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Revisiting the Great COVID Social Media Scolding – Vanity Fair

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This article is part of a series, Our Pandemic Year, that marks the anniversary of the first quarantine orders in the U.S. Read them all here.

For a few brief weeks last spring, for once, we didn’t really want to hear from celebrities and influencers. Their work, which depends on connecting with others through relatability and authenticity, was ill-equipped to meet the moment. Presenting oneself doing anything that wasn’t personal suffering or giving gobs of money to a cause felt tone-deaf at the time—and even those acts could sound tone-deaf.  It was a moment for nuance,  and social media is famously not a nuanced place. At the time, I wrote a story about a couple such influencers in the midst of running aground to this effect. Topped with an intense headline— “Is This the End of Influencing as We Knew It?”—it drew the attention of the much-followed Instagram account Diet Prada, and more people found out about it from there.

A year feels way too soon to look back at early COVID in the U.S. It seems like such an arbitrary time marker when in fact, it feels like it’s been 10 years since last March, and also like it was yesterday. For me, looking back means remembering this story, which still looms large in my memory, though most have probably forgotten it. I’ve returned to it many times throughout the pandemic, largely to wince, and I started to dread its anniversary specifically, on top of the generalized dread of this March. Still, maybe, right now, when we’re not quite out of this thing, but starting to conceive of an end, is the best time to take stock of what happened in order to figure out how to move forward. 

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First, a recap of what happened then. Naomi Davis, known in her online form as Taza, and Arielle Charnas of Something Navy, are two influencer moms who were living in New York City. Both were part of the fledgling influencer cohort that began their blogs and then grew their followings on Instagram; both also became avatars for questionable pandemic behavior just as the novel coronavirus was starting to rip through the U.S. and New York City in particular.

On March 17, 2020, Charnas told her followers she felt sick, and then took them along with her as she went to get tested for COVID. It seems quaint in retrospect. Now, reliable tests are one of the main tools for fighting the pandemic that we have. But—call it recent-history overload—it’s easy to forget that accessing testing in New York, as well as most of the country, was a difficult, confusing experience and a rare one too. Much like vaccines today, there were criteria for who qualified to get tested, and they were rationed for the most vulnerable populations. A few days prior to Charnas’s post, The New York Times published, “One woman in Harlem who wanted to be tested was told by health care workers not to worry about her coronavirus-like symptoms. In Brooklyn, a woman had to wait to get tested until her mother tested positive for the virus. One doctor at a hospital network has turned away patients who probably had the coronavirus because they did not meet the current testing.”

Though obviously ill, Charnas didn’t appear to qualify for testing. She proceeded to find a doctor who would give her a test, eventually posting the video of her nasal swab. She even tagged him, engaging old influencing best practices in a brave new world. There was a contingent that vocalized frustration with her actions (and many who praised her) after she posted again, noting she tested positive. The point she made in a Notes-app post was one that many have made since: “It is the responsibility of our government office to ensure all Americans can access necessary tests,” she wrote.

Around the same time, Davis posted about how she was packing up her family of seven in an R.V. and driving away from the city, which at the time was the nation’s COVID hotspot. Many of her followers condemned her, as health experts shared fears that Davis and social media personalities like her might “influence” others into carrying the virus across state lines. 

By that time, Charnas, too, was getting out. On March 26, less than two weeks after posting that she had tested positive, she announced on Instagram that she and her family had decamped to the Hamptons, posting a photo of herself looking carefree with arms extended overhead in the air. A thread about Charnas’s entire experience, which described commenters getting “big mad,” went semi-viral on Twitter, which is how I and so many others first encountered her.

If bypassing testing restrictions rankled online commenters, then the optics of driving a couple hours east—or across the country—was way worse: A stay-at-home order was in place for most New Yorkers, and not just those showing symptoms of the disease.

There’s no way to prove with hard data that anyone got the idea to go elsewhere from Davis, Charnas, or anyone else who picked up and left their homes, but many did the same. Getting out of a city during the pandemic was not a difficult idea to come by on one’s own. As Kyle Chayka reported in The New Yorker in October, Airbnbs grew scarce over the summer. There was a mass exodus to elsewhere, specifically for longer-term “remote work” getaways outside of urban areas, per the company’s own data: Many migrated upstate, up into the Adirondacks. Others chose Vermont’s ski destinations, resort towns in Montana and Colorado, lake country in Maine as well as Portland, and Virginia’s Shenandoah National Park. Here’s one dramatic infographic that animated the exodus from the “richest neighborhoods” in New York from May. It couldn’t have been only short-term dalliances elsewhere either; one couldn’t both be on the internet and escape news of the robust housing market and scarce inventory.

I can see now that one beat I didn’t hit hard enough was that Charnas was putting her own face out there because it was her job to always be posting. She became the poster child of people reaching into their pockets to escape the pandemic, even though she and her husband were already sick. She tried to explain that she was following advice from her doctors and the CDC. For terrified people looking for a visible person to project their anxieties on, none of that mattered. 

