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Millions in exceptional modern art on offer in upcoming Heffel auction – Vancouver Sun

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June 1 auction features works by Lawren Harris, Emily Carr, Jack Shadbolt, E.J. Hughes — and a showstopper by Robert Motherwell.

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Art dealer Robert Heffel has done countless house calls to check out someone’s collection.

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But he was stunned when he walked into the late Joan Stewart Clarke’s house in West Vancouver.

“Kate (Galicz) and I went to the house, and we were blown away,” he said with a laugh. “Our eyes were (bulging) wide open. We were pretty amazed that these paintings were here.”

The paintings were from a collection of international modern art few people knew about, aside from her friends and family.

There were works by American abstract expressionist and colour field painters such as Helen Frankenthaler, Sam Francis and Jules Olitski, as well as paintings by Canadian artists Paul-Emile Borduas, Jean Paul Lemieux and William Goodridge Roberts.

The showstopper in the collection is a six-by-four-foot wide work by American Robert Motherwell.

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“Motherwell is one of the giants of American modern art,” explains Heffel. “He was one of the youngest members of what’s known as the New York School in the 1950s, along with Jackson Pollock, Willem de Kooning, and Mark Rothko.”

August Sea #5 is a blue acrylic painting with a couple of slashes of charcoal, from what’s known as Motherwell’s “post-painterly abstraction” period. It will go up for sale at the June 1 Heffel art auction, and has a pre-auction estimate of $2 million to $2.5 million.

But that’s probably low. A similar painting — August Sea #4 — sold for US$2.95 million at a Christie’s auction in New York in 2019.

The Motherwell is on display at an auction preview through April 25 at the Heffel Gallery at 2247 Granville Street.

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There are six Jean Paul Riopelle abstract paintings in the auction, including 1953’s Sans titre, which pops placed against a Group of Seven-type blue wall in the front room of the Heffel Gallery. It carries a pre-auction estimate of $1 million to $1.5 million.

“Typical of Riopelle, you’ve got almost every colour under the rainbow (in the painting),” said David Heffel, who runs the auction with his brother. “But the blues really come out as the stronger pigment,” especially against the blue wall.

The 1929 Lawren Harris oil painting Mountain Sketch (1929) will be on offer at the Jun 1, 2022 Heffel Auction. It has an estimate of $500,000 to $700,000.
The 1929 Lawren Harris oil painting Mountain Sketch (1929) will be on offer at the Jun 1, 2022 Heffel Auction. It has an estimate of $500,000 to $700,000.

There is also a striking 1929 Lawren Harris sketch of deep blue mountains illuminated by shafts of light from above. The small oil on board is called Mountain Sketch, and has an estimate of $500,000 to $700,000.

“This is a blockbuster,” said David Heffel. “There’s a related canvas for this in the Thomson collection at the AGO (Art Gallery of Ontario). It’s interesting with the spheres of light, although this is far more geometric.”

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Among the sale’s B.C. content is a 1946 Jack Shadbolt watercolour of Thurlow Street in the West End ($25,000 to $35,000), a Molly Bobak painting of Galiano Island in 1942 called Santa Arrives ($70,000 to $90,000) and an E.J. Hughes painting from his acclaimed late 1940s to early ’50s period, Low Tide at Qualicum Beach ($300,000 to $500,000).

There is also a 1935 Emily Carr oil, Singing Trees ($500,000 to $700,000), which Gerta Moray eloquently describes in the catalogue: “two young fir trees fizz with energy against the billowing flow of a dark forest.” It’s in the downstairs gallery at Heffel, behind one of the largest and most beautiful of Carr’s Klee Wyck ceramic sculptures, Orca Platter ($10,000 to $15,000).

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The platter features an indigenous motif of an orca whale in grey, black and orange bordered by green and black. Carr made ceramics to sell to tourists when money was scarce. The original owner of the platter, Kate Mather, who operated a gift shop in Banff, encouraged Carr to start making pottery.

The auction will have three sessions, Post War and Contemporary Art; Canadian, Impressionist and Modern Art; and the Joan Stewart Clarke Collection.

Clarke assembled her collection in Toronto in the 1970s and ’80s. She was once married to Thomas Alexander Rigby, who owned Ripley’s Believe It Or Not! before Jimmy Pattison.

She moved to West Van with her second husband, Larry Clarke, the founding chairman of Spar Aerospace, which built the famous Canadarm, a robotic arm used in space.

“She was one of the first collectors of modern art in Canada in the ‘70s,” said Robert Heffel. “She had a fantastic eye.”

jmackie@postmedia.com

Jack Shadbolt’s watercolour Thurlow Street, Sunday Morning has an estimate of $25,000 to $35,000.
Jack Shadbolt’s watercolour Thurlow Street, Sunday Morning has an estimate of $25,000 to $35,000.
Emily Carr’s Klee Wyck Orca Platter carries a pre-auction estimate of $10,000 to $15,000.
Emily Carr’s Klee Wyck Orca Platter carries a pre-auction estimate of $10,000 to $15,000. Photo by Jason Payne /PNG
The 1949-50 E.J. Hughes painting Low Tide at Qualicum Beach (estimated from $300,000 to $500,000) will be for sale at the June 1, 2022 Heffel Auction.
The 1949-50 E.J. Hughes painting Low Tide at Qualicum Beach (estimated from $300,000 to $500,000) will be for sale at the June 1, 2022 Heffel Auction.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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