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NASA’s new moon rocket blasts off 50 years after Apollo program – Global News

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NASA’s new moon rocket blasted off on its debut flight with three test dummies aboard Wednesday, bringing the U.S. a big step closer to putting astronauts back on the lunar surface for the first time since the end of the Apollo program 50 years ago.

If all goes well during the three-week, make-or-break shakedown flight, the crew capsule will be propelled into a wide orbit around the moon and then return to Earth with a Pacific splashdown in December.

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After years of delays and billions in cost overruns, the Space Launch System rocket thundered skyward, rising from Kennedy Space Center on 8.8 million pounds of thrust and hitting 160 kph within seconds. The Orion capsule was perched on top and, less than two hours into the flight, busted out of Earth’s orbit toward the moon.

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NASA says plan to launch moon rocket on track for Wednesday

“It was pretty overwhelming,” said NASA Administrator Bill Nelson. ”We’re going out to explore the heavens, and this is the next step.”

The moonshot follows nearly three months of vexing fuel leaks that kept the rocket bouncing between its hangar and the pad. Forced back indoors by Hurricane Ian at the end of September, the rocket stood its ground outside as Nicole swept through last week with gusts of more than 130 kph. Although the wind caused some damage, managers gave the green light for the launch.

An estimated 15,000 people jammed the launch site, with thousands more lining the beaches and roads outside the gates, to witness NASA’s long-awaited sequel to Project Apollo, when 12 astronauts walked on the moon from 1969 and 1972. Crowds also gathered outside NASA centers in Houston and Huntsville, Alabama, to watch the spectacle on giant screens.

Cheers accompanied the rocket as it rode a huge trail of flames toward space, with a half-moon glowing brightly and buildings shaking as though hit by a major quake.

“For the Artemis generation, this is for you,” launch director Charlie Blackwell-Thompson called out, referring to all those born after Apollo. She later told her team: “You have earned your place in history.”


Click to play video: 'NASA confirms DART mission succeeded in altering targeted asteroid’s trajectory'

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NASA confirms DART mission succeeded in altering targeted asteroid’s trajectory


The liftoff marked the start of NASA’s Artemis lunar-exploration program, named after Apollo’s mythological twin sister. The space agency is aiming to send four astronauts around the moon on the next flight, in 2024, and land humans there as early as 2025.

The 98-metre SLS is the most powerful rocket ever built by NASA, with more thrust than either the space shuttle or the mighty Saturn V that carried men to the moon. A series of hydrogen fuel leaks plagued the summertime launch attempts as well as countdown tests. A fresh leak erupted at a new location during Tuesday night’s fueling, but an emergency team managed to tighten the faulty valve on the pad. Then a U.S. Space Force radar station went down, resulting in another scramble, this time to replace an ethernet switch.

“The rocket, it’s alive. It’s creaking. It’s making venting noises. It’s pretty scary,” said Trent Annis, one of the three men who entered the blast danger zone to fix Tuesday night’s leak. “My heart was pumping. My nerves were going. But yeah, we showed up today.”

Orion should reach the moon by Monday, more than 230,000 miles (370,000 kilometers) from Earth. After coming within 130 kilometres of the moon, the capsule will enter a far-flung orbit stretching about 64,000 kilometres beyond.


NASA’s new moon rocket lifts off from Launch Pad 39B at the Kennedy Space Center in Cape Canaveral, Fla., on Nov. 16.


John Raoux/AP

The $4.1 billion test flight is set to last 25 days, roughly the same as when crews will be aboard. The space agency intends to push the spacecraft to its limits and uncover any problems before astronauts strap in. The mannequins — NASA calls them moonequins — are fitted with sensors to measure such things as vibration, acceleration and cosmic radiation.

Nelson cautioned “things will go wrong” during this demo. A few minor issues already have cropped up in flight, although preliminary indications were the boosters and engines performed well.

“There’s definitely relief that we’re underway,” mission manager Mike Sarafin told reporters. But he added: “I personally am not going to rest well until we get safely to splashdown and recovery.”