Recapping all of that brought back visceral memories of that time. My roommates and I were still taking 20 minutes to wipe down all my vegetables every time someone went to the grocery store. It was, remember, the same brief moment when Andrew Cuomo was a source of calm, just because he was taking it seriously on a daily basis while the president contradicted his own health authorities and played down the severity of the virus publicly. It inspired one particularly cursed portmanteau. (No need to repeat it here, but here’s a link for posterity.)

If our heroes were too easy to come by, perhaps our villains were too. I didn’t enjoy the celebrities and influencers offering up their lives to me in March and April 2020, and I wasn’t alone in that feeling. It came across all wrong, appearing boastful yet under the guise of help. Not my life, yet not far away enough to take me out of my life. I was too quick to single out one type of person with one type of job, though, one whose livelihood is largely dependent on posting. Cuomo now looks more like Donald Trump than ever, and we, perhaps, resemble Charnas, Davis, and the rest more than we thought we would.

Davis declined an interview, though she has a book coming out, A Coat of Yellow Paint (subtitle: Moving Through the Noise to Love the Life You Live. She does not address the “noise” of last spring, but she details the work one has to do to live one’s life online and survive.) Charnas took me up on my offer. It’s been a difficult year for her. She had already parted ways with Nordstrom in order to launch Something Navy as a standalone brand with clothing drops and a retail location in New York. She hired a CEO and they made a plan before having to push the launch back twice due to the coronavirus. Something Navy finally opened in July, though. Charnas said that her followers, the core fans who knew what they were opting into when they followed her, have stuck with her.

I wondered how she felt when she saw other people—normal people, famous people, people people—doing what she got publicly flayed for as the pandemic dragged on and the “stay at home” spring gave way to a pandemic response that varied wildly by region. 

“If I were to think too much about that, I would just make myself crazy,” Charnas said. “I was following my doctors’ and my kids’ doctors’ recommendations. They were saying to me that, you know, at this point, it’s okay for you to go straight to your house in the Hamptons, you’re fine to do that. So that’s what I did. You know what I mean? So when I saw other people doing that—of course, if you had that opportunity, anyone would take that for their family.”

Over the summer and onward, just like influencers and celebrities, regular people had begun to live lives of emphatic desperation online. Suddenly, if I saw some woods or a pool or an ocean or a gorgeous view in the background of a photo or a video, it hit with a heavy thud rather than a pang of aspiration that could be easily dismissed like usual. It wasn’t just posts from influencers that kicked off little spirals, it was everyone’s posts—those of friends, family, friends of friends, loose acquaintances, my own. I know this isn’t a unique feeling (and I also know everyone didn’t feel that way). Stella Bugbee, formerly the editor in chief of New York magazine’s The Cut, put it beautifully this past December: “This year, it seemed like no matter who you are, whatever you posted, you had a high chance of getting it wrong in some way, because many of the values we’ve come to expect (and enjoy) on Instagram feel incorrect for this moment: Narcissism, flexing, even the forgivable human cry for validation seem crass in the face of so much social discord.” 

She wrote this months after the spring, months after a summer that many spent reevaluating their relationship to the country’s baked-in injustices. More horrible villains than our original ones, more exacting in their privilege, had become impossible to ignore. The whole world watched a police officer squeeze the life out of George Floyd on film. Officers entered the home of a young woman, Breonna Taylor, and shot her fatally. So many stories like these followed, and meanwhile the state, and in many cases, relatives or friends, revealed their indifference or particular talent in defensive equivocating. It’s still crushing.  

Even the storyline that Davis and Charnas initially epitomized kept on going until it reached impossible heights. There was Kim Kardashian, for example, and her wild choice to share her  enormous, expensive destination birthday party on an island with her hundreds of thousands of followers. There were so, so many parties. “We all got tested and social distanced, of course” became some kind of incantation meant to will judgment away.

Back in spring 2020, some outlets that published stories on their actions suggested that Charnas and Davis weren’t the main problem. The problem was much larger; it was systemic, an old story, one you already know. The government was failing to take care of the people who hired them to do so, and in the absence of leadership from elected officials and health advisers people were making their own decisions. Into that void, anger got directed at those who had the gall to post. 

“At the end of the day, my intention was just to share what we were going through, just like always. And going forward, I’ve been more careful about what I post. I definitely think twice now,” Charnas told me. “I’m trying to be more sensitive [to what’s] going on around me and in the world before I do share anything.”

As time went on, it became clear that being an absolutist about COVID precautions was unsustainable at best. At worst, it made people afraid to do certain things—like go to the beach or find a better place to live—that eased mental health burdens and made “safer,” more nuanced risk-taking possible. Of course this was hard to see back then. When I first wrote about Charnas last April, I was desperate to know what to do and how to feel about every little thing. More than anything else, I remember guilt. Guilt for health, guilt for home. Guilt for having a job that persisted under the circumstances. Guilt for struggling sometimes to do the one thing I have to do for my job—just write. That’s it!—and hoping that I wasn’t getting it all wrong. There was so much guilt, and that doesn’t translate well online either. Every post on social that didn’t transmit guilt felt unrelatable and tone-deaf, and if it did manage to hit that incredibly difficult tone, it was too overwhelming. I didn’t want to relate any more.

