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Samantha Wojciechowicz has a superpower: she swaps brushes for sporting equipment to create art

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Artist Samantha Wojciechowicz poses in her home in Brossard, Que., on Dec. 16, 2022. The artist uses the sporting equipment associated with the sport she is painting as her ‘brush’.Christinne Muschi/The Globe and Mail

Samantha Wojciechowicz’s Instagram account declares: “I have two fingers on each hand, what’s your superpower?”

By day, she is an art therapist. But by night and on weekends, she heads to the basement, dons her lucky blue flannel shirt and throws her energy into painting. In her art practice, she goes by Samantha Woj.

The 28-year-old has a rare congenital disorder called ectrodactyly, which left her with one finger on each hand at birth and a total of three toes. When she was 2, doctors surgically removed a toe from each foot to create thumbs so she could grip things. She never looked back.

Ms. Woj, who lives with her parents, sister and two dogs in Brossard, Que., on the south shore of Montreal, is always pushing herself. She’s played soccer since she was 6 and done almost two years of gymnastics. She has skied and even tried rock climbing.

She started painting in Grade 6 and quickly developed a passion for it, eventually studying art throughout CEGEP and university. She remembers watching classmate after classmate find their own style but never finding her own. She’d master a technique, get bored with it and move on.

She disliked abstract art because she couldn’t “not see something.” When asked in class to paint a song, she says her fellow students all went abstract and painted harmony while she painted a giant tiger glaring out of the canvas. “Get it?” she says, “Eye of the Tiger.”

Having a few months off before beginning work as an art therapist in October, 2021, Ms. Woj felt the need to create but to try something different. She wanted to combine her love of painting with her love of sport.Christinne Muschi/The Globe and Mail

Having a few months off before beginning work as an art therapist in October, 2021, she felt the need to create but to try something different. She wanted to combine her love of painting with her love of sport.

Playing around with a soccer ball, she wondered what would happen if she rolled it in paint and applied it to her canvas. Her sister pushed her to try.

Then she began to do portraits of the athletes in the 2020 Olympic and Paralympic Games – which took place in 2021 because of the pandemic – and she expanded her use of sporting equipment as a replacement for brushes. She wanted to offer support to those heading to the Games where there would be no live audience, just the people watching back home on TV.

“Sport brings people together,” she says. “I wanted to make people smile.”

She started to tag athletes as she posted her paintings and videos of her technique on Instagram. It wasn’t until early this year during the 2022 Winter Games that her work really began to take off. The difference was tagging sponsors as well as athletes. Once they began to take notice and share her posts, interviews, sales and commissions started trickling in.

Samantha Woj dips a hockey puck into paint as she creates a sports portrait for a client.Christinne Muschi/The Globe and Mail

Two weeks before Christmas, she prepared a canvas for a painting commissioned as a gift. The collage she created shows two siblings posing in their favourite sports: diving for one; baseball for the other; and hockey for both of them.

Instead of selecting a paint brush, she walked to the corner of her room, where sporting equipment was piled up. Two curling brooms leaned against the wall beside lacrosse and hockey sticks and a yellow Rossignol downhill ski. A football peeked out of a bag filled with sports shoes. Even a bicycle wheel was stacked in the pile.

Ms. Woj pulled out a paint tray filled with tennis balls and found a pair of swim goggles, which she dipped into black acrylic gouache and began to dab onto the canvas. Goggles for the diver; a ball and bat for the baseball poses; and, for the last two poses, she pulled a hockey stick and puck out of the pile.

Though she won’t yet call this her style, she admits she is not bored by it and loves the texture it creates.

“There are so many things I can do,” Ms. Woj says. “The marks will never be the same. I’m still learning the process. Learning and improving on how to create with it.”

‘The power is in my two fingers,’ Ms. Woj says. ‘My two fingers give me the ability to create, that I wouldn’t be able to do, without them. If I had five fingers it wouldn’t be the same. It would be a different result.’Christinne Muschi/The Globe and Mail

Is the process more difficult with just two fingers? Only in how she grips the tool, as it can create pressure on some points on her hand, she says. The process is more mentally exhausting than physically since she is creating art in which she fills in negative space and has to keep figuring out where to apply the paint to make it all come together.

“The power is in my two fingers,” Ms. Woj says. “My two fingers give me the ability to create, that I wouldn’t be able to do, without them. If I had five fingers it wouldn’t be the same. It would be a different result.”

She feels confidence in these two fingers and what they have accomplished. They are not a disability but a superpower. Her superpower.

She loves the texture that using the equipment creates on the canvas.Christinne Muschi/The Globe and Mail

Sporting equipment is stacked in a corner to be used as ‘brushes’.Christinne Muschi/The Globe and Mail

Having two fingers only affects how she grips the tool, as it can create pressure on some points on her hand, she says.Christinne Muschi/The Globe and Mail

‘Sport brings people together,’ she says. ‘I wanted to make people smile.’Christinne Muschi/The Globe and Mail

Ms. Woj uses a baseball to paint a commission.Christinne Muschi/The Globe and Mail

Artist Samantha Woj takes a break in her basement studio.Christinne Muschi/The Globe and Mail

 

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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