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Saving the news media means moving beyond the benevolence of billionaires – The Conversation

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For the journalism industry, 2024 is off to a brutal start.

Most spectacularly, the Los Angeles Times recently slashed more than 20% of its newsroom.

Though trouble had long been brewing, the layoffs were particularly disheartening because many employees and readers hoped the Times’ billionaire owner, Patrick Soon-Shiong, would stay the course in good times and bad – that he would be a steward less interested in turning a profit and more concerned with ensuring the storied publication could serve the public.

According to the LA Times, Soon-Shiong explained that the cuts were necessary because the paper “could no longer lose $30 million to $40 million a year.”

As one X user pointed out, Soon-Shiong could weather US$40 million in annual losses for decades and still remain a billionaire. You could say the same of another billionaire owner, The Washington Post’s Jeff Bezos, who eliminated hundreds of jobs in 2023 after making a long stretch of steady investments.

Of course, it helps if your owner has deep pockets and is satisfied with breaking even or earning modest profits – a far cry from the slash-and-burn, profit-harvesting of the two largest newspaper owners: the hedge fund Alden Global Capital and the publicly traded Gannett.

Yet, as we’ve previously argued, relying on the benevolence of billionaire owners isn’t a viable long-term solution to journalism’s crises. In what we call the “oligarchy media model,” it often creates distinct hazards for democracy. The recent layoffs simply reinforce these concerns.

Systemic market failure

This carnage is part of a longer story: Ongoing research on news deserts shows that the U.S. has lost almost one-third of its newspapers and nearly two-thirds of its newspaper journalists since 2005.

It’s become clear that this downturn isn’t temporary. Rather, it’s a systemic market failure with no signs of reversal.

As print advertising continues to decline, Meta’s and Google’s dominance over digital advertising has deprived news publishers of a major online revenue source. The advertising-based news business model has collapsed and, to the extent it ever did, won’t adequately support the public service journalism that democracy requires.

What about digital subscriptions as a revenue source?

For years, paywalls have been hailed as an alternative to advertising. While some news organizations have recently stopped requiring subscriptions or have created a tiered pricing system, how has this approach fared overall?

Well, it’s been a fantastic financial success for The New York Times and, actually, almost no one else – while denying millions of citizens access to essential news.

The paywall model has also worked reasonably well for The Wall Street Journal, with its assured audience of business professionals, though its management still felt compelled to make deep cuts in its Washington, D.C., bureau on Feb. 1, 2024. And at The Washington Post, even 2.5 million digital subscriptions haven’t been enough for the publication to break even.

To be fair, the billionaire owners of The Boston Globe and the Minneapolis Star Tribune have sown fertile ground; the papers seem to be turning modest profits, and there isn’t any news of looming layoffs.

But they’re outliers; in the end, billionaire owners can’t change these inhospitable market dynamics. Plus, because they made their money in other industries, the owners often create conflicts of interest that their news outlets’ journalists must continually navigate with care.

Three female protestors shout, while one holds a sign reading 'Don't cut our future.'
Los Angeles Times employees stage a walkout on Jan. 19, 2024, after learning about layoffs.
Mario Tama/Getty Images

The way forward

While the market dynamics for news media are only getting worse, the civic need for quality, accessible public service journalism is greater than ever.

When quality journalism disappears, it intensifies a host of problems – from rising corruption to decreasing civic engagement to greater polarization – that threaten the vitality of U.S. democracy.

That’s why we believe it’s urgently important to grow the number of outlets capable of independently resisting destructive market forces.

Billionaire owners willing to release their media properties could help facilitate this process. Some of them already have.

In 2016, the billionaire Gerry Lenfest donated his sole ownership of The Philadelphia Inquirer along with a $20 million endowment to an eponymously named nonprofit institute, with bylaws preventing profit pressures from taking precedence over its civic mission. Its nonprofit ownership model has enabled the Inquirer to invest in news at a time when so many others have cut to the bone.

In 2019, wealthy businessman Paul Huntsman ceded his ownership of The Salt Lake Tribune to a 501(c)(3) nonprofit, easing its tax burden and setting it up to receive philanthropic funding. After continuing as board chairman, in early February he announced that he was permanently stepping down.

And in September 2023, the French newspaper Le Monde’s billionaire shareholders, led by tech entrepreneur Xavier Niel, officially confirmed a plan to move their capital into an endowment fund that’s effectively controlled by journalists and other employees of the Le Monde Group.

On a smaller and far more precarious scale, U.S. journalists have founded hundreds of small nonprofits across the country over the past decade to provide crucial public affairs coverage. However, most struggle mightily to generate enough revenues to even pay themselves and a few reporters a living wage.

Workers sit at a table in a large, open workspace.
The Philadelphia Inquirer moved to a new headquarters in May 2023.
Jeffrey Totaro/Meyer Design, Inc.

Donors can still play a role

The crucial next step is to ensure these civic, mission-driven forms of ownership have the necessary funding to survive and thrive.

One part of this approach can be philanthropic funding.

A 2023 Media Impact Funders report pointed out that foundation funders once primarily focused on providing a bridge to an ever-elusive new business model. The thinking went that they could provide seed money until the operation was up and running and then redirect their investments elsewhere.

However, journalists are increasingly calling for long-term sustaining support as the extent of market failure has become clear. In a promising development, the Press Forward initiative recently pledged $500 million over five years for local journalism, including for-profit as well as nonprofit and public newsrooms.

Charitable giving can also make news more accessible. If donations pay the bills – as they do at The Guardian – paywalls, which limit content to subscribers who are disproportionately wealthy and white, may become unnecessary.

The limits of private capital

Still, philanthropic support for journalism falls far short of what’s needed.

Total revenues for newspapers have fallen from a historic high of $49.4 billion in 2005 to $9.8 billion in 2022.

Man wearing blue hat sits on a bench reading a newspaper.
Philanthropic giving hasn’t made up for the billions lost in advertising revenue over the past two decades.
Joe Sohm/Visions of America/Universal Images Group via Getty Images

Philanthropy could help fill a portion of this deficit but, even with the recent increase in donations, nowhere near all of it. Nor, in our view, should it. Too often, donations come with conditions and potential conflicts of interest.

The same 2023 Media Impact Funders survey found that 57% of U.S. foundation funders of news organizations offered grants for reporting on issues for which they had policy stances.

In the end, philanthropy can’t completely escape oligarchic influence.

Public funds for local journalism

A strong, accessible media system that serves the public interest will ultimately require significant public funding.

Along with libraries, schools and research universities, journalism is an essential part of a democracy’s critical information infrastructure. Democracies in western and northern Europe earmark taxes or dedicated fees not only for legacy TV and radio but also for newspapers and digital media – and they make sure there’s always an arm’s-length relationship between the government and the news outlets so that their journalistic independence is assured. It’s worth noting that U.S. investment in public media is a smaller percentage of GDP than in virtually any other major democracy in the world.

State-level experiments in places such as New Jersey, Washington, D.C., California and Wisconsin suggest that public funding for newspapers and online-only outlets can also work in the U.S. Under these plans, news outlets prioritizing local journalism receive various kinds of public subsidies and grants.

The time has come to dramatically scale up these projects, from millions of dollars to billions, whether through “media vouchers” that allow voters to allocate funds or other ambitious proposals for creating tens of thousands of new journalism jobs across the country.

Is it worth it?

In our view, a crisis that imperils American democracy demands no less than a bold and comprehensive civic response.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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