concerts and more. This galaxy of events is anchored by the premiere contemporary art festival in North America and arguably the world, Art Basel Miami Beach.

While it’s impossible to see everything, here are suggestions for how to see as much of what’s best during Miami Art Week 2022.

Tuesday, November 29: Miami Design District

Begin Art Week in Miami’s Design District where art can be found everywhere you look. Much of it will be from Miami-based architect Germane Barnes who was awarded the 2022 Miami Design District Annual Neighborhood Commission allowing the architect’s concept, Rock | Roll, to be installed in the neighborhood’s public spaces.

Drawing on the vibrancy of Miami Carnival and the city’s polyethnic culture, Barnes designed a series of whimsical, larger-than-life seating capsules that rock back-and-forth when activated by users and feature colorful, shaggy surfaces reminiscent of Carnival’s hallmark feathered costumes. With a nod to steel drums and the infectious joy of Soca music, Barnes has also designed brightly hued wind chimes, hundreds of which will be hung like melody making ornaments. Rock | Roll includes an architectural-scale, free-floating dome recalling a giant disco ball in both form and function. Suspended far overhead and animated by light and sound, the structure will serve as an outdoor gathering space dedicated to sharing and enjoying community-driven storytelling.

Celebrating its 10th Anniversary, Prizm 2022 Contemporary African Art Fair presents galleries and artists exploring how vernacular modes of artmaking originating in global African contexts have influenced the cultivation of fine art practice worldwide. The show runs November 29 through December 11 from 10:00 AM–6:00 PM at 4220 N. Miami Ave.

“Boil Toil + Trouble” takes place in an unused building at 39 NE 39th St. in the Design District. Works across media exploring mystical, mythological, or spiritual frameworks and practices as they pertain to water will be presented. Over 40 major name contemporary artists including Ana Mendieta, Wangechi Mutu, Marina Abramović, Radcliffe Bailey, Niki de Saint Phalle, Torkwase Dyson, Nicole Eisenman, Maya Lin and Cannupa Hanska Luger have work in the show which is free and open to the public daily through December 11, 2022 from noon to 7:00 PM.

Saatchi Yates gallery presents a solo exhibition of new work by Ethiopian Contemporary artist Tesfaye Urgessa to coincide with his presentation at Miami’s Rubell Museum, which opens on November 28. Saatchi Yates is situated next to the de la Cruz Collection and the Institute of Contemporary Art which debuts a fresh series of exhibitions, free of charge, for Art Week.

Wednesday, November 30: Art Miami/CONTEXT Art Miami

Miami’s longest running international and contemporary art fair, Art Miami, will continue showcasing the most significant artworks of the 20th and 21st centuries, offered by a selection of the world’s most respected galleries. It’s sister fair, CONTEXT Art Miami’s 10th edition will provide the ultimate platform for mid-career, emerging and cutting-edge talent from new and established galleries.

The combination of Art Miami and CONTEXT Art Miami will feature over 215 galleries from 17 countries at the One Miami Herald Plaza on Biscayne Bay from 11:00 AM–7:00 PM.

Thursday, December 1: Art Basel Miami Beach

VIP’s are allowed to rake Art Basel Miami Beach two days prior to the public taking its first look which comes on Thursday. The fairest of the fairs celebrates its 20th anniversary in 2022. Tickets can be purchased here to peruse the finery brought in by hundreds of leading contemporary art galleries from around the world.

Art Basel Miami Beach is open to the public from 11:00 AM–7:00 PM on December 1 and 2 and from 11 AM:00–6:00 PM on December 3 at the Miami Beach Convention Center.

Take special note of Native American-owned K Art gallery from Buffalo, NY’s booth highlighting the work of three Indigenous contemporary artists, legendary Hock E Aye Vi Edgar Heap of Birds (Arapaho/Cheyenne), and acclaimed emerging artists Erin Ggaadimits Ivalu Gingrich (Inupiaq/Koyukon Athabaskan) and Robyn Tsinnajinnie (Diné).

New York City’s Garth Greenan Gallery will also be presenting Native American artwork including that by Emmi Whitehorse (Diné).

Less than a half mile from the Convention Center, Miami Art Week visitors will be treated to Keith Haring’s largest ever work of art. Beginning November 28 at 1111 Lincoln Road, Keith Haring + CityKids’ Speak On Liberty, a 90’ x 30’ banner, can be seen draping the building.

Also in Miami Beach, The Wolfsonian presents “Turn the Beat Around,” an exhibition revisiting the artistic and innovative exchanges between musicians from Cuba and the U.S. during the 1930s to ’60s. Rumba, conga and Afro-Cuban jazz. Mambo, cha-cha-cha and salsa. “Turn the Beat Around” showcasing posters, record and sheet music covers, film clips, and audio from the era bringing to life the musical fusion found between cultures.