Influencing, the Job, isn’t over, as both Charnas and Davis are a living testament to. The concept of people sharing their lives with followers and, in the process, selling them stuff will likely always be economically viable, in its many iterations, whatever those may be.  I do stand by the essence of the piece. Generally speaking, the days of influencers posting straight lifestyle content without a thought to the politics of the moment are over for now—some will obviously and openly not care about it, but that, too, has become a choice. The protests this summer and onward only deepened that feeling. In the meantime, we’ll still follow the story lines that those living lives half online provide for us because influencers, like most celebrities and public figures, are our avatars. They help us work out how we feel by putting their choices out there. They allow us to judge them, so that we can judge ourselves, so that we can know how we want to live.

More Stories From Our Pandemic Year

— Revisiting the Great COVID Social Media Scold
— How Tom Hanks Became the Avatar of Our Pandemic Year
— Andrew Cuomo Got His Coronavirus-Celebrity Wish
— For Every Stage of the Pandemic, There Has Been a Celebrity Getting in Trouble for Partying
— After the Year of No Bras, Things Are Looking Up

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Taylor Swift's new album apparently leaks, causing social media chaos – CBC News

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The hype for Taylor Swift’s new album went into overdrive as it appeared to leak online two days ahead of its Friday release.

Swifties started sharing tracks on X that they claimed were from the singer’s upcoming album, The Tortured Poets Department, saying they came from a Google Drive link containing all 17 songs.

Some fans were upset by the leak and said they would wait until Friday to listen while others started frantically posting fake links on X to bury the “real” tracks.

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“Raise your hand if ur an ACTUAL Taylor Swift fan and aren’t listening to leaks,” one user wrote.

Several media outlets reported that X briefly blocked the search term “Taylor Swift leak” on Wednesday.

CBC has reached out to Swift’s publicist for comment.

Swift announced the release, her 11th studio album and the first with all new songs since 2022’s Midnights, at the Grammy Awards ceremony in February.

Fans have been speculating about the lyrical themes that would appear on The Tortured Poets Department, based in part on a physical “library installation” that opened Tuesday in Los Angeles, curated with items that drop hints and references to the inspirations behind the album.

Swift’s 2022 album Midnights, which featured the hit Anti-Hero, also leaked online ahead of its scheduled release date, and went on to win the Grammy for album of the year. Swift’s previous albums 1989, Reputation and Lover also leaked ahead of their official releases. 

The singer is in the midst of her billion-dollar-grossing Eras tour, which is moving through the U.S. and is scheduled to conclude in Vancouver in December. 

Swift was added to Forbes magazine’s annual new billionaires list earlier this month, with Forbes saying she was the first musician to become a billionaire based solely on her songs and performances. 

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DJT Stock Jumps. The Truth Social Owner Is Showing Stockholders How to Block Short Sellers. – Barron's

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DJT Stock Jumps. The Truth Social Owner Is Showing Stockholders How to Block Short Sellers.  Barron’s

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Taylor Swift's new album allegedly 'leaked' on social media and it's causing a frenzy – CTV News

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Social media can be a divisive place, but even more so when it comes to Taylor Swift.

A Google Drive link allegedly containing 17 tracks that are purportedly from Swift’s eagerly awaited “The Tortured Poets Department” album has been making the rounds on the internet in the past day and people are equal parts mad, sad and happy about it.

CNN has reached out to Swift’s representative for comment.

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The actual album is slated to drop at midnight Friday, but the claimed leak is both being hailed and nailed by Swift’s supporters.

One person shared a drawing of a young woman asleep in a sparkly bed with sparkly blankets on X, writing, “How I slept last night knowing I’m going to hear TTPD for the very first time tonight cause I haven’t listened to any leaks.”

Yet another person posted a video of two models walking and wrote, “Me and my bestie on our way to listen to #TSTTPD leaks.”

On Thursday, “Taylor Swift leaks” was a prevented search phrase on X.

The general consensus among those who have decided to be “leak free” appears to be that they are the true Swifties – as her hard core fan base is known – because they don’t believe the singer would have sanctioned such a “leak.”

Swift herself has gone to great lengths to prevent unintended early releases in the past.

“I have a lot of maybe, maybe-not-irrational fears of security invasion, wiretaps, people eavesdropping,” Swift said of her music during an 2014 appearance on” Jimmy Kimmel Live.” She added that her “1989” album only existed on her phone, “covered in cat stickers and the volume buttons don’t work very well because there’s candy stuck in there,” for nearly two years.

“The Tortured Poets Department” is Swift’s 11th album and comes after she became the first woman and only solo artist to win the Grammy for album of the year three times.

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