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Private art islands: The jaw-dropping new luxury for the super-rich

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Name: Private art islands.

Age: A fairly recent trend among the super-rich.

Appearance: You may never know.

Is it what it sounds like? Pretty much: a private island where you keep all of your priceless art, to look at and show off to others, or not, as you please.

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That’s just like the tech billionaire character in that movie Glass Onion, who kept the Mona Lisa in his island hideaway. It’s exactly like that, except real.

Who does this? People with giant amounts of money. Oligarch and AS Monaco majority owner Dmitry Rybolovlev, for example, is building a resort on his Greek island, Skorpios, which will reportedly house his art collection.

How much will that cost? About $200m, art and island not included.

That’s ridiculous. Ridiculous, but fashionable. The Carmignac clan, headed by megabucks asset manager Édouard, owns a villa on the Mediterranean island of Porquerolles, which displays the family art collection across 2,000 square metres of gallery space.

All that for one family to look at? Actually, in that case the collection is open to the public – and the Carmignacs don’t own the whole island, which already had 300 people living on it.

What are the advantages, if any, of keeping your art on an island? Something about the journey across the water from the mainland allows you to disconnect and give yourself over more fully to contemplation, let’s say.

And the disadvantages? Salt air can wreck exposed artworks. The power supply can be variable, which makes climate control difficult. Bad weather can threaten structures, and may make the island difficult to travel to.

Isn’t that what superyachts are for? I guess so, but, unless they own one already, they might have to wait – superyacht sales are currently so buoyant there’s a waiting list. And superyachts have got so big, according to the New Yorker, that owners have to install unique artworks outside the lift on each deck to stop guests getting lost.

Times may be tough, but rich people are doing OK. They just need more things to spend their money on. Last year a single Warhol portrait went for $195m.

How much would a private art island set me back? It depends – the 26-acre island of Pumpkin Key, off the Florida coast, is on the market for $95m.

You get any Picassos with that? I don’t think so, no.

I guess the private art island combines two of the great passions of the super-rich: private islands and collecting expensive stuff. They can also just collect private islands. Reclusive Google co-founder Larry Page reportedly owns four: Hans Lollik, Little Hans Lollik, Eustatia Island and Tavarua Island.

Does he keep his art collection on any of them? They’re that private, nobody knows.

Do say: “Next is the Rothko room – no wet towels, please.”

Don’t say: “Oh no, who let all these wild animals in here?”

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The Art of Gardening — New Patio Plants – CFJC Today Kamloops

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Is AI art the new frontier or just another way to rip artists off? Watch episode 1 of digi-Art now – CBC.ca

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AI: Artificial Intelligence

2 days ago

Duration 14:15

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Artificial Intelligence: it thinks like us, writes like us – but can it create art like us? Dive into the latest buzz to unpack if AI is a helpful collaborator or just thieving competition.

CBC Arts’ new series digi-Art looks to the horizon to see what’s possible with tech and art — charting a course led by creatives and innovators towards new worlds and ways of creating.

The infinite monkey theorem posits that if a countless number of monkeys were assembled in front of a limitless number of typewriters, they would eventually create writing as revered and dense as the works of William Shakespeare. 

The theorem feels unimaginable and creative works are so often seen as intentional — great writing and designs can’t just be shaped from nothing. But recent trends in AI seem set to transform how the creation of art is viewed in culture. 

AI art has been all over the Internet, and even winning awards, and it’s leading some visual artists to worry about their roles in the future. 

Text-to-image systems, like DALL-E 2, have been enabling anyone to create striking visual works with just a few words. People can now truly create something from almost nothing. But, this process isn’t as random as it seems.

Dr. Alexis Morris is the tier two research chair in the Internet of Things at OCAD University. He told digi-Art host Taelor Lewis-Joseph about a process called “classification” — the process by which a machine can turn language to a thing, and then ultimately an image. 

An AI generated image of cats in "cyberpunk" outfits in neon convenience stores buying milk.
AI generated art from Dall-E using the prompt “cyberpunk cats in cyberpunk hats buying milk in a punk store” from Episode 1 of digi-Art. (CBC Arts)

“You show the machine an image of a cat, but it doesn’t know what a cat is,” Morris says. “You give it lots of pictures of cats and after a time, it starts to learn that cats are often a little fuzzy and have pointed ears.” 

“As you give it more and more pictures, the machine figures out more and more features.” 

Through being exposed to countless images, AI can begin to generate sometimes startlingly realistic images from almost nothing.

Intelligence stealing art

While AI technology is groundbreaking, not all creatives are excited by its prospects in the art world. 

Mark Gagne is a multimedia artist and head of Mindmelt Studio. He’s no stranger to using technology in his art — Gagne will often mix together illustrations and photography in his pieces.

But he has grown frustrated with what he views as AI’s continued encroachment on original pieces of art. 

“These AI programs are scraping artwork off the internet, including my own, and Frankensteining them into a piece of artwork,” Gagne says. “It really upset me that I was one of those artists that got scraped up by the AI apps.”

Two pieces of art of imaginary creatures. On the left a creature with horns looks at a cartoon snail. On the right a smiling blue mushroom is surrounded by two smaller smiling horned creatures.
Non-AI artwork made by Mark Gagne from his ‘Guardian Sprites’ series. Gagne has had his art style unknowingly used in AI algorithms. (Mark Gagne)

Gagne’s frustration with AI platforms has been increased by the fact that he considers his work to be very personal to him. His work often explores topics like mental health. 