The rocket was supposed to have made its dry run by 2017. Government watchdogs estimate NASA will have spent US$93 billion on the project by 2025.

Ultimately, NASA hopes to establish a base on the moon and send astronauts to Mars by the late 2030s or early 2040s.

Read more:

NASA’s DART mission a success as spacecraft smashes into asteroid

But many hurdles still need to be cleared. The Orion capsule will take astronauts only to lunar orbit, not the surface.

NASA has hired Elon Musk’s SpaceX to develop Starship, the 21st-century answer to Apollo’s lunar lander. Starship will carry astronauts back and forth between Orion and the lunar surface, at least on the first trip in 2025. The plan is to station Starship and eventually other companies’ landers in orbit around the moon, ready for use whenever new Orion crews pull up.

Reprising an argument that was made during the 1960s, Duke University historian Alex Roland questions the value of human spaceflight, saying robots and remote-controlled spacecraft could get the job done more cheaply, efficiently and safely.

“In all these years, no evidence has emerged to justify the investment we have made in human spaceflight — save the prestige involved in this conspicuous consumption,” he said.

NASA is waiting until this test flight is over before introducing the astronauts who will be on the next one and those who will follow in the bootsteps of Apollo 11′s Neil Armstrong and Buzz Aldrin.

Most of NASA’s corps of 42 active astronauts and 10 trainees were not even born yet when Apollo 17 moonwalkers Gene Cernan and Harrison Schmitt closed out the era, 50 years ago next month.

“We are jumping out of our spacesuits with excitement,” astronaut Christina Koch said Tuesday.

After a nearly yearlong space station mission and all-female spacewalk, Koch, 43, is on NASA’s short list for a lunar flight. So is astronaut Kayla Barron, 35, who finally got to witness her first rocket launch, not counting her own a year ago.

“It took my breath away, and I was tearing up,” Barron said. “What an amazing accomplishment for this team.”

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NASA hears from Voyager 1, the most distant spacecraft from Earth, after months of quiet

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CAPE CANAVERAL, Fla. (AP) – NASA has finally heard back from Voyager 1 again in a way that makes sense.

The most distant spacecraft from Earth stopped sending back understandable data last November. Flight controllers traced the blank communication to a bad computer chip and rearranged the spacecraft’s coding to work around the trouble.

NASA’s Jet Propulsion Laboratory in Southern California declared success after receiving good engineering updates late last week. The team is still working to restore transmission of the science data.

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It takes 22 1/2 hours to send a signal to Voyager 1, more than 15 billion miles (24 billion kilometers) away in interstellar space. The signal travel time is double that for a round trip.

Contact was never lost, rather it was like making a phone call where you can’t hear the person on the other end, a JPL spokeswoman said Tuesday.

Launched in 1977 to study Jupiter and Saturn, Voyager 1 has been exploring interstellar space – the space between star systems – since 2012. Its twin, Voyager 2, is 12.6 billion miles (20 billion kilometers) away and still working fine.

 

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SpaceX launches 23 Starlink satellites from Florida (photos)

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SpaceX sent yet another batch of its Starlink internet satellites skyward today (April 23).

A Falcon 9 rocket topped with 23 Starlink spacecraft lifted off from Florida’s Cape Canaveral Space Force Station today at 6:17 p.m. EDT (2217 GMT).

The Falcon 9’s first stage came back to Earth for a vertical landing about 8.5 minutes after launch as planned. It touched down on the SpaceX droneship Just Read the Instructions, which was stationed in the Atlantic Ocean.

It was the ninth launch and landing for this particular booster, according to a SpaceX mission description. Five of its previous eight liftoffs were Starlink missions.

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The Falcon 9’s upper stage will continue carrying the 23 Starlink satellites toward low Earth orbit (LEO) today, deploying them about 65 minutes after liftoff.

This evening’s launch was the 41st of the year for SpaceX, and the 28th of 2024 dedicated to building out the huge and ever-growing Starlink megaconstellation. There are nearly 5,800 operational Starlink satellites in LEO at the moment, according to astrophysicist and satellite tracker Jonathan McDowell.

The Starlink launch ended up being the first half of a spaceflight doubleheader: A Rocket Lab Electron vehicle launched two satellites, including a NASA solar-sailing technology demonstrator, from New Zealand today at 6:33 p.m. EDT (2233 GMT).

Editor’s note: This story was updated at 6:30 p.m. ET on April 23 with news of successful launch and first-stage landing.

 

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Exploring ecological networks in a digital world | News | Vancouver Island University | Canada – Vancouver Island University News

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Getting to know Samantha Letourneau

By day, Samantha Letourneau is Vancouver Island University’s Canada Learning Bond project lead and Volunteer Tutor Coordinator. She’s also a musician and dancer and for the past two years, she’s been collaborating with Swedish artist Mårten Spångberg, thanks to funding obtained through Crimson Coast Dance, to create a digital art installation that goes live on Friday, April 26. A launch event takes place at Black Rabbit restaurant in the Old City Quarter that night. Samantha is also hosting a creative process workshop on April 27 and 28.

Can you share a bit about your background as an artist and how you got into it?

I have been working in art for a very long time, as a musician and dancer as well as an art administrator and program coordinator. I started music at the age of 11 and dance came later in my life in my early 20s. I always wanted to do dance, but I grew up in a small community in Yellowknife and at that time the only dance classes available were highland dancing, which I was not very interested in. 

In my early 20s while living in Vancouver, I took classes in contemporary dance and was fortunate to land a small part in the Karen Jameison Dance company for a piece called The River. The River was about rivers and connection between the reality of a real and physical outdoor river and the different reality of “the river within.” It was both a piece of art and outreach for the community. It included working with the S’pak’wus Slu’lum Dancers of the Squamish Nation. Somewhat ground-breaking for 1998.

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From there I was hooked and wanted to do more in dance. I studied a lot and took many classes. Fast forward to now, I have been involved with productions and performances with Crimson Coast Dance for more than 15 years and greatly appreciate the talent and innovation that Artistic Director Holly Bright has brought to this community. She is amazing and very supportive of artists in Nanaimo.

How did this international exchange come about?

The Nordic/Nanaimo exchange is one of the innovative projects Holly created. At the height of the pandemic, funded by BC Arts Council and Made In BC, Crimson Coast Dance embarked on a project that explored the ways in which Nanaimo artists could participate in online exchanges. 

Two artists in Nanaimo – myself and Genevieve Johnson – were introduced to artists from Europe and supported through this international exchange. My collaborator, Mårten Spångberg, is a Swedish artist living and working in Berlin. An extension of that exchange is funded by Canada Council for the Arts – Digital Now.

What brought Mårten and myself together – and I quote Mårten here – is “questions around climate change, ecology and the influence contemporary society has on its environments. We are not interested in making art about the ecological crises or informing our audience about the urgency that climate change implies, but instead through our research develop work that in itself proposes, practices and engages in alternative ecologies.”

We share an understanding that art is a unique place, in the sense of practice, activation, performance and event, through which alternative ecologies can emerge and be probed and analyzed.

Tell us about the launch event.

We are launching the digital art installation that Mårten and I created on April 26 at The Attic at Black Rabbit Restaurant. The event is free to attend but people must sign up as seating is limited. I produced video art with soundscapes that I recorded mixing field recordings with voice and instrumentation. Marten explores text, imagery and AI.

My focus is on the evolving and ongoing process of how we communicate with each other and to nature within a digital context.

During our collaboration, Mårten and I talked about networks, though not just the expansive digital network of the internet but of nature. We shared thoughts on mycelium, a network of fungal threads or hyphae, that lately has received much attention on the importance of its function for the environment, including human beings.

Building off this concept, ideas of digital and ecological landscapes being connected emerged. From this we worked both collaboratively and individually to produce material for this digital project. Mårten will be there via Zoom as well and we will talk about this two-year process and the work we created together.

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