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Red Amautiit exhibit at Winnipeg Art Gallery commemorates missing and murdered Inuit women and girls – CBC.ca

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The Manitoba Inuit Association launched a “Red Amautiit” exhibition recently in Winnipeg.

The project came after the National Inquiry on Missing and Murdered Indigenous Women and Girls. Several Inuit women made amautiits to showcase at the Winnipeg Art Gallery.

Gayle Gruben, who works for the Manitoba Inuit Association (MIA) and was the project manager, said though she couldn’t attend the event due to illness, she did watch it virtually. 

“And it was spectacular,” she said. “The speakers … commended us on what we have done and what we were able to do for our Inuit who were impacted by missing and murdered women and girls.”

The amautiit is a traditional Inuit women’s parka used for carrying infants. The design of the amautiit differs across Inuit Nunangat, with some using different colours and embellishments. The “Red Amautiit” has become a symbol of remembrance of the Inuit women, girls and 2SLGBTQQIA+ people who have been lost to violence.

The opening of the exhibition was on the evening of Oct. 21 at the gallery’s Qaumajuq section. Gruben said her organization invited Inuit in the community along with dignitaries that supported them through the project. The exhibition runs until Nov. 7. Entry is free for Inuit.

Gruben said the exhibition was sort of an “end” component of the project.

The start of it came when the National Inquiry Into Missing and Murdered Indigenous Women and Girls came to Manitoba in 2017 for family hearings. She said families had “urgently appealed” to MIA for support for family members. In response, MIA created a gathering place, which provided outreach, trauma-informed counselling, translation and cultural services, referrals, advocacy, traditional healing and other supports.

A portrait of a woman outdoors at night, holding a poster reading "In honour of my mom, Sarah Ovayuak."
Gayle Gruben holds a poster reading “In honour of my mom, Sarah Ovayuak.” Gruben works for the Manitoba Inuit Association as director of missing Inuit children of residential schools. (Submitted by Gayle Gruben)

Through that engagement came a women’s sewing group in Winnipeg, Gruben said, which consisted of families and friends who were impacted by the MMIWG. The workshops provided a traditional way to grieve, Gruben said.

“So, as women experience and take part in their culture through Inuit sewing practices, they begin to feel safe and comfortable enough to speak about their experiences of losing their loved ones,” she said.

She said much of the funding for the project came from the federal government’s Women and Gender Equality Canada branch.

Though the Red Amautiit project is done, Gruben is still working to identify children who went to residential schools in Manitoba, and is starting a new role for MIA as the director of missing Inuit children of residential schools, a new program for the organization. 

She’ll be helping reach out to groups like the Truth and Reconciliation Commission, the University of Manitoba and the Hudson’s Bay company archives for possible information on Inuit children who may have attended any of the 18 former residential schools in Manitoba. 

“So we’re just waiting for agreements from various archival areas and information holders so that we may be able to start researching and creating a database of children who may have not made it home or may have perished,” she said.

Then, they’ll be working with families to get direction on how to proceed — for example, whether it’s repatriation or commemoration. 

“We want to ensure that no child is forgotten,” Gruben said. “And, if they didn’t make it home, that it’s important for us to work with the families to have something for them to have closure.”

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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