adplus-dvertising
Connect with us

Art

PROFILE — Meet the 14-year-old artist with his own art gallery – CBC.ca

Published

 on


Little Egg Gallery shows work from kids as young as 3 and as old as 17


We’re profiling cool kids doing cool things.
Know someone you think should be profiled on our site?
Email us at cbckidsnews@cbc.ca and tell us what makes them so awesome.


Name

Nalin Kamat

Hometown

Toronto, Ontario

Age

14

Claim to fame

A year ago, Nalin Kamat submitted his art to a gallery.

He scrolled down a long form, listing the terms and conditions, only to find that they wouldn’t accept artists under 18.

“It was really disheartening,” said Nalin, who works with charcoal and oil paints and has been drawing since he was two.

“Most artists feel like you have to go on a certain path. First, you have to go to university or college and only then can you display your work. But it made me think, why do we need to wait so long? Like, there’s so much creativity, so much wonderful artwork, it should be displayed.”

So Nalin did something wild — last year, he created his own commercial art gallery called the Little Egg Gallery in midtown Toronto.

This time, he’d be the curator, helping artists under 18 to show their work at their very own art shows, open to the public.

Some of those pieces would even get sold for $300 each.

How Little Egg works

With the help of his parents, who pay for his rental space, Nalin began taking submissions for Little Egg’s first group show in spring 2022.

He discovered a diverse range of artists working in sculpture, painting and textiles by contacting local arts high schools and asking for submissions.

On their website, the gallery says they want to “showcase the next generation of local artistic talent.”

The latest exhibit wrapped up earlier this month.

It included a variety of pieces hanging on the gallery’s white walls, including rock sculptures, a screen-printed poncho and photos from a photographer based in Uganda, Africa.

A white walled-space. People look at pictures of art hanging on the walls.

People visit the Little Egg Gallery in Toronto in spring 2023. (Image submitted by Nalin Kamat)

Since it opened up last year, Little Egg Gallery has had three public group shows and hopes to do more in 2024.

More than 150 kids submitted works to the latest Spring Under 18 show.

Nalin and a professor at the Ontario College of Art and Design (OCAD) University named David Griffin narrowed it down to about 50.

Griffin also judged a competition, awarding Pokemon, an abstract painting by a five-year-old boy, the grand prize.

A picture of a colourful abstract painting with squiggly lines.

Jack Gamble’s abstract painting, simply called Pokemon, was the winner of a juried art contest at Little Egg’s Spring Under 18 group exhibition. The artist is five years old. (Image credit: Little Egg Gallery)

“A lot of these artists were normally just doing stuff in their school,” said Nalin.

“Now, some of them are coming back for a third time, so they’re super pumped. It’s important to encourage artists and for people to see their work.”

To support themselves, the gallery takes a 15 per cent commission fee off any sales and charges a small “hanging fee” for any selected artwork, though Nalin can’t support himself financially from it yet.

Artists who want to have their own solo or group show can also rent space in the gallery.

Nalin’s future in the art world

Between running his own gallery, Nalin, who is homeschooled, is getting ready for upcoming art fairs in New York City, New York, and Washington, D.C.

He paints every day at his studio and is inspired by Spanish artist Salvador Daíl and Canadian painter Lawren Harris.

At the art fairs, he’ll meet with collectors who may buy his work.

His latest series of charcoal drawings, called Dispositions, deals with the human figure as a metaphor for the way he feels himself changing during adolescence.

A black and white drawing of a mysterious, darkly shaded back.

A charcoal drawing by Nalin Kamat titled Enigmatic. His paintings can sometimes take up to five days to create.

In an interview with CBC Kids News, David Griffin called Nalin a “remarkable young fella.”

“I’d never seen a gallery that in its vision statement says it wants to include the work of artists that are five years old,” said Griffin.

“How do you distinguish between the beautiful strange drawing of a pizza by a five-year-old to something that was done with some sort of craft awareness of a 16-year-old? It was difficult to make those decisions, but what a joy.”

Nalin said he believes that young artists are free to be more creative.

“I think when you’re younger, you have more creativity. You see beauty in more things and when you get older, it kind of stops,” he said.

“I don’t want to stop anyone from creating their art.”

Have more questions? Want to tell us how we’re doing? Use the “send us feedback” link below. ⬇️⬇️⬇️


TOP IMAGE CREDIT: Chandler Levack/CBC Kids News

Adblock test (Why?)

728x90x4

Source link

Continue Reading

Art

Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

Published

 on

In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

Continue Reading

Art

Ukrainian sells art in Essex while stuck in a warzone – BBC.com

Published

 on


[unable to retrieve full-text content]

Ukrainian sells art in Essex while stuck in a warzone  BBC.com

728x90x4

Source link

Continue Reading

Art

Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

Published

 on

The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

Source link

Continue Reading

Trending