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Nanaimo Art Gallery requesting $200000 to upgrade its downtown space

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City councillors appear to be supportive of the Nanaimo Art Gallery’s future plans.

On Feb. 19, the city’s finance and audit committee unanimously recommended that council direct city staffers to work with the Nanaimo Art Gallery on the next phase of the gallery’s development plan and provide the city with funding options as well as an updated co-management agreement.

An existing agreement on the art gallery’s space at 150 Commercial St. is set to expire in 2024.

Although the committee did not specifically recommend increasing annual funding, the art gallery has requested an additional $50,000 per year until 2023-24. A recent staff report notes that the Commercial Street building, which was built in the 1960s and is now the home of the Nanaimo Art Gallery, Crimson Coast Dance, Nanaimo Archives, TheatreOne and Vancouver Island Symphony, is dealing with a number of issues that fall “outside of the scope” of the art gallery’s co-management agreement with the city. Those issues, the report notes, include security, lack of accessibility, leaky faucets, failing hot water tanks and other wear and tear.

The Nanaimo Art Gallery is preparing to enter the third phase of its multi-phased development plan, which has seen the gallery merge its multiple spaces into a single space on Commercial Street and increase programming and staffing since 2013.

According to the same staff report, the gallery’s third phase includes plans to increase “organizational” capacity and community connections as well as exploring the feasibility of expanding the Commercial Street site.

Richard Harding, the city’s general manager of parks, recreation and culture, said staff support the art gallery’s plans for Phase 3 and would be happy to work with them. He also said the gallery currently receives about $160,000 per year in financial assistance from the city.

There was little discussion prior to the vote; however, Coun. Ian Thorpe said he supports making the recommendation to council, explaining that it is “necessary” in order to further support and grow the arts community.

“I think the art gallery serves a very useful function in our community and it has some real maintenance issues right now and problems that need to be addressed,” he said. “I think in the longer term … that there could be a partnership to allow for other groups to use that space and maybe even grow that space.”

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The best art books of 2021 – The Guardian

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The best art books of 2021  The Guardian



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Art Museum on Market / Scenic Architecture Office – ArchDaily

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Art Museum on Market / Scenic Architecture Office

aerial view. Image © Shan Liangeast side. Image © Shan Liang2F interior. Image © Shan LiangGF interior. Image © Shan Liang+ 28

aerial view. Image © Shan Liang
aerial view. Image © Shan Liang

Text description provided by the architects. The Xitang East Area under construction is the eastward expansion of the old town of Xitang, including nearly 100,000 square meters of tourist retail, hotel, visitor center and cultural facilities. After completion, it will become a new entrance at the northeast of the old town. Xitang East Area is divided by a river into two phases. As the key point of Phase Ⅱ, Building One locates at the southwest corner of the northern site, facing the river on the west and south sides to overlook the old town and adjoining the Phase Ⅰretail blocks on the other side of the river.

aerial view. Image © Shan Liang
aerial view. Image © Shan Liang
view from the riverside. Image © Shan Liang
view from the riverside. Image © Shan Liang

The old town of Xitang has strict urban planning requirements for the new buildings in the scenic area. In addition to the height limit, sloping roof, small blue-black tile, black-white & gray tone and wood color are all prerequisites for the design. What kind of program should be planned in the core area of ​​the East Area riverfront? What kind of form-type should be used to meet the needs of function and establish its landmark while complying with the requirements of townscape? It is the answer to these challenges that dominate the entire design process.

aerial view. Image © Shan Liang
aerial view. Image © Shan Liang
south side. Image © Shan Liang
south side. Image © Shan Liang

The basic urban fabric of the pedestrian streets in East Area is the retail courtyard on the ground and first floor and gable-roof-house hotel courtyard on the second floor. On top of this “base color” are the special landmarks scattered in the area, such as the tourist center at the center, the Nijigen Activity Hall at the northeast corner, and the Naera Boutique Hotel PhaseⅡat the northwest corner. As one of these landmarks, Building One especially needs to attract people to stay and participate in long time purposed activities, thereby forming an agglomeration effect and becoming the highlight of the tourist experience in the entire eastern area. After thorough studies and discussions, a mixed function of market and art gallery became the consensus of the client and the design team, that is to create an open and flowing market space on the first floor to accommodate the organic farm market, creative bookstore, coffee shop, restaurant and hotel reception while create a multifunctional art gallery on the second floor to host exhibitions, forums and cocktail parties.

