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NY art museum surprised to find hidden ‘Free Palestine’ message on artwork – The Times of Israel

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Officials at a New York contemporary art museum say they did not realize that an artist had used neon lights to spell out “Free Palestine” in their work, The New York Times reported Thursday.

Native American artist and activist Demian DinéYazhi’ created the installation for the Whitney Biennial, an exhibition at the Whitney Museum of Art set to begin March 20, which spells out “We must stop imagining apocalypse/genocide + we must imagine liberation” in flickering neon lights. The work was conceived before the current war in Gaza erupted.

When the lights blink, those that remain lit slowly spell the phrase “Free Palestine” — an addition that was not immediately made known to the public.

“It is about Indigenous resistance and opposition to forms of settler colonialism,” DinéYazhi’ told The Times. “The piece in its final form and as it currently exists today is a response to being situated within settler colonial institutions.”

Initially, the Whitney Museum of Art was unaware of the secret message and believed the flickering lights were meant to highlight the words “genocide” and “liberation.”

Officials told The Times earlier in the week that they believed the work was about Indigenous resistance movements.

“The museum did not know of this subtle detail when the work was installed,” Angela Montefinise of the museum told The Times, adding there were no plans to remove or alter the installation.

“The Biennial has long been a place where contemporary artists address timely matters, and the Whitney is committed to being a space for artists’ conversations,” she said.

The biennial exhibition which began in 1932 is described by the museum as a “gathering of artists who explore the permeability of the relationships between mind and body, the fluidity of identity, and the growing precariousness of the natural and constructed worlds around us.”

File: Workers rest on the steps of the Whitney Museum of American Art in New York, April 21, 2015. (AP Photo/Mark Lennihan)

“Whether through subversive humor, expressive abstraction, or non-Western forms of cosmological thinking, to name but a few of their methods, these artists demonstrate that there are pathways to be found, strategies of coping and healing to be discovered, and ways to come together even in a fractured time.”

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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