More Cuban art and culture can be seen at El Espacio 23 in the Allapattah neighborhood. A new exhibition features works by over 100 Cuban and Cuban-diaspora artists from the collection of Jorge M. Pérez, a Cuban refugee himself.

Friday, December 2: NADA, Wynwood and Pussy Riot

Start the day at NADA (New Art Dealers Alliance) Miami 2022 showcasing a diverse selection of 146 galleries, art spaces, and nonprofit organizations spanning over 40 cities around the globe. Doors open at 11:00 AM at the Ice Palace Studios (1400 North Miami Ave.) Purchase tickets here.

One mile from the NADA fair is the Wynwood neighborhood famed for its hundreds of street art murals. December 2 and 3, in the center of Wynwood at Soho Studios (2136 NW 1st Ave.; entrance on NW 22nd St), Prime Video presents a larger-than-life immersive art activation centered around the original series “Riches.” The display celebrates elements from the show exemplifying the freedom of expression and identity in the Black diasporic experience through photography, sculpture, painting, music, video and performance art. ​

The event is free from noon–9:00 PM, but RSVP is suggested.

Keep the good times rolling back at ICA Miami, a mile north of Wynwood, where an exclusive, free concert by Russian protest punk band and performance artists Pussy Riot takes place. Doors open at 7:00 and RSVP online is required. NOTE: RSVP doesn’t guarantee entry and with limited room, attendees are asked to arrive at 7:00 if they expect to see the show.

Saturday, December 3: North Miami and Little Haiti

At the Museum of Contemporary Art North Miami, “Didier William: Nou Kite Tout Sa Dèyè” marks the first major solo museum show for the artist who grew up in North Miami. This exhibition features over 40 paintings and prints and William’s first monumental sculpture, all examining the precarity of Black life in America, the urgent longing for Black joy, and affirmation of Black queer humanity.

William and the exhibition’s curator will lead a tour of the show Saturday at 11:00 AM.

From there, visit the Art of Transformation, a five-day, two-block event in the heart of Opa-locka at the ARC (Arts & Recreation Center; 675 Ali Baba Ave). Included in the free event is AfriKin Art 2022, Miami’s contemporary Africana art fair, open from 11:00 AM–10:00 PM.

At N’Namdi Gallery in Little Haiti (6505 N.E. 2nd Ave.) see Harlem Globetrotter Maxwell Pearce’s “The Art of An Athlete” December 3 and 4 from noon–10:00 PM. Pearce’s vibrantly textured mixed media works explore diversity within Black athleticism and celebrate athletes’ individual abilities to do more than dribble, shoot and score. Admission is free.

Nina Johnson Gallery a mile away (6315 NW 2nd Ave) showcases Raúl de Nieves who is known for his vivid, three-dimensional beaded sculptures paying tribute to his Mexican heritage as well as drag and ballroom culture through the transformation of everyday materials into extravagant objects. Entry is free from 11:00 AM–5:00 PM.

Cap off the night, or any night, Thursday through Sunday, at the Tribeca Music Lounge (7145 NW 1st Ct) with a live performance.

Sunday, December 4: SCOPE Miami Beach

Push through to the finish line at SCOPE Miami Beach located on South Beach’s iconic Ocean Drive between 8th and 10th Avenues (801 Ocean Drive, Miami Beach). Over 150 diverse contemporary exhibitors will be on hand including Black-owned Knowhere Art Gallery from Martha’s Vineyard, MA showcasing Charly Palmer’s “Infinite Black” collection. In every painting, Palmer bears witness to African ancestry and contemporary experiences.

In 2020, Palmer was commissioned by “TIME” magazine to create the cover of its “America Must Change” issue. The same year, he was invited to design the cover portrait of John Legend’s GRAMMY Award-winning album, “Bigger Love.” He has most recently been commissioned by the United States Postal Service to design the signature stamp for Black History Month 2023.

SCOPE Miami closes its doors at 8:00 Sunday night and should present a trophy to anyone who’s made it that long.

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Home + Away artwork opens in Vancouver’s Hastings Park



A new art installation now towers over Vancouver’s Hastings Park fields in celebration of the city’s history of spectators and sports.

Home + Away is a sculpture by Seattle artists Annie Han and Daniel Mihalyo of Lead Pencil Studio, which opened Monday in the southeast end of the historic park.

