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Poland's new government deprograms its once far-right public media – NPR

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Supporters of the outgoing Law and Justice party protest outside the headquarters of Poland’s state-owned TVP broadcaster after the new government took control last December.

Czarek Sokolowski/AP

Czarek Sokolowski/AP

WARSAW, Poland — It’s 7:30 in the evening in Warsaw, and public news broadcaster TVP Info is about to broadcast live to millions of viewers across Poland. Producers in a crowded control room scurry in and out, sometimes stopping to peer through a narrow window into a studio where the host reads from a teleprompter.

Everyone looks a little nervous, for at least two reasons: Nearly all of them are new hires, and this is a temporary studio while the police clear the station’s downtown Warsaw headquarters of the last remnants of the old government.

“The former leadership are refusing to give up our headquarters and up until recently were refusing to leave the building, so we’re here in this old sports newsroom on the edge of town,” says TVP Info director Pawel Pluska, who has been on the job for less than a month.

“We’re lacking desks, computers, and we’re having problems sending and receiving transmissions, but we’re figuring it out,” he says with a shrug.

After eight years of government under the far-right nationalist Law and Justice party, Polish voters turned up in record numbers in a historic October election that heralded a new, liberal government under the leadership of Prime Minister Donald Tusk.

After being sworn-in in December, Tusk’s new government immediately moved to retake the state-funded TVP. Under Law and Justice, the broadcaster had been transformed into a far-right propaganda machine, jeopardizing European Union funding to the country for violating the EU’s democracy standards.

Poland’s new prime minister, Donald Tusk, in the parliament building in Warsaw shortly before he took office last December.

Omar Marques/Getty Images

Omar Marques/Getty Images

Tusk himself promised to “clean up” the country with an “iron broom,” and the pace at which his government has changed TVP has prompted observers to adopt the term as well. And many note that Law and Justice was just as aggressive eight years ago when it first took over the national broadcaster, akin to the BBC in the United Kingdom.

“When Law and Justice came to power, they were in a hurry to take over public media, and they used sort of a legal gimmick to do it by creating a body which was unconstitutional, and charging it with appointing the executive boards of radio and television,” says Jacek Kucharczyk, who directs the Institute of Public Affairs in Warsaw.

He says Law and Justice overlooked the fact that there was already an executive board in charge of the national broadcaster and appointed its own board, which served the party’s political interests by hiring loyalists as hosts and reporters.

“It’s not that they were politically partisan,” says Kucharczyk. “It’s that they were transformed into a propaganda outlet on the part of a ruling party whose main task was to attack and demonize the opposition parties and politicians.”

The most notorious case of this came in 2019 when Pawel Adamowicz, mayor of the port city of Gdansk — who, according to the city, was the subject of more than 1,800 negative TVP stories in the year 2018 alone — was stabbed to death onstage at a charity event.

His murderer, who had been recently released from prison, took the microphone and blamed Adamowicz and his Civic Coalition party for imprisoning him. Members of the mayor’s party said TVP shared responsibility for the murder.

The incident spurred mass protests against TVP, but Kucharczyk says Law and Justice refused to change the tone of its content.

“They could reach to a certain section of the society that was crucial for maintaining the support for this particular party,” he says. “So they were, on the one hand, an instrument of party propaganda. But they were, I think more importantly, an instrument of fueling polarization in Poland.”

With Law and Justice out, changes to the public broadcaster were swift

The Organization for Security and Cooperation in Europe, which monitors elections, mentioned in its reports since Law and Justice took office in 2015 that Polish elections weren’t fair due to a lack of equal access to impartial media.

A silent protest outside the offices of Poland’s state broadcaster commemorated the murder of Gdansk’s Mayor Pawel Adamowicz. Many of the mayor’s supporters blamed the broadcaster’s far-right rhetoric for provoking his murder.

IMAGO/Mikolaj Janeczek via Reuters

IMAGO/Mikolaj Janeczek via Reuters

The European Union cut off more than $100 billion in funding to Poland as part of its dispute with the previous government, funds that began to be reinstated once voters elected the new, liberal government committed to doing away with Law and Justice’s changes.

On Dec. 20, just days after the Tusk government formally took office, Poland’s culture minister fired the leadership of TVP and appointed new management boards.

The final broadcast of the old regime on that day shows a visibly shaken host telling viewers the signal for TVP is going to be abruptly shut off for the first time in Polish history and that the entire leadership had been fired. He then takes his clipboard and walks off-camera before a monotone signal is played.

The broadcaster went off the air for nine straight days as the old and new leadership of the country faced off and as Law and Justice parliament members refused to leave TVP Info’s downtown headquarters.

“Never before had any government took to turning off the TV signal without any legal grounds for it,” says Pawel Jablonski, a parliamentarian for the Law and Justice party.

“They actually had a problem with the fact that there was one strong media outlet, that was the public TV, that was critical of their political party,” says Jablonski. “And right now, they turned it off. They took it over.”

The current showdown eventually led President Andrzej Duda, a Law and Justice ally, to veto the budget for the broadcaster, forcing the Tusk government to declare TVP bankrupt and starting a liquidation process. All the while, dozens of reporters at TVP were fired and replaced by an entirely new editorial staff, who took to the airwaves with a revamped news program.

On one evening, the program carried an investigative story revealing that commentators used by TVP under the previous government were paid lucrative sums to parrot ruling party propaganda bullet points. TVP Info’s new director, Pluska, says the more he learns about how TVP was run under Law and Justice, the more he’s disgusted.

“What they did was ethically and morally unheard of,” he says. “In my 30 years as a journalist, I’ve never seen anyone expect money in return for being a commentator or a guest on a show.”

TVP Info’s new head of news, Grzegorz Sajor, says this is part of the reason it’s important to make swift changes to how TVP operates and reports the news.

“My job is to bring back normalcy, because the last eight years were simply not normal,” says Sajor. “We need to bring back a calm demeanor to the news and shed the sensationalism it’s had while it was being used for propaganda. We want to present the news of the day as a photograph, not as a painting.”

Sajor says the new TVP Info is also broadcasting news unfavorable to Tusk’s new government. He points to how the station blew out its schedule to broadcast a live vote of no-confidence in the Tusk government’s new culture minister for the changes that were made to TVP. The vote eventually failed.

“If this were back in the Law and Justice days, there’s no way TVP would broadcast this type of vote on one of their ministers,” Sajor says.

The production team of the TVP Info program 19.30 directs a live broadcast from a temporary studio on the outskirts of Warsaw while their normal Warsaw studio is being cleared of Law and Justice party lawmakers who refused to leave the building in protest of the new government’s changes to TVP.

Rob Schmitz/NPR

Rob Schmitz/NPR

A recent survey of voters in Poland shows 56% of voters expressed a positive opinion of how the Tusk government is making changes to the country.

Grzegorz Sokol contributed reporting in Warsaw.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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