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Ontario’s Josh Ross wins big while k.d. lang rocks with The Reclines at CCMAs

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EDMONTON – Josh Ross and his whisky-soaked ballad of heartbreak and hope took home top honours Saturday as k.d. lang got the band back together at the 2024 Canadian Country Music Association Awards.

Ross, from Burlington, Ont., captured single of the year for “Trouble.” The 28-year-old former college football player turned country star also took home male artist of the year and entertainer of the year at the show, held at Rogers Place in Edmonton.

“This song was a surreal song,” Ross said, adding it highlights the struggles he felt when moving to Nashville to pursue his music career.

Ross said he and his band play roughly 150 shows every year and are never home, but said he feels that taking home entertainer of the year made the hard work worth it.

“I thank each and every one of you,” he said.

On Friday, he also won two industry awards for top-selling Canadian single of the year (“Trouble”) and top-selling Canadian album of the year (“It’s Complicated.”)

Alberta’s MacKenzie Porter took home a top prize as female artist of the year, ending the five-year run for Tenille Townes.

The win was sweet relief for Porter, of Medicine Hat, Alta., who had been nominated for the award seven times in the last decade before capturing her own lightning in a bottle Saturday.

She won video of the year for “Chasing Tornadoes,” a toe-tapping salute to the swirling winds of romance set against the lonely Nevada desert and the bright lights of Las Vegas.

Porter said it takes a lot of hard work and hustle to succeed as a female in the country music industry and gave a shout out to her fellow singers and newborn daughter.

“I’ve been nominated (for the CCMAs) 28 times and this is one of my first wins,” said Porter in her first televised appearance since having a baby.

“So to all of you artists out there, keep pushing.”

Porter was up for six awards, tying the top nomination spot with Jade Eagleson of Bailieboro, Ont. Eagleson took home album of the year for “Do It Anyway.”

Porter co-hosted the show with American crooner Thomas Rhett, and along with the music, there was a little hockey. Edmonton Oilers players Leon Draisaitl and Corey Perry came on stage and dubbed Rhett an honorary Canadian as he donned an Oilers jersey.

The highlight of the night was lang celebrating her induction into the Canadian Country Music Hall of Fame by reelin’ and rockin’ with The Reclines for the first time in 35 years.

They performed “Big Boned Gal” — from the last album they recorded together in 1989 — about the gal in the blue dress with the bounce in her step shakin’ and snakin’ at the legion hall.

Lang embodied the character in the song as she strutted across the stage, clad in a blue and green western-style dress.

“That was a piece of cake,” lang told reporters after her performance. “Good friendships have this capacity to erase time. That certainly happened when we got together.”

Lang, from Consort, Alta., burst onto Edmonton’s music scene in the early 1980s with The Reclines, a tribute band to American country star Patsy Cline.

She told the crowd she’s “profoundly grateful” for the experiences she’s had in her career and thanked Canadians for going on the journey with her.

“I love you, big time,” said lang.

Among the other winners, the James Barker Band from Woodville, Ont., took home group of the year and the fans’ choice award. During their acceptance speech, frontman Barker hinted at new music and a possible tour in 2025.

Owen Riegling of Mildmay, Ont., also won for breakthrough artist of the year and best songwriting for “Old Dirt Roads.”

Speaking on the red carpet before the awards show, Riegling remembered writing the song five years ago in one hour and recorded it as a demo.

Once he signed with Universal Music Canada, they recorded a new version.

“It’s had a long journey, and it’s cool to see it finally connecting with people and reaching people,” he said.

“Never would have ever guessed I’d end up here.”

This report by The Canadian Press was first published Sept. 14, 2024.

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Bad traffic, changed plans: Toronto braces for uncertainty of its Taylor Swift Era

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TORONTO – Will Taylor Swift bring chaos or do we all need to calm down?

It’s a question many Torontonians are asking this week as the city braces for the arrival of Swifties, the massive fan base of one of the world’s biggest pop stars.

Hundreds of thousands are expected to descend on the downtown core for the singer’s six concerts which kick off Thursday at the Rogers Centre and run until Nov. 23.

And while their arrival will be a boon to tourism dollars — the city estimates more than $282 million in economic impact — some worry it could worsen Toronto’s gridlock by clogging streets that already come to a standstill during rush hour.

Swift’s shows are set to collide with sports events at the nearby Scotiabank Arena, including a Raptors game on Friday and a Leafs game on Saturday.

Some residents and local businesses have already adjusted their plans to avoid the area and its planned road closures.

Aahil Dayani says he and some friends intended to throw a birthday bash for one of their pals until they realized it would overlap with the concerts.

“Something as simple as getting together and having dinner is now thrown out the window,” he said.

Dayani says the group rescheduled the gathering for after Swift leaves town. In the meantime, he plans to hunker down at his Toronto residence.

“Her coming into town has kind of changed up my social life,” he added.

“We’re pretty much just not doing anything.”

Max Sinclair, chief executive and founder of A.I. technology firm Ecomtent, suggested his employees avoid the company’s downtown offices on concert days, saying he doesn’t see the point in forcing people to endure potential traffic jams.

“It’s going to be less productive for us, and it’s going to be just a pain for everyone, so it’s easier to avoid it,” Sinclair said.

“We’re a hybrid company, so we can be flexible. It just makes sense.”