It’s a 17-metre-tall structure that resembles a narrow set of bleachers — similar to the stands of the Empire Stadium, which stood on the site of the park from 1954 to 1993 and hosted The Beatles, among many others. It recalls a covered ski jump that stood there in the 1950s and the nearby wooden rollercoaster at the PNE.

The city says the public is invited to walk the stairs and sit on the benches.

“In addition to being visually striking, this artwork is intended to be ascended, sat on and experienced. It offers exciting experiences of height and views and provides 16 rows of seating for up to 49 people, making for a unique spectator experience when watching events at Empire Fields,” the city said in a release Monday.

The idea for the park to include public art was outlined in the Hastings Park “Master Plan,” first adopted by the city in 2010. The city says Han and Mihalyo first presented their design in 2015.

“It’s wonderful to see this piece realized within the context of such a well-used public space,” said Han.

Home + Away was inspired directly by the site history of spectatorship, and we hope it will connect Hastings Park users to that history and the majestic views of the environment for many decades to come,” added Mihalyo.

The artwork features a large light-up sign, in the style of a sports scoreboard, that reads “HOME” and “AWAY.”



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Bill Viola, Video Artist Who Established the Medium as an Integral Part of Contemporary Art, Dies at 73



Bill Viola, whose decades-long engagement with video proved vital in establishing the medium as an integral part of contemporary art, died on July 12 at his home in Long Beach, California. He was at 73 years old. The cause was complications related to Alzheimer’s disease. The news of his passing was confirmed by James Cohan Gallery.

Viola’s works are centered around the idea of human consciousness and such fundamental experiences as birth, death, and spirituality. He delved into mystical traditions from Zen Buddhism to Islamic Sufism, as well as Western devotional art from the Middle Ages and the Renaissance in his videos, which often juxtaposed themes of life and death, light and dark, noise and silence. These explorations were achieved by submerging viewers in both image and sound with cutting-edge technologies for their time.

“I first used the camera and lens as a surrogate eye, to bring things closer, or to magnify them, to experiment with perception, to extend vision and make lengthy observations of simple objects,” Viola said in a 2015 interview. “Once you do that, their essence becomes visible. So I suppose I was always interested in the inner life of the world around me.”

Beginning in the 1970s, Viola created videotapes, architectural video installations, sound environments, electronic music performances, flat panel video pieces, and works for television broadcast—all of which expanded the scope of the medium and established Viola as one of its most notable practitioner.

Video still of a man diving into water that has been reversed. The image is mostly black and teal.

In 2003 the Whitney Museum of American Art in New York; Tate, London; and the Centre Pompidou in Paris jointly acquired Bill Viola’s 2001 three-channel video installation Five Angels for the Millennium.

Photo Kira Perov/©Bill Viola Studio

Bill Viola was born in 1951. He grew up in Queens and Westbury, New York, and attended P.S. 20 in Flushing, before receiving his BFA in experimental studios from Syracuse University in 1973. There, he studied with visual art with the likes of Jack Nelson and electronic music with Franklin Morris.

Following his graduation, between 1973 to 1980, Viola studied and performed with composer David Tudor in the music group Rainforest, which later became known as Composers Inside Electronics. He also worked as technical director at the pioneering video studio Art/tapes/22 in Florence, Italy from 1974 to 1976. During that time he encountered the work of other seminal video artists like Nam June Paik, Bruce Nauman, and Vito Acconci.

Viola was subsequently an artist-in-residence at New York’s WNET Thirteen Television Laboratory between 1976 to 1983, wherein he created a series of works that premiered on television. He traveled to the Solomon Islands, Java, and Indonesia to record traditional performing arts between 1976 and 1977. Later that year, Viola was invited to show work at La Trobe University in Melbourne, Australia, by cultural arts director Kira Perov, with whom he married and began a lifelong collaboration.

He was appointed an instructor in advanced video at the California Institute of the Arts in Valencia, California in 1983. He was the Getty Research Institute scholar-in-residence in Los Angeles in 1998 and was elected to the American Academy of Arts and Sciences in 2000.

In 1985, Viola received with a Guggenheim Fellowship for fine arts, and later that decade, in 1989, he was awarded the MacArthur “Genius” Fellowship. His work was also featured in some of the world’s most notable exhibitions, including Documenta VI in 1977, Documenta XI in 1992, the 1987 and 1993 editions of the Whitney Biennial, and the 2001 Venice Biennale.

In 1995, he represented the United States at the 46th edition of the Venice Biennale. For the pavilion, Viola produced the series of works “Buried Secrets,” including one of his most known works The Greeting, which offers a contemporary interpretation of Pontormo’s oil painting The Visitation (ca.1528–30). The Deutsche Guggenheim Berlin and New York’s Guggenheim Museum commissioned the digital fresco cycle in high-definition video, titled Going Forth By Day, in 2002.

