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Artists stage mass protest against AI-generated artwork on ArtStation

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A screenshot of the
Enlarge / A screenshot of the “Trending” page on ArtStation from December 14, 2022. It shows anti-AI protest images added by artists across the site.
ArtStation

On Tuesday, members of the online community ArtStation began widely protesting AI-generated artwork by placing “No AI Art” images in their portfolios. By Wednesday, the protest images dominated ArtStation’s trending page. The artists seek to criticize the presence of AI-generated work on ArtStation and to potentially disrupt future AI models trained using artwork found on the site.

Early rumblings of the protest began on December 5 when Bulgarian artist Alexander Nanitchkov tweeted, “Current AI ‘art’ is created on the backs of hundreds of thousands of artists and photographers who made billions of images and spend time, love and dedication to have their work soullessly stolen and used by selfish people for profit without the slightest concept of ethics.”

Nanitchkov also posted a stark logo featuring the letters “AI” in white uppercase behind the circular strike-through symbol. Below, a caption reads “NO TO AI GENERATED IMAGES.” This logo soon spread on ArtStation and became the basis of many protest images currently on the site.

On December 9, criticism of AI art on ArtStation sped up when character artist Dan Eder tweeted, “Seeing AI art being featured on the main page of Artstation saddens me. I love playing with MJ as much as anyone else, but putting something that was generated using a prompt alongside artwork that took hundreds of hours and years of experience to make is beyond disrespectful.”

Four days later, a widely shared tweet from Zekuga Art promoted the protest further on Twitter, bringing larger awareness to the movement. As of press time on Wednesday, searching for “No AI Art” on ArtStation returned 2,099 results, and “no to AI generated images” returned 2,111 results. Each result represents a separate artist account.

By participating in the protest, some artists want to disrupt how Stable Diffusion training works, which led to several jokes on Twitter showing garbled AI-generated image results that some people took seriously. In reality, whatever ArtStation artwork Stable Diffusion currently draws upon was trained into the Stable Diffusion model long ago, and the protest will not have an immediate effect on images generated with AI models currently in use.

Later on Wednesday, ArtStation’s management responded to the protest with a FAQ called “Use of AI Software on ArtStation.” The FAQ states that AI-generated artwork on the site will not be banned and that the site plans to add tags “enabling artists to choose to explicitly allow or disallow the use of their art for (1) training non-commercial AI research, and (2) training commercial AI.”

SD and ArtStation: Like peanut butter and jelly

A collection of AI-generated artworks that use the "trending on ArtStation" prompt, as found on the Lexica prompt search website.
Enlarge / A collection of AI-generated artworks that use the “trending on ArtStation” prompt, as found on the Lexica prompt search website.

The relationship between ArtStation and AI image synthesis dates back to the beta test of Stable Diffusion on its Discord server during the summer of 2022. Stable Diffusion is a popular open source image-synthesis model that creates novel images from text descriptions called prompts.

Soon after the Discord opened, people using Stable Diffusion discovered that adding “trending on ArtStation” to a prompt would almost magically add a distinctive digital art style to any image it generated. That’s because the creators of Stable Diffusion’s training dataset—the images that “taught” Stable Diffusion how to create images—included publicly accessible artwork scraped from the ArtStation website. (It did this scraping without artists’ permission, which is another key element of the debate over AI-generated artwork.)

Like “Greg Rutkowski,” the prompt text “trending on ArtStation” became an easy way to get high-quality results from almost any prompt, and the idea spread quickly among users of Stable Diffusion until it became something of a trope in the image-synthesis community.

In the long term, the popularity of “trending on ArtStation” in Stable Diffusion prompts will likely become a historical curiosity. Recent releases of Stable Diffusion 2.0 and 2.1 integrated a new way of processing text that means “trending on ArtStation” won’t work as a prompt anymore—but the underlying data from ArtStation was likely still included in the Stable Diffusion 2.x training dataset.

Text parsing changes aside, there’s still the open question of seeking consent when including an artist’s work in an AI training dataset.

On Wednesday, as the ArtStation protest reached a fever pitch, Stability AI and artist advocacy group Spawning announced that artists would be able to opt out of training for the upcoming Stable Diffusion 3.0 release by registering through the “Have I Been Trained?” website. Although, judging by the recent controversy on DeviantArt, some artists might argue that not being included (and having to manually opt in) should be the default state.

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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