“People … [identified] with the imagery that I was putting out and it really opened dialogue with a lot of people,” he says. “They found that my art page was a safe space for them to express that.” 

What started as personal expression has now been “regurgitated” by AI platforms, Gagne argues. “It’s kind of like when somebody breaks into your home and takes off with your television or your PlayStation or something,” he says.

“I mean, the technology’s amazing, but what’s wrong with these companies coming to the artists and saying, ‘We’d like to work with you?'”

Taking advantage of AI

While some artists are worried about AI, some are embracing it. Waxhead is an artist who began in a more analogue medium — street art. 

But now, Waxhead said that AI is taking an active role in his creations. In fact, AI has helped to inform the art he creates in the physical world. 

“I’m using AI in a wide variety of ways as a tool to create seamless textures for 3D models, to create reference material for my murals, to create references for paintings,” he says. “It just allowed me to be creative and to learn and renew a love for learning.”

Waxhead’s experiments with AI have allowed him to manipulate some of his favourite styles of art. He says that AI allows styles of art to be reiterated. 

“I’m starting to build models that are referencing my art, so I’m using hundreds and hundreds of photographs of years and years and years of my work to make something that’s my style, that’s Waxhead, but also created by AI,” he says. 

While he acknowledges the problems other artists have had with their art being scooped up by AI platforms, he also thinks that this cycle is reflective of art more broadly. 

“I think humans have always used other artwork as references and we’re all taking our inspirations from somewhere,” he says. 

“Things are changing extremely fast … I’m excited about the future, using AI, using text prompts. What concerns me is who controls these models.” 

“I think more open-source AI models that are controlled by the public, in terms of art and creativity, are gonna have vastly more amazing applications in general.”

CBC Arts’ new series digi-Art looks to the horizon to see what’s possible with tech and art — charting a course led by creatives and innovators towards new worlds and ways of creating.

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Children Who Are Exposed to Awe-Inspiring Art Are More Likely to Become Generous, Empathic Adults, a New Study Says

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Want to raise kind, generous kids? Take them to the art museum!

The feeling of awe inspired by great art, it turns out, can be a humbling experience that encourages kids to help others, rather than focusing on their own needs.

“In encounters with vast mysteries, awe makes individuals feel small, humble, and less entitled, thereby shifting their attention toward the needs and concerns of others rather than the self,” read a new study in Psychological Science.

Lead author Eftychia Stamkou, of the department of psychology at the University of Amsterdam, decided to investigate the effects of experiencing awe on children after realizing the feeling had been extensively studied in adults, where it led to less self-entitlement and greater generosity. Stamkou’s study, which included 159 volunteers aged 8 to 13, suggests the results are much the same for kids, reports Inc.

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Participants watched short movie clips designed to elicit either joy, awe, or a neutral response—the wine-drinking scene from Fantasia, a clip from Song of the Sea in which a character turns into a seal, and an instructional video about painting walls or making coffee, respectively.

A child looks at a giant rabbit lantern at the China National Arts and Crafts Museum and China Intangible Cultural Heritage Museum ahead of Chinese New Year, the Year of the Rabbit on January 14, 2023 in Beijing, China. Photo by VCG/VCG via Getty Images.

A child looks at a giant rabbit lantern at the China National Arts and Crafts Museum and China Intangible Cultural Heritage Museum ahead of Chinese New Year, the Year of the Rabbit on January 14, 2023 in Beijing, China. Photo by VCG/VCG via Getty Images.

Researchers then asked the children to complete an easy but time-consuming task of counting items for a food drive for families in need, or, instead, if they would be willing to donate the art museum tickets or chocolate snacks they were supposed to receive for participating in the study to a refugee family.

“Children who watched the awe-inspiring video chose to count 50 percent more items for the food drive than children who watched the joy-inspiring clip and more than twice as many items as children who watched the neutral clip. Children in the awe-inspiring condition were also two to three times more likely to donate their study rewards than children in the joyful or neutral conditions,” the Association for Psychological Science blog reported.

“Awe, an aesthetic and moral emotion, helps societies flourish by making children more generous,” the study claimed. “Our research is the first to demonstrate that awe-eliciting art can spark prosociality in children.”

A girl attends the exhibition "Pipilotti Rist : Your Brain to Me, My Brain to You", a new large-scale, site-specific installation by Swiss artist Pipilotti Rist at the National Museum of Qatar in Doha, on November 18, 2022. Photo by Gabriel Bouys/AFP via Getty Images.

A girl attends the exhibition “Pipilotti Rist : Your Brain to Me, My Brain to You”, a new large-scale, site-specific installation by Swiss artist Pipilotti Rist at the National Museum of Qatar in Doha, on November 18, 2022. Photo by Gabriel Bouys/AFP via Getty Images.

Though the researchers didn’t use famous paintings or sculptures to evoke awe in the study, they did note that their findings could help prove that art can offer benefits to society as a whole, not just to the individual.

If awe-inspiring art really does encourage people to act more selflessly, it would counter “the still-common perception that art has hardly any real-world consequences on human behavior because art experiences are bracketed in imaginary, non-real worlds,” read the study. “Our research provides concrete evidence for art’s behavioral consequences on outcomes that promote other people’s well-being.”

 

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