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Opinion: Angry at businesses like Bell Media? Real competition – not anger is the answer

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BCE Inc. headquarters is seen in Montreal on Aug. 3, 2023.Christinne Muschi/The Canadian Press

There are roughly 1.4 million businesses in Canada with at least one employee. And in every one of those 1.4 million businesses, managers are obsessed with one question: what is the very smallest number of workers we can employ?

Businesses exist to make profit; profit implies minimizing costs; labour is typically a third to a half of a business’s costs. Reducing labour costs is consequently a primary concern.

Do we really need to take anyone else on? Could we get by with hiring fewer? Maybe we have too many already? Should we lay off some existing staff? Could we replace them with machines? Outsource the work overseas?

All this effort adds up. Of the 20 per cent to 25 per cent of the Canadian work force – between four and five million people – who leave their jobs every year, about a third are by layoffs.

And yet, notwithstanding this constant, universal, unrelenting drive on the part of businesses to minimize hiring and eliminate jobs, employment has never been higher, not only in absolute terms, but as a share of the working-age population: The employment rate among those aged 15 to 64 stood at a record 75.8 per cent in 2023. Four million-plus people may leave their jobs every year, voluntarily or involuntarily, but even more are hired.

The same applies to wages. If there is one thing to which businesses are more dedicated than hiring fewer people, it is paying lower wages. And yet wages, too, are at all-time record highs. The average hourly wage, at roughly $34, is 22 per cent higher after inflation, than it was 20 years ago. Despite its best efforts, against its every instinct, business is employing more workers at higher wages than at any time in our history.

That’s not because of minimum-wage laws: Barely one in 12 Canadian workers earn the minimum wage. And it’s not because of unions: Just 15 per cent of the private-sector work force are union members. Rather, it seems as if businesses hire more workers and pay them higher wages because it is in their own interests to do so; because if they didn’t, other businesses would; because there is such a thing as a market for labour.

I review all of this for the benefit of the Prime Minister. Responding to Bell Media’s announcement earlier this month that it would sell 45 of its 103 radio stations and lay off 4,800 of its workers – roughly three-tenths of 1 per cent of all those who will be laid off this year, or less than one one-thousandth of all those who will be hired – Justin Trudeau put on a display of exaggerated fury. He was, he told a press conference, “pretty pissed off” at this “garbage decision” by “a corporation that should know better.”

“This is the erosion,” he went on, “not just of journalism, of quality local journalism at a time where people need it more than ever,” he went on. Indeed “it’s eroding our very democracy.” The indictment broadened to include “corporate Canada,” which in recent years had “abdicated their responsibility toward the communities that they have always made very good profits off of in various ways.”

It’s possible he was just playing to the assembled media, who are only too willing to believe they are all that stands in the way of the erosion of our very democracy, especially if there’s a buck in it. But you can see the underlying world view.

Businesses do not make profits by selling people things they value, at a price they consider worth paying, but rather make profits “off” of “communities,” in return for which they have a “responsibility” to employ a certain number of the locals.

Corporations don’t hire people, in this view of things, because they need them – because they provide more output and therefore revenue to the firm at the margin than they cost in wages and benefits – but as a kind of licence fee. Or to be good team players. Or because the government expects them to.

In fairness, these sorts of transactional arrangements – I give you money, you give me jobs; I give you jobs, you give me votes – are politicians’ bread and butter. Given that understanding, I could well imagine the Prime Minister being “pissed off” at Bell and other media for failing to deliver after all the money his government has steered the industry’s way, from Bill C-18 (the attempted shakedown of Google and Facebook for the benefit of the Canadian news business) to Bill C-11 (the attempted shakedown of Netflix and Spotify for the benefit of the Canadian film and music business) to the various direct subsidy programs, old and new.

But honestly, what else is new? Business has been playing this game for decades – and none with more alacrity, not to say venality, than the ones that are pleased to call themselves the “cultural industries.” The con is always the same. Give us money, they say, or protect us from competition, or otherwise stuff our pockets, and we will plow a share of the ensuing profits back into Canadian content.

Often this is couched in the language of cultural nationalism. Drill down into any given controversy over “cultural sovereignty,” where Canada’s artistic virtue is allegedly threatened by some sordid purveyor of foreign content, and as often as not you find the issue is not about stemming the flow of alien cultural product at the border, but who controls the spigot.

As in: “Let us, patriotic citizens that we are, import those popular U.S. television shows, or films, or books, or what have you, and collect the fat profits that accrue thereto, rather than the filthy Americans. We will use those profits to subsidize all the Canadian stuff no one wants to watch or read, in addition to the subsidies you already provide.”

We even gave Canadian broadcasters the right to bump the originating signal of an American TV show off of U.S.-based stations, replacing it with their own broadcast of the same program and charging advertisers for the combined audience – a policy, known as “simultaneous substitution,” that amounted to paying broadcasters to show American programs. All in the name of Canadian culture.

Only the back half of the bargain never seems to arrive. Businesses pocket the money, and carry on as before. And why not? You can’t actually force people to produce art. All you can do is offer them another bribe, and hope this time they deliver. But even if they do: the jobs and the output and everything else only last as long as the subsidies do. The only sustainable jobs are the ones that don’t require a subsidy – the ones that make sense on their own terms.

Rather than pout at being gamed, yet again, the Prime Minister would be better advised to stop playing the game. It isn’t as if businesses unfailingly treat their workers well or – God knows – consumers, especially in this country. But where we see corporations behaving as if the world owed them a living, it is usually best to ask why. Nine times out of 10, the answer is: because of a lack of competition.

Businesses don’t raise wages or lower prices out of the goodness of their hearts. And they don’t do so because government tells them to – or if they do, it is temporarily, and taken out of the public’s hide in some other way. (Example: cap interest rates on credit cards, and marginal credit risks soon find themselves cut off.) They do so out of fear that if they don’t, their competitors will.

Conversely, where competition is less intense, the pressure is off. There’s a reason why Canada has among the world’s highest cellphone charges; why it has among the world’s highest domestic air fares; why it has among the world’s highest fees for financial services. It is because in all these industries the signals that competition normally sends to business – do better – are faint. Three companies dominate the Canadian wireless telephone business. Two airlines bestride the domestic air-travel market. Five banks control most of the financial-services market.

But why is that? Every business would like to dominate its market, just as much as they would like to employ fewer people or pay less. Yet few manage it. Either they are prevented from doing so by domestic rivals, or by imports from abroad. Even where a firm gains the upper hand among the existing players in a market, the threat of new firms entering the industry is often enough to prevent it from abusing its position.

What distinguishes the industries in question is not the mere absence of effective competition, but that effective competition has been prohibited by law. So entrenched are the big players that they are unlikely to greatly fear any new domestic startup. Rather, serious competitive pressure would have to come from outside our borders.

Yet in each case foreigners are, as a practical matter, forbidden entry. Foreign airlines may not fly point-to-point within Canada; neither may they acquire a majority stake in any Canadian airline. Foreigners are likely prohibited from buying a Canadian telephone company, while no one, foreign or domestic, may hold more than 10 per cent of a Canadian bank.

Relaxing these restrictions would be the surest way to put the fear of God into these firms. Yet somehow it is never proposed by anyone in Canadian politics. The same all-party omerta surrounds supply management – another anti-competitive arrangement that could not exist without government enforcement – ensuring Canadians pay two to three times the market price for basic food items such as milk, eggs, butter and chicken.

Instead, we are pacified with meaningless baubles, such as a “passenger’s bill of rights” or showy demands for “lower” cellphone rates (rates are dropping everywhere: they remain higher here than in other countries) or, in the latest iteration, a “grocery code of conduct.” All are, at best, an attempt to treat the symptoms, rather than the disease.

Business leaders have responded to the Prime Minister’s rhetorical attacks on Bell Media and others in wounded tones, warning that it will deter investment. But in truth, we’re not nearly hard enough on business in this country, at least in the ways that count. Rhetoric means nothing. Regulation generally winds up being to the advantage of the regulated (businesses go bust all the time – ever heard of a business being forced into bankruptcy by regulation?). But competition speaks to them in the only language they understand, enlisting their self-interest in the public interest.

Want to get tough on business? Make them work for a living. Enforce the competition laws, and open up protected markets. Prime ministerial tirades aren’t likely to cause Bell Media to lose much sleep, but competition hits them where they live.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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