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New curator brings fresh vision to Art Gallery of Swift Current – SwiftCurrentOnline.com

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Southwest residents will be seeing a new face around the art gallery in the future, as its recently welcomed a new member to the team. 

Luke Maddaford is the official curator of exhibitions and programming at the Art Gallery of Swift Current, bringing a wealth of experience as an artist, writer, and curator.

With a commitment to community building, dialogue, and culture, his background promises to inject new energy into the gallery’s programming. 

“I’m really excited to be working with artists to bring their work to the city,” he said. “I think that the gallery has a lot of potential. There’s a lot of really great groundwork here, and I’m excited to meet people and embed myself in the community.”

His artistic and curatorial interests span regionality, queer culture, material culture, archives, community networks, and local histories.

Raised in rural Saskatchewan, Maddaford is excited to return to his roots and bring a fresh perspective with him.

“I’m excited about rural communities,” he expressed. “I think they’re often overlooked culturally, but I think that small places have just as much to offer as a big city.”

In this role, his primary responsibility will be curating exhibitions and collaborating with artists to bring their visions to life. Additionally, he will engage in marketing and communications efforts, fostering connections within the Swift Current community to ensure the gallery reflects their interests and desires.

The Art Gallery of Swift Current is currently hosting The Saskatchewan Maritime Museum presents, Emma Lake’s Workshop Series until March 29. Todd Gronsdahl’s exhibition plays on the speculation of history and a creative narrative of the province’s Maritimes.

Keep an eye out for the Imagination Station youth program and the Still Life Studio workshops for individuals 17 and older by checking the gallery’s website.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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