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Ron DeSantis Iced Himself Out of the Campaign

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By the time Ron DeSantis realized that the hand he dealt himself wouldn’t win him the presidential jackpot and that it was time to fold, he committed yet
another media blunder
with his withdrawal speech. Ordinarily when candidates throw in the towel, they do so on a stage flanked by family and bathed in the cheers of supporters urging them to stay the course. But not DeSantis.

Obviously craving his privacy in this public moment of defeat, he decorated a background with four American flags and shot the equivalent of a hostage video as he capitulated, speaking through a fake smile. Even on this day, the Ice Man of Campaign 2024 lacked the human warmth necessary to establish a live connection with real people who had believed in him.

DeSantis crafted his aversion to what he called the “corporate media” during his Florida governorship, as New York Times
reporter Michael M. Grynbaum
documented a year ago, denying the press access and banning one Miami Herald journalist who had annoyed him. “We in the state of Florida are not going to allow legacy media outlets to be involved in our primaries,” he told a crowd of approving supporters in the summer of 2021. A DeSantis communications aide taunted reporters who had been excluded from his summit,
asking on Twitter
, “How’s the view from outside security?

DeSantis may have briefly had some reason to think his approach might work. He had romped to reelection in Florida and was being touted as a Trump-slayer by many a pundit, even snatching the
cover of TIME
last summer. But unlike past insurgents who rode a wave of free media into real contention — people like John McCain and Howard Dean and Pete Buttigieg — DeSantis stayed in his safe spaces.

DeSantis’ stratagem, one he rarely violated, was to stiff the mainstream press and rely on the conservative media establishment like Fox News and podcasters; his glitchy and disastrous campaign kickoff with
Elon Musk on Twitter Spaces
underscored the dubious path he thought he could carve out to secure the nomination. In fact, DeSantis was probably always doomed considering Donald Trump’s grip on the GOP and DeSantis’ own political limitations, but a different media strategy might have given him a chance.

Back in the summer of 2022,
New York
magazine,
Vanity Fair
, and the
Washington Post
observed that DeSantis and other Republicans had decided to lock out the press and speak semi-exclusively to their base because they didn’t like the portraits reporters painted.
I pointed out
that this might backfire because press avoidance makes candidates look weak; because it forces reporters to dig deeper into archival material like oral histories, memoirs, campaign finance filings and court proceedings; and because it doesn’t stop reporters from observing the campaign flow. For my trouble, I received a
Twitter scolding
from DeSantis’ two-fisted press secretary, Christina Pushaw, who wrote that DeSantis didn’t “talk to the liberal press, including Politico” because “he just doesn’t care” and “he doesn’t want to give you clicks or ratings.” Pushaw went on to shape communications strategy for DeSantis’ insular,
extremely online
campaign.

Having locked the press out, DeSantis can’t, like so many candidates before him, blame negative press coverage for his political crackup because much of the negative coverage of him was purposely provoked by him and Pushaw. What was the theory here? Did they think that by making the mainstream press the enemy, they would recruit support from voters who also disliked the press on the grounds that the enemy of your enemy is your friend?

DeSantis should have taken a page from Trump’s playbook. The former president is second to nobody when it comes to unleashing hellfire on the press — “the enemy of the people” in his words — but Trump also cultivates reporters behind the scenes and his aides know how to work the media.

Ultimately, the two biggest mistakes the DeSantis campaign made were 1) thinking Trump was washed up and that DeSantis could effortlessly inherit the crown by aping the former president’s positions and 2) that currying favor as the Fox News favorite would push him over the top. As recently as last spring, Fox was still “shadowbanning” Trump,
according to Semafor
, stiffing his reelection campaign because the Murdochs had had their fill of him. As a programming substitute, they had drafted DeSantis and Nikki Haley and even filled hours with Vivek Ramaswamy, giving him coverage disproportionate to the political neophyte’s popularity.

Perhaps DeSantis and Pushaw never investigated whether or not Fox could elect a president all on its own. As many times as Rupert Murdoch and Fox co-creator Roger Ailes tried, they never succeeded in putting their
favorite candidate in the White House
. In 2016, it backed Trump only after he had vanquished the rest of the field. As soon as Trump knocks Haley out, Fox will line up behind him once again, and DeSantis will join the dustheap of former hopefuls like Sarah Palin, Newt Gingrich, Rick Santorum, Mike Huckabee, John Kasich and Ben Carson, all of whom had paid gigs on Fox as part of the channel’s habit of building presidential hopefuls’ profiles.

Just four days ago, it occurred to DeSantis that his
anti-media strategy was a mistake
. “I should have just been blanketing. I should have gone on all the corporate shows. I should have gone on everything,” he told radio host Hugh Hewitt. It’s a nice thought, but who really thinks that had DeSantis cuddled with mainstream reporters his campaign would have turned out any differently?

He appears to have learned that there’s something about him the camera doesn’t like, something that elicits anti-charisma from deep inside. If we were to suddenly learn that DeSantis is actually a vampire, who among us would be surprised? Uncomfortable with reporters, uncomfortable with voters, dangerously stone-faced on stage, and scary when trying to emote or connect, he lacks the people skills of a Buttigieg to face a critical interviewer and exit the session with his pride and humor intact, and that contributed to his defeat.

What DeSantis needed in 2024 was a miracle worker like the young Roger Ailes, who in 1968 took a similarly dyspeptic press-hater, Richard Nixon, and staged “
methodically orchestrated
“ TV town halls titled “
The Nixon Answer
” before Republican audiences recruited by campaign operatives. The point was to showcase the “new Nixon,” and the programs succeeded in softening Nixon’s image. “It’s not a press conference,” Ailes said. “The audience is part of the show. And that’s the whole point. It’s a television show. Our television show.”

Would a series of “The DeSantis Answer” propaganda extravaganzas have extended his candidacy? Maybe. Campaigns without magic generally need a backstage magician to succeed.

*****

Would staging “The Shafer Answer” make me likable? Don’t send your answer to
[email protected]
. No new email alert subscriptions are being honored at this time. My
Twitter
account will never be called my X account. Against my better judgment I’ve started using
Threads
. My RSS feed will return some day, but maybe not until 2028.

 

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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