Viola’s work was the subject of a major 25-year survey at the Whitney Museum of American Art in 1997, which subsequently toured internationally. His work has been the subject of major museum retrospectives in the years since, including at the Grand Palais in Paris (in 2014), the Palazzo Strozzi in Florence (2017), the Guggenheim Bilbao in Spain (2017), and the Barnes Foundation in Philadelphia (2019), as well as an exhibition pairing his work with that of Michelangelo at the Royal Academy of Art in London in 2019.

Viola is survived by his wife Kira Perov, who has been the executive director of his studio since 1978, and their two children.

“One thing that’s very exciting about video that has turned me on since I first saw this glowing image way back in 1970 is that it can be so much,” Viola said in a 1995 with Charlie Rose on the occasion of this US Pavilion at the Biennale. “Furthermore, what’s really exciting is I don’t think it’s been since really the Renaissance where artists have been able to use a medium that one could say is the dominant communication form in society.”


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Couple’s winning art projects adorn overpass



Annabelle Harvey and Corbin Elliot are partners: in life, love, and art. Thanks to their creative pursuits, now they are also joined in the recognition of their work along the Lakeshore overpass.

The City of North Bay, in collaboration with the Public Art Advisory Committee (PAAC), recently held an event to acknowledge the successful applicants for the Lakeshore Drive overpass banner project. This initiative features 14 artworks created by local artists, highlighting the ongoing commitment to bringing public art to the community and celebrating local talent. The banners were installed early last week.

On behalf of PAAC, Katie Bevan noted that 71 submissions were received for the banner art project. “Selecting just 14 artworks from such outstanding submissions was no small feat. It truly highlights the incredible creativity within our community — and it’s only growing.”

Bevan acknowledged all who submitted their work and congratulated the 14 winners:

  • Caitlin Daniel
  • Corbin Elliot
  • Adam Fielder
  • Ian Gauthier
  • Ruby Grant
  • Annabelle Harvey
  • Penny Heather
  • Robert Johannsen
  • Robyn Jones
  • Gerry McComb
  • Victoria Primeau
  • Tessa Shank
  • Rana Thomas
  • Claudia Torres

“This is the first time I’ve participated in something city-wide, and I’ve been really interested in getting more involved in the art community,” said Harvey, a teacher by vocation when not helping to beautify North Bay. “I’ve worked a lot with the WKP Kennedy Gallery and I’ve been putting in submissions for some of their group shows. So, this is a cool opportunity to try something new. This is the first time I have done digital work. Usually, I like painting and collage. So I was interested just to try something new.”

In September 2023, public art gained more prominence in North Bay as 12 pieces by eight local artists selected by the Public Art Advisory Committee were placed on aluminum panels mounted onto the public buildings in both Champlain and Sunset parks.

Harvey’s partner Elliot is an emerging artist and a Fine Arts graduate from Nipissing University who says his passion for bringing his vision to life has only grown, thanks, in part, to these public art initiatives.

“There is so much opportunity to have a lot of different public art in different spaces,” he says. “So, when I saw that there was a variety of different artists and voices being accepted, of course, I wanted to have my vision out there in the city, to make my mark and be a part of that kind of trajectory of building the art scene within the city.”

The couple share a studio space, often working on separate projects at the same time while collaborating with encouragement and ideas.

“We are working on different mediums, a lot of the time,” Elliot said. “We have our own corners set up in the studio and I’ll usually be on my easel and Annabelle will be doing something…”

Harvey picked up his thought, “I’m usually at my desk doing pottery, jewellery, collage — I do a lot of different things.”

Couple Annabelle Harvey and Corbin Elliot each earned a spot among the 14 winning banner art projects. Stu Campaigne/BayToday

For Harvey, working so closely together is her “favourite part, especially watching his creative process.”

Elliot added, “I think I’m more non-verbal as I’m creating. I often hear you saying, ‘Oh, I think I like this.'”

Both have active Instagram pages featuring their artwork, Harvey’s can be found here, and Elliot’s here.

Elliot has a show at the WKP Kennedy Gallery, entitled “Upon a Star,” opening Sept. 13. “I’ll have my own solo exhibition. I typically work in painting. I have a big body of work with paintings,” he said.

The City of North Bay and PAAC encourage everyone to take a moment to appreciate these works of art when passing by the overpass.

Harvey and Elliot are thrilled about the banner art project.

“It’s like seeing your vision come to life. We’ve had lots of friends, even before we saw them today say excitedly, ‘I saw your work on the overpass,’ it’s just a proud moment to have so many eyes on our work.”



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