Swift’s concerts are the latest pop culture moment to draw attention to Toronto’s notoriously disastrous daily commute.

In June, One Direction singer Niall Horan uploaded a social media video of himself walking through traffic to reach the venue for his concert.

“Traffic’s too bad in Toronto, so we’re walking to the venue,” he wrote in the post.

Toronto Transit Commission spokesperson Stuart Green says the public agency has been working for more than a year on plans to ease the pressure of so many Swifties in one confined area.

“We are preparing for something that would be akin to maybe the Beatles coming in the ‘60s,” he said.

Dozens of buses and streetcars have been added to transit routes around the stadium, and the TTC has consulted the city on potential emergency scenarios.

Green will be part of a command centre operated by the City of Toronto and staffed by Toronto police leaders, emergency services and others who have handled massive gatherings including the Raptors’ NBA championship parade in 2019.

“There may be some who will say we’re over-preparing, and that’s fair,” Green said.

“But we know based on what’s happened in other places, better to be over-prepared than under-prepared.”

Metrolinx, the agency for Ontario’s GO Transit system, has also added extra trips and extended hours in some regions to accommodate fans looking to travel home.

A day before Swift’s first performance, the city began clearing out tents belonging to homeless people near the venue. The city said two people were offered space in a shelter.

“As the area around Rogers Centre is expected to receive a high volume of foot traffic in the coming days, this area has been prioritized for outreach work to ensure the safety of individuals in encampments, other residents, businesses and visitors — as is standard for large-scale events,” city spokesperson Russell Baker said in a statement.

Homeless advocate Diana Chan McNally questioned whether money and optics were behind the measure.

“People (in the area) are already in close proximity to concerts, sports games, and other events that generate massive amounts of traffic — that’s nothing new,” she said in a statement.

“If people were offered and willingly accepted a shelter space, free of coercion, I support that fully — that’s how it should happen.”

This report by The Canadian Press was first published Nov. 13, 2024.



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‘It’s literally incredible’: Swifties line up for merch ahead of Toronto concerts

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TORONTO – Hundreds of Taylor Swift fans lined up outside the gates of Toronto’s Rogers Centre Wednesday, with hopes of snagging some of the pop star’s merchandise on the eve of the first of her six sold-out shows in the city.

Swift is slated to perform at the venue from Thursday to Saturday, and the following week from Nov. 21 to Nov. 23, with concert merchandise available for sale on some non-show days.

Swifties were all smiles as they left the merch shop, their arms full of sweaters and posters bearing pictures of the star and her Eras Tour logo.

Among them was Zoe Haronitis, 22, who said she waited in line for about two hours to get $300 worth of merchandise, including some apparel for her friends.

Haronitis endured the autumn cold and the hefty price tag even though she hasn’t secured a concert ticket. She said she’s hunting down a resale ticket and plans to spend up to $600.

“I haven’t really budgeted anything,” Haronitis said. “I don’t care how much money I spent. That was kind of my mindset.”

The megastar’s merchandise costs up to $115 for a sweater, and $30 for tote bags and other accessories.

Rachel Renwick, 28, also waited a couple of hours in line for merchandise, but only spent about $70 after learning that a coveted blue sweater and a crewneck had been snatched up by other eager fans before she got to the shop. She had been prepared to spend much more, she said.

“The two prized items sold out. I think a lot more damage would have been done,” Renwick said, adding she’s still determined to buy a sweater at a later date.

Renwick estimated she’s spent about $500 in total on “all-things Eras Tour,” including her concert outfit and merchandise.

The long queue for Swift merch is just a snapshot of what the city will see in the coming days. It’s estimated that up to 500,000 visitors from outside Toronto will be in town during the concert period.

Tens of thousands more are also expected to attend Taylgate’24, an unofficial Swiftie fan event scheduled to be held at the nearby Metro Toronto Convention Centre.

Meanwhile, Destination Toronto has said it anticipates the economic impact of the Eras Tour could grow to $282 million as the money continues to circulate.

But for fans like Haronitis, the experience in Toronto comes down to the Swiftie community. Knowing that Swift is going to be in the city for six shows and seeing hundreds gather just for merchandise is “awesome,” she said.

Even though Haronitis hasn’t officially bought her ticket yet, she said she’s excited to see the megastar.

“It’s literally incredible.”

This report by The Canadian Press was first published Nov. 13, 2024.

The Canadian Press. All rights reserved.



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Via Rail seeks judicial review on CN’s speed restrictions

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OTTAWA – Via Rail is asking for a judicial review on the reasons why Canadian National Railway Co. has imposed speed restrictions on its new passenger trains.

The Crown corporation says it is seeking the review from the Federal Court after many attempts at dialogue with the company did not yield valid reasoning for the change.

It says the restrictions imposed last month are causing daily delays on Via Rail’s Québec City-Windsor corridor, affecting thousands of passengers and damaging Via Rail’s reputation with travellers.

CN says in a statement that it imposed the restrictions at rail crossings given the industry’s experience and known risks associated with similar trains.

The company says Via has asked the courts to weigh in even though Via has agreed to buy the equipment needed to permanently fix the issues.

Via said in October that no incidents at level crossings have been reported in the two years since it put 16 Siemens Venture trains into operation.

This report by The Canadian Press was first published Nov. 13, 2024.

Companies in this story: (TSX:CN)

The Canadian Press. All rights reserved.



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