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New art exhibit lifts up overlooked women at the forefront of historical change – CBC.ca

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Artist Anita Kunz initially planned to paint only a hundred portraits of women who, throughout history, have challenged the social and political norms of their time.

But she kept finding more.

“Once you start looking, they’re everywhere,” said Kunz. “I may actually continue and just see how many I can do because there’s so many extraordinary women out there who haven’t been celebrated and should have been celebrated and should still be celebrated.”

For now, the final tally of completed portraits rests at 365 – one for each day that Kunz dedicated to learning about her subjects. The finished collection, entitled Original Sisters: 365 Portraits of Tenacity and Courage, is showing at the TAP Centre for Creativity in downtown London, Ont., from Nov. 5 to Jan. 14.

The idea for the project came at the start of the COVID-19 pandemic. The aim, said Kunz, was to find trailblazers, leaders, mentors, and rebels from all over the world as she dealt with present-day uncertainties. Examples include model Grace Jones, activist Ifrah Ahmed and queen Rani of Jhansi.

The portraits span across history. (Angela McInnes/CBC)

The stories start as early as 40,000 BC when anthropologists say the first artists of our species were more likely women than men. In one portrait, Kunz pays tribute to an unnamed Paleolithic cave woman overlooked as a hand painter due to a male bias in scientific literature.

“I was particularly drawn to the artists,” Kunz said. “In my life, I went to art school, and I learned almost entirely about the male artists, so discovering some of these extraordinary female artists was one of the things that was really great for me.”

Anita Kunz was born in Toronto. Her illustrations have been seen in Time Magazine, Rolling Stone, Vanity Fair, The New Yorker, GQ, The New York Times, Sony Music, Random House Publishing and many others. She has been appointed as an Officer of the Order of Canada in recognition of her achievements. (Submitted )

“But then again, there are scientists and mathematicians and women who were denied the Nobel Prize even though they deserved it, and women who are activists against genital mutilation and acid attacks in India. It’s the whole gamut, and you know, when I’m talking about this, 365 isn’t enough.”

Kunz, an acclaimed illustrator whose work has been published in Time magazine and Rolling Stone, also sells prints of portraits of Mahsa Amini and Maria Prymachenko.

Amini’s death after three days in custody by Iranian morality police has sparked international protests, while Prymachenko’s Ukrainian folk art was destroyed in the Russian invasion. Proceeds from the sales will go toward worthy causes, Kunz said.

She described the project as a “labour of love,” honouring the women who had come before her and suffered for women’s rights.

“I sort of think that there are dangerous things happening in politics,” she said.

“I think that women…we have rights now. But I don’t know, it just seems that they’re always in danger of being taken away. And I think these women deserve to be recognized.”

Kunz will be attending the show’s opening reception on Saturday night from 6:30 to 9:30 p.m.

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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