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North Shore Art Crawl to feature the works of over 150 artists

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You might well be familiar with the exuberant wildlife paintings produced by Louise Nicholson, but were you aware that the North Vancouver-based artist has worked closely with the likes of the North Shore Black Bear Society, the Great Bear Lodge, and the Grizzly Bear Foundation to get better acquainted with her furry subject matter?

Often displayed in galleries across the North Shore, it’s likely that you will have pored over the ethereal landscapes crafted at the hands of painter Colette Tan, but did you know Tan had once been a banker, and that it was a battle with cancer that inspired the artist to pick up a paintbrush?

This weekend, more than 150 artists will open their spaces to the public for the annual North Shore Art Crawl. Art lovers can browse the wares of the talented painters, jewelry makers and ceramicists that call the North Shore home, in addition to meeting the artists themselves.

The event provides opportunity for connection and conversation, said Nicholson, with the open doors serving as an invitation for the local art community to get to know the person behind the paintbrush.

“People want to have a story behind what they’ve got hanging on their wall,” she said. “They want to know that they have met the person who made it, to have heard their story about the work. It excites them, it connects them with the art.

Nicholson will likely have a painting on the go throughout the crawl, so guests can see the artist at work. She hopes those in attendance will ask about the grizzlies and black bears that appear when she puts paint to paper, whether they intend on buying or not.

“I want people to know that there’s no need to be shy, we’re wanting to say hello and to be visited,” she said. “I imagine some people feel intimidated at going to look at art, or feel like they’re going to be obliged to purchase, but it is not that way at all. It’s just a chance for them to come and visit and see, and engage.”

For artists like Colette Tan, who regards her own stark landscape paintings as visual diary entries, understanding the artist is the only way to truly understand the art. Without knowing her story, she said, observers are only getting part of the puzzle.

“At one glance, my art may look like one thing, but once they get to know who I am then the paintings might look like something else,” she said. “I really want people to see my life through my paintings, to see what I was going through at each stage.”

Tan said it had been a breast cancer diagnosis in 2018 that propelled her to “embrace the calling” of full-time artist, officially embarking on it as a career two years later in 2020 when her treatment came to an end. Each piece since has been moulded by her journey, she said, one she is more than willing to talk about with those who drop by her space at Welch Street Studios across the weekend.

The opportunity to ask questions “is invaluable” said Tan, whether that be on the artist’s personal journey, inspirations and creative process, or advice that they can give.

The crawl kicks off at 7 p.m. on Friday evening with a number of opening receptions, before carrying on across the weekend at its 69 locations – galleries, studios, art schools, community centres and businesses from Horseshoe Bay to Deep Cove.

For the full list of participating artists and venues, visit northvanarts.ca.

Mina Kerr-Lazenby is the North Shore News’ Indigenous and civic affairs reporter. This reporting beat is made possible by the Local Journalism Initiative.

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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