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NHL media remain in flux while awaiting finalized coverage plans ahead of restart – CBC.ca

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With the NHL getting closer to announcing the hub cities which will host this year’s Stanley Cup playoffs, broadcasters and print journalists still have questions about how they will cover the tournament.

Last month, the NHL unveiled plans for a 24-team tournament to be played in two cities. The league was forced to pause the season on March 12, with 189 games remaining, due to concerns about COVID-19.

Rob Corte, vice president of Sportsnet and NHL Production, said many of the tournament’s details – especially those related to the media – still haven’t been finalized.

“Part of the challenge is, there’s been so many different ideas and potential ways to do this,” Corte said. “We’ve been having so many discussions, and when you think you’re moving in a certain direction, then about 10 more questions come up that actually disqualify everything you have been thinking before.

“That’s probably been the frustrating part.”

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Print journalists are also waiting to learn how they will go about their jobs.

“We have been told there has been no determination made yet in terms of media access and what that may or may not look like,” Frank Seravalli, president of the Professional Hockey Writers Association, said in an email. “The situation remains in flux.”

Only production staff allowed in bubble

As part of the NHL’s plan, all players, coaches and support staff will be confined to a bubble. The games will be played in arenas without fans.

Corte said the current plan is for no commentators to be allowed inside the bubble — only cameramen, technicians and production staff.

The broadcasts will be done like at an Olympics. A feed will be produced for each game and supplied to all the NHL rights holders. Sportsnet commentators will watch the games on monitors in Toronto, where a score bug and graphics will be added.

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Radio broadcasters will likely have to watch games off monitors as well.

Not being in the building, and having no crowds, presents challenges for the commentators, Corte said.

“It’s different,” he said. “A lot of the energy they draw is from within a building and the crowd. When you’re in an arena you see everything. There’s going to be things that will be missed or not seen just because it’s not available to their eyesight.”

No direct access to subjects

Media will have no direct access to players or team officials. Interviews with players and coaches will be done through video conference technology like Zoom.

“You’re not going to have reporters doing a scrum or anything like that,” Corte said.

Players might participate in between-period interviews through a camera stationed in a separate room.

On practices or off-days, selected players would be made available for video conferences.

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It still hasn’t been decided if games will be broadcast with fake crowd noise. Many English and European soccer league games are being shown with artificial noise.

“We’ve had lots of discussion with the National Hockey League and the other broadcasters and we haven’t landed on a decision,” Corte said. “There’s always going to be shots of the stands where you don’t see any people and you hear people cheering. Right away, that’s a visual cue that it’s not authentic.”

One possibility is showing the same game on different channels, one with crowd noise, and allowing fans to choose.

Las Vegas is considered a frontrunner to be named a hub city. The Canadian cities in the running are Edmonton and Toronto. The Vancouver Canucks announced Thursday the city was no longer being considered.

Other U.S. cities include Los Angeles and Chicago.

The different time zones could create scheduling programs. For a game to be shown at 1 p.m. in the east, it would have to be played at 10 a.m. in Las Vegas or Los Angeles, or 11 a.m. in Edmonton.

“Start times are a concern,” Corte said. “That’s something that we’re playing very close attention to and having a lot of conversations with the league. Nothing has been finalized yet.”

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Media Advisory: TransAlta Second Quarter 2020 Results and Conference Call – Yahoo Finance

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<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="CALGARY, AB, July 10, 2020 /PRNewswire/ -&nbsp;TransAlta Corporation ("TransAlta") (TSX: TA) (NYSE: TAC) will release its second quarter 2020 results before markets open on Friday, July 31, 2020. A conference call and webcast to discuss the results will be held for investors, analysts, members of the media and other interested parties the same day beginning at 9:00 a.m. Mountain Time (11:00 a.m. ET). The media will be invited to ask questions following analysts.” data-reactid=”12″>CALGARY, AB, July 10, 2020 /PRNewswire/ – TransAlta Corporation (“TransAlta”) (TSX: TA) (NYSE: TAC) will release its second quarter 2020 results before markets open on Friday, July 31, 2020. A conference call and webcast to discuss the results will be held for investors, analysts, members of the media and other interested parties the same day beginning at 9:00 a.m. Mountain Time (11:00 a.m. ET). The media will be invited to ask questions following analysts.

Please contact the conference operator five minutes prior to the call, noting “TransAlta Corporation” as the company.

<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="Second Quarter 2020 Conference Call:
Toll-free North American participants call: 1-888-231-8191&nbsp;
Webcast link: &nbsp;https://produceredition.webcasts.com/starthere.jsp?ei=1345059&amp;tp_key=3994b82c94” data-reactid=”14″>Second Quarter 2020 Conference Call:
Toll-free North American participants call: 1-888-231-8191 
Webcast link:  https://produceredition.webcasts.com/starthere.jsp?ei=1345059&tp_key=3994b82c94

<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="Related materials will be available on the Investor Centre section of TransAlta's website at http://www.transalta.com/investors/events-and-presentations. If you are unable to participate in the call, the instant replay is accessible at 1-855-859-2056 (Canada and USA toll free) with TransAlta pass code 3287982 followed by the # sign. A transcript of the broadcast will be posted on TransAlta’s website once it becomes available.” data-reactid=”15″>Related materials will be available on the Investor Centre section of TransAlta’s website at http://www.transalta.com/investors/events-and-presentations. If you are unable to participate in the call, the instant replay is accessible at 1-855-859-2056 (Canada and USA toll free) with TransAlta pass code 3287982 followed by the # sign. A transcript of the broadcast will be posted on TransAlta’s website once it becomes available.

<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="About TransAlta Corporation:
TransAlta owns, operates and develops a diverse fleet of electrical power generation assets in Canada, the United States and Australia with a focus on long-term shareholder value. TransAlta provides municipalities, medium and large industries, businesses and utility customers with clean, affordable, energy efficient and reliable power. Today, TransAlta is one of Canada’s largest producers of wind power and Alberta’s largest producer of hydro-electric power. For over 100 years, TransAlta has been a responsible operator and a proud community-member where its employees work and live. TransAlta aligns its corporate goals with the
UN Sustainable Development Goals&nbsp;and&nbsp; has been recognized by CDP (formerly Climate Disclosure Project) as an industry leader on Climate Change Management. TransAlta is proud to have achieved the Silver level PAR (Progressive Aboriginal Relations)&nbsp;designation by the Canadian Council for Aboriginal Business.” data-reactid=”16″>About TransAlta Corporation:
TransAlta owns, operates and develops a diverse fleet of electrical power generation assets in Canada, the United States and Australia with a focus on long-term shareholder value. TransAlta provides municipalities, medium and large industries, businesses and utility customers with clean, affordable, energy efficient and reliable power. Today, TransAlta is one of Canada’s largest producers of wind power and Alberta’s largest producer of hydro-electric power. For over 100 years, TransAlta has been a responsible operator and a proud community-member where its employees work and live. TransAlta aligns its corporate goals with the
UN Sustainable Development Goals and  has been recognized by CDP (formerly Climate Disclosure Project) as an industry leader on Climate Change Management. TransAlta is proud to have achieved the Silver level PAR (Progressive Aboriginal Relations) designation by the Canadian Council for Aboriginal Business.

<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="For more information about TransAlta, visit its web site at transalta.com.” data-reactid=”17″>For more information about TransAlta, visit its web site at transalta.com.

Cision

<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="View original content:http://www.prnewswire.com/news-releases/media-advisory-transalta-second-quarter-2020-results-and-conference-call-301091794.html” data-reactid=”29″>View original content:http://www.prnewswire.com/news-releases/media-advisory-transalta-second-quarter-2020-results-and-conference-call-301091794.html

SOURCE TransAlta Corporation

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Victoria police respond to social media posts alleging sexual assault at tattoo parlour – CityNews Vancouver

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VICTORIA (NEWS 1130) — Police in Victoria are asking possible victims of sexual abuse involving a local tattoo artist to contact their Special Victims Unit.

No charges have been recommended, but Carne Tattoo posted a message online Monday confirming an artist was let go for his “betrayal of young women” and references an incident dating back to 2019.

Other social media posts indicate the alleged abuse was initially reported in 2019.

After seeing reports on social media, Victoria Police ask anyone who might have experienced “sexualized violence” during tattoo appointments to get in touch.

“We want everyone in those threads who have experienced sexualized violence to know that if you report what you’ve experienced to our Special Victims Unit detectives, you will be listened to, you will be treated with respect, and you will be believed,” reads a statement from police.

“If you do think that you may want to consider a criminal process, it is important to know that for potential future court processes, it is best that you provide your statement to the police prior to speaking to any media outlets or posting details of your story publicly on social media. This is to ensure that your statement belongs to you and you only.”

The Instagram account of a man identified as the artist has been taken down.

To speak to a detective, call the non-emergency line at 250-995-7654 and select extension 1 for the report desk. Or, reach out to the Victoria Sexual Assault Centre at 250-383-3232, if you aren’t sure about getting in touch with police.

Editor’s note: The screenshots in this article have been edited to hide the name of the tattoo artist because he has not been charged. 

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New book echoes conference on classics, media theory | Cornell Chronicle – Cornell Chronicle

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A new edited volume, “Classics and Media Theory,” features participants from a Cornell media studies conference exploring the interactions between media and antiquity.

The book, in the Oxford University Press “Classical Presences” series, gathers expert analysis from scholars engaging with myriad aspects of classical Greece and Rome, with a variety of interdisciplinary perspectives from fields including classical literature, art history, cultural studies, film studies, media theory and media history.

The contributors include Verity Platt, professor of classics and the history of art and visual studies in the College of Arts and Sciences.

Revolving around issues of philosophy, cultural history, literature, aesthetics and epistemology, the volume highlights interactions between classical studies and media theory, why they matter and how they can be developed further. The book also explores the implications of the study of media for the study of culture, including the processes of cultural production and reception; and it encourages scholarly attention to media in the study of Greco-Roman antiquity.

The volume highlights several emergent fields within media studies ranging from cultural techniques to media archaeology; the persistence of Greco-Roman paradigms across different strands of media theory; and the conceptual underpinnings of cultural practices in the transformation of ancient Greece and Rome into “classics.”

Platt has joined researcher Till Heilmann and media studies professor Jens Schroeter of the University of Bonn, and the book’s editor, Pantelis Michelakis, reader in classics at the University of Bristol, to establish a network for the study of media and the premodern.

All participated in the international conference “Siren Echoes: Sound, Image, and the Media of Antiquity,” presented by the Media Studies Initiative on campus in November 2019.

Themes and topics at the two-day conference included “Antiquity in Media Theory,” “Sounds of the Anthropocene,” “Media Pathologies,” “Genealogies of the Image,” “Sacred Resonances” and “Image, Medium and Light.” The event “was a huge success,” said Jeremy Braddock, associate professor of English.

Michelakis, a Greek literature and classical theater scholar, organized a similar conference in Bristol, which also provided content for the book.

“Although the ancient world has played an important role in media theory, especially in scholarship on orality and literacy, ‘media studies’ tends to be associated with the technologies of the industrial and computer age,” Platt said.

There are many scholars at Cornell who focus on “modes of transmission, communication and reproduction in the premodern world and later cultural reception,” she said, “all of which can be put into fruitful dialogue with scholars focused on more contemporary issues.”

A second Cornell conference, “Media Objects,” planned for March 2020, was to feature content ranging from film screenings and internet art to architectural installations, exhibitions and digital collections.

Postponed due to the coronavirus pandemic, the conference will be staged during the 2020-21 academic year as a series of virtual panels, lectures and related events, Braddock said, with plans to culminate in an event in fall 2021 at the Herbert F. Johnson Museum of Art. A follow-up to “Siren Echoes” in spring 2021 is also a possibility, Platt said.

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