east side. Image © Shan Liang
east side. Image © Shan Liang

We translated the program and style regulations into the design commitment of space and image, which became the basis for the tectonic system. As per the obvious difference between the programs of the upper and lower floors, we continued the stacking pattern of frame and gable roof structure used in the pedestrian street, but reversed it upside-down with the gable roof structure at the bottom in order to acquire particularity with coordination.

GF interior. Image © Shan Liang
GF interior. Image © Shan Liang
GF interior. Image © Shan Liang
GF interior. Image © Shan Liang
GF interior. Image © Shan Liang
GF interior. Image © Shan Liang

The Chinese overhanging gable roof supported by the white gable wall is a traditional residential form-type in the southern Yangtze River Delta, and a single roof can be replicated continuously to cover a larger area. We extracted the structural form of Y-shaped columns from the geometry of the continuous gable wall to support the upside-down triangular truss roof, forming a linear unit with a width of 6.3 meters and a length of nearly 52 meters. The space in the truss is used to install MEP equipment, and a continuous undulating indoor space is formed under the truss. 6 linear units are connected parallel to form the roof covering the ground floor market, echoing the continuous ancient town settlements. The freely distributed Y-shaped columns ensure open and flowing space for the market, making sharable and flexible space possible for diversified functions. At the east and west ends, some of the Y-shaped columns are replaced by V-shaped gable walls with diagonal braces inside, which solve the seismic force and establishes a connection with the traditional gable walls with inverted slope.

GF interior. Image © Shan Liang
GF interior. Image © Shan Liang
GF interior. Image © Shan Liang
GF interior. Image © Shan Liang

The art gallery sits on the market, and if we had continued to use the language of gable roofs and unit settlements, we would easily achieve harmony in style, but it would be difficult then to provide the necessary landmark identity and large interior space. Therefore, we tried to construct a single, relatively abstract form to house a column-free space. The connection with tradition is no longer limited to the figurative form, but draws inspiration from wooden craftsmanship to pursue a more complete iconicity. In the end, we extracted the cross-bearing structure from the lantern craft of Xitang.

2F interior. Image © Shan Liang
2F interior. Image © Shan Liang
2F interior. Image © Shan Liang
2F interior. Image © Shan Liang

The big roof is about 30 meters long and 20 meters wide. 92 short glulam beams cross and bear with each other to form a slightly arched shell, which makes the large-span structure more reasonable and solves drainage of the roof with its slope simultaneously. The weight of the wooden roof is transferred to the surrounding wooden pillars through a ring of horizontal steel frame. The group of columns is composed of X-shaped oblique columns three-dimensionally composd by inter-inserted glulam poles. Providing continuous supports in both the vertical and horizontal dimensions, this column group has a strong resistance for lateral force. It not only bears the horizontal thrust of the arch roof beams and makes slender column size with a section of 160X160mm possible, but also provides side resistance for the glass curtain wall at the inner side of the column.

timber structure. Image © Shan Liang
timber structure. Image © Shan Liang

On the second floor, we concentrate the stair, elevator, large lifting platform and other equipment in a long box on the north side of the gallery to keep the purity of the main space. The outward folded floor-to-ceiling curtain wall is made of half- glazed glass with gradual fogging, and an adjustable membrane is set under the diamond-shaped skylight on the roof to offer the art gallery soft natural light during daytime, while the warm light can be shed at night, making it a glamorous “super lantern” in the east district of Xitang.

2F terrace. Image © Shan Liang
2F terrace. Image © Shan Liang

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More Galleries of Color Debut at Art Basel Miami – The New York Times

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More Galleries of Color Debut at Art Basel Miami  The New York Times



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