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Secret Invasion studio under fire for AI art says “no artists’ jobs” were lost

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An ai-generated image meant to look like a green hued oil painting of a man with a smudged face wearing a blue suit and sitting as a desk.

a:hover]:text-gray-63 [&>a:hover]:shadow-underline-black dark:[&>a:hover]:text-gray-bd dark:[&>a:hover]:shadow-underline-gray [&>a]:shadow-underline-gray-63 dark:[&>a]:text-gray-bd dark:[&>a]:shadow-underline-gray”>Marvel Studios

After Marvel confirmed earlier this week that AI-generated images were used to create the opening credits sequence for its new Secret Invasion Disney Plus series, one of the biggest concerns woven into the general backlash was whether the move had put any traditional artists out of work. According to Method Studios, the VFX house that created the sequence, that couldn’t be further from the case.

At a time when traditional artists have been sharing their concerns about AI tools’ potential to take work from them, Secret Invasion prominently featuring AI-generated imagery as part of its opening credits has struck some as a