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“PIXEL ESTATE” | GAVIN LYNCH SOLO EXHIBITION AT BAU-XI GALLERY | DUFFERIN

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This September, Bau-Xi Gallery is proud to present the highly anticipated solo exhibition for Gavin Lynch, Pixel Estate. This exhibition coincides with the grand opening of Bau-Xi Gallery’s expansive new location on Dufferin Street on September 9, 2023.

 

Gavin Lynch, Pixel Estate, Mixed Media on Canvas, 72 x 48 inches, 2023 P R E S S R E L E A S E B A U – X I G A L L E R Y

All images are courtesy of Gavin Lynch and Bau-Xi Gallery

ARTIST STATEMENT

“The exhibition is titled ‘Pixel Estate’ and is thus far the cleanest break I’ve made with the distinctly Canadian landscapes and motifs I so regularly engaged with previously. It thematically revolves around a fictional garden ~ perhaps virtual or digital ~ which is a highly designed and manicured space in which we find both extinct and modified species of birds, plants, and mushrooms. In this painterly space, I’ve been exploring the similarities between gardens and landscape painting, two realms of human activity that both mimic and emulate what we consider to be ‘nature’.”

“Both the birds and mushrooms are in states of pictorial mutation, undergoing both exaggerated stretching and compression, awkwardly growing to absurd sizes (for instance, the 8-foot-tall mushroom) and pushing against the compositional constraints of some uniquely tall or long canvases. I think these manipulations speak to the human influence on both individual species and more generally the environment at large; not everything in this garden is well. Perhaps the mushrooms are waiting around to decompose the remains of this place. While the garden is a serene space, the manicured trees, walking paths and stone walls therein remind us that this is indeed a space created and maintained by humans, a space gently disrupted by ripples of digital manipulation and distortion … much like how our perception of nature has slowly been altered by our evolving relationship with screens and technology.”

Gavin Lynch, Decom(poser), Mixed Media on Canvas, 39 x 22 inches, 2023

ABOUT GAVIN LYNCH

Gavin Lynch explores landscape with a contemporary point of view, drawing from environmentally aware fiction, art history, and nature itself.

Gavin Lynch, Mutation, Mixed Media on Canvas, 11.5 x 46 inches, 2023 P R E S S R E L E A S E B A U – X I G A L L E R Y

All images are courtesy of Gavin Lynch and Bau-Xi Gallery

Gavin Lynch, Strange Flock, Mixed Media on Canvas, 41 x 71 inches, 2023

The artist challenges the traditional notion of landscape painting by approaching each work with a digitally informed, collage-like approach. By playing with opposing visual and tactile qualities, Lynch creates a layered and nuanced canvas that plays with the sculptural qualities of paint. The artist looks to climate change and the inherent destruction of our natural environment to depict forest scenes and seascapes, each informed by research expeditions, lived experience, and his fascination with Weird fiction and Eco fiction.

Gavin Lynch completed his Master of Fine Arts at the University of Ottawa, Ottawa, in 2012. Prior to studying at the University of Ottawa, Lynch completed his Bachelor of Fine Arts at the Emily Carr University of Art and Design, Vancouver, in 2009.

In 2014, the artist was one of fifteen finalists competing in the RBC Canadian Painting Competition. Works by Gavin Lynch were exhibited at the Montreal Museum of Fine Art from September 9 to October 8, 2014. The competition looked to award emerging painters who champion their medium in new and innovative ways.

Gavin Lynch, Ruby In The Sky, Mixed Media on Canvas, 11.5 x 23 inches, 2023 P R E S S R E L E A S E B A U – X I G A L L E R Y

All images are courtesy of Gavin Lynch and Bau-Xi Gallery

Works by the artist can be found in collections including Royal Bank of Canada; Toronto Dominion Bank; Scotiabank; City of Ottawa Public Art Collection; University of Toronto; Simon Fraser University Permanent Collection, B.C. Hall; Air Canada; among others.

Gavin Lynch, Haze, Greys, Blues, Greens, Mixed Media on Canvas, 35 x 54 inches, 2023

Gavin Lynch has been represented by Bau-Xi Gallery since 2021.

The Pixel Estate exhibition coincides with the grand opening of Bau-Xi Gallery’s expansive new location on Dufferin Street on September 9, 2023. In tandem with Barbara Cole’s concurrent exhibition, Between Worlds, it is the first formal exhibition to open at the new location.

Gavin Lynch, Quarry Trip, Mixed Media on Canvas, 48 x 48 inches, 2023 P R E S S R E L E A S E B A U – X I G A L L E R Y

All images are courtesy of Gavin Lynch and Bau-Xi Gallery

ABOUT BAU-XI GALLERY

BAU-XI GALLERY is one of Canada’s most established art galleries – founded in 1965 – Bau-Xi Gallery has spaces in Toronto and Vancouver. Bau-Xi Gallery acquired Foster/White Gallery (Seattle) in 2001, most recently acquiring Canada House Gallery (Banff) in 2018.

July 2023 marked another milestone for Bau-Xi Gallery, as it opened its doors to a new Toronto flagship location in one of Toronto’s fastest growing arts neighbourhoods. The new location offers over 22,500 sq. ft. of gallery space dedicated to the exhibition of contemporary painting, photography, mixed media, and sculptural works by Canadian and International artists.

Website:www.bau-xi.com Instagram: @bauxigallery

For all press inquiries, contact:

toronto@bau-xi.com

+1 416 977 0600

High-resolution (300 dpi) digital images are available upon request. For radio media: Bau-Xi is pronounced bow-shee.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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