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Mixed messages: What Bell Media, Rogers and Hockey Canada tell us about the art and challenge of crisis communications

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The executive team at Bell Media appears to have delivered allusions to a vision that has yet to be revealed but seems to involve high-profile staff members being fired.Ryan Remiorz/The Canadian Press

Colin Horgan is a communications professional and a former journalist and speechwriter.

“What’s the vision for CTV National News going forward? And what made you believe a change in chief anchor was necessary to implement it?”

A CTV employee reportedly put those questions to Michael Melling, the vice-president of news for Bell Media, and Karine Moses, the company’s senior vice-president for content development and news, at a town hall last week. And they are good questions, ones that have been on the minds of many Canadians ever since Lisa LaFlamme, the anchor of the network’s flagship news program, announced that she’d been unceremoniously dumped. Since then, CTV has weathered a storm as the stories have piled up, including a report that Mr. Melling once suggested that Ms. LaFlamme’s grey hair looked bad on camera.

But Mr. Melling and Ms. Moses provided little of any use in their responses. “The vision is clear. We’re going to share it with you guys. We will engage you,” Ms. Moses replied cryptically. She also reportedly assured staff, vaguely, of the company’s commitment to employee welfare. “Know that mental health is one of our key pillars. There are things we need to look at: Where do we need to add more people? How do we rebalance work? This is part of our vision.”

It’s difficult to read these reported exchanges and believe that anyone at Bell Media – which is technically a communications company – has any experience communicating with people. Instead, the executive team appears to have delivered allusions to a vision that has yet to be revealed but seems to involve high-profile staff members being fired; a promise to share this strategic vision at some unknown point in the future, raising further questions about what it might include; and the reassurance, in the wake of this upheaval, that mental health – one of the company’s public-facing priorities – is a “key pillar,” the kind of terminology you’d expect in a quarterly earnings report, not a humane discussion with people who’ve suffered loss. (The news of Ms. LaFlamme’s departure came on the heels of the death of Allan Myers, the senior director of CTV National News.)

It was all rather cold and uncompromising – the language of a brand, not a human being.

But if Bell Media can take any solace, that’s because it’s hardly the only operation that’s bad at this. Over the summer, two other major Canadian organizations – Rogers and Hockey Canada – struggled to explain themselves to the public amid their own crises. Rogers took hours to respond to its customers during a massive network outage that affected more than 10 million customers, making them wait in silence. Hockey Canada, meanwhile, has deferred to its “journey” toward a better future – whatever that means – after two revelations of alleged sexual assaults, years later, involving members of Canadian World Junior Hockey teams.

Is there something about these organizations that makes it difficult for them to respond appropriately when things go wrong? Or is poor communication simply a symptom of another problem?

One of the annoying things about such modern corporate communications language is that a lot of it comes across as banal, to the point of being totally uninformative. I should know – I’ve written a lot of it. The thing is, in many cases, that’s by design. If communications language strikes you as simplistic, it’s likely because a lot of people need to understand it. If it’s clichéd, it might be because it’s communicating an idea that’s conceptual or new, so it must connect with something familiar. If it’s repetitive, it might be because of the evidence that people need to hear some things a lot before they actually listen.

This kind of communication is highly scrutinized, but it’s not nearly as easy as it sounds. It’s like standing on a beach as the waves break at your feet; the ground you stand on shifts constantly and, from time to time, sinks beneath you, while the audience moves around, as do their expectations. This is another reason for the typically staid, generic and non-specific language: Often, it needs to suit a number of different purposes at once. To properly analyze crisis communications, then, we need to understand its intent and its target audience.

But another truism about crisis communications is that it’s easier, and usually more effective, if you’ve anticipated the crisis. Often a decision is made to communicate an idea, product or policy with the full knowledge that various sectors of society will hate it and complain – and while it’s not fun, you can account for it with proper planning. In the absence of foresight, though, you have to scramble.

This seems to be what happened at Rogers, Hockey Canada and Bell Media: Even though they should have seen their respective crises coming (to varying degrees), all three were ultimately blindsided, then discovered they couldn’t fall back on a level of public trust they had assumed was deeper than it was. That failure of vision was a bigger problem – and it’s perhaps why chaos ensued.

What makes Bell Media’s line of response uniquely confusing is that it was technically in control of how the personnel change would occur – but lost that control. Not only that, it clearly mistook its audience. Based on the executives’ responses, it seems they think the audience is CTV News viewers – but more pressingly, the actual audience is, or at least should be, the network’s reeling staff. And the crisis they’re dealing with may not really be Ms. LaFlamme’s exit – judging by the stories and reported questions at the town hall, that might just be a symptom of a deeper, systemic issue. If they’re talking about the wrong problem, it’s no wonder they’re using the wrong language.

The thing is, most of the time your audience probably does need to hear some tactical key messages – the banal term for those banal and repetitive talking points – but sometimes they don’t. Sometimes they just need you to sound like a regular human being. As obvious as this sounds, talking the way people talk is actually a lot harder than creating the rote messaging, because regular language gives you less cover – there are fewer words to hide behind. Regular language requires honesty, which takes courage. But sometimes it’s worth it. If nothing else, it means you’ll never tell your staff their mental health is something as cold as a “key pillar.”

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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