Artists and poets, singers and musicians. These are the searching souls, always seeking to capture an emotion, a moment – the heart of humanity itself.
These folks know a secret: Art heals. It’s that simple. In this era of self-isolation, fear and anxiety, many people around the globe are tapping into that power.
Music has become a connecting force among communities singing from their balconies at nights or serenading first responders out of gratitude. Painting and drawing have become for many a form of releasing stress and channeling creativity, creating something right from their homes. And poetry has become a soothing song to pour on a page in the quiet of a room.
With the mission to spread a little hope – and the allure of building a virtual community of creative minds – the Panther family has been digging deep into its artistic soul and sharing art to keep the FIU and the South Florida community entertained and uplifted throughout these coronavirus times.
Living life to the fullest
Exhilarating. That’s how Jordana Pomeroy, director of the Patricia and Phillip Frost Art Museum FIU, describes the experience of art.
“Art is an opportunity to lose yourself and engage viscerally in a way that takes your breath away,” she explains. “For me, going to a wonderful exhibition is kind of like extreme sports. It’s the same sort of thrill. It’s the same kind of adrenaline rush. It’s not just cerebral where you’re learning about the artist and memorizing the dates. It’s about connecting with someone, making them feel that rush.”
To keep art alive – and help people feel that rush of connection with humanity during social distancing – the Frost Art FIU is featuring virtual exhibitions online and showcasing its digital art collection on its website. The museum is also sharing social media content every week, discussing tips for parents to engage children in arts projects as well as providing meditative moments on pieces of art in the museum’s collection.
The Jewish Museum of Florida-FIU (JMOF) is also featuring virtual exhibits (including one for its sparkling display of Judith Leiber’s purse designs), curated tours via Zoom and a steady stream of social media content sharing art and inspiration. Likewise, the Wolfsonian-FIU is helping the Panther community stay connected to art through digital experiences and videos of various previous exhibits and projects, including “The Art of Illumination” and “Promising Paradise.”
“We have always been a cultural hub for the community, where people could find refuge, education and inspiration,” says Susan Gladstone, director of the JMOF. “During this very difficult time in the world, keeping that sense of community is more important than ever.”
We know that art is a soothing force, says David Chang, renowned artist and chair of the Art + Art History Department. “Throughout history, art has always functioned as a healing element. So has music. Any art. Literature, storytelling.”
He says the visual arts have played a particularly crucial role in telling stories, though, especially in places and throughout eras when not everyone could read.
While studying in Paris as a young painter years ago, Chang was captivated when he experienced the Notre-Dame Cathedral’s art and learned its history. “Notre-Dame was special because it had this beautiful stained glass,” he says. “In medieval times, [stained glass] was invented because it’s visual literature. The whole Bible is in every window pane. People could look at the window, and know the story of the Bible. Visual arts was a communicative tool.”
And it continues to be one today.
In good company
Art is personal. But it’s also communal. That’s why museums, movie theatres, concerts and other community arts venues exist.
When self-distancing and quarantine began in Miami, Deborah Plutzik Briggs, vice president of arts and community at the Betsy-South Beach Hotel and a longtime FIU supporter, reached out to John Stuart, director of FIU’s Miami Beach Urban Studios (MBUS). The two hashed out a plan to create a sanctuary – a virtual sanctuary.
After years of partnership, MBUS and the Betsy Hotel, combined forces once again to create a series of virtual community gatherings where people could experience the Zen of the arts, together. The events featured global architect and MBUS advisory board member Chad Oppenheim; talented FIU cellist Jason Calloway; award-winning FIU poet Campbell McGrath; and renown photographer Robert Zuckerman.
“With our series, the guest speaker was somebody you knew was talking live,” Stuart says. “You saw how many other people were on the call. This is part of that Zen. If it comforts you to be with other people, this is for you. This is a safe space. It’s a place where we hope you feel a little bit renewed, where it can help give you a little more resilience in your emotional landscape for whatever comes.”
The series has proven to smash event attendance records through the roof, doubling the average number of folks who usually attend in-person events hosted collaboratively by MBUS and the Betsy Hotel. One of the managers at the Department of Cultural Affairs – City of Miami Beach, Stuart adds, even congratulated the team on the project’s being the first comprehensive online program known to come out of Miami Beach in late March.
The team is eager to continue these kinds of events, and have already organized a second series of virtual events featuring women poets in collaboration with Supporting Women Writers in Miami (creative writing alumna Caridad Moro-Gronlier is an associate editor at the organization.) The series will begin on April 27 and can be accessed via Zoom or Facebook life.
“Art is the thing that civilizations are remembered by,” says Briggs, who is also an MBUS advisory board member. “People are reaching out to us because they want to be involved or have an idea for a series. We want to continue to do something we think is very special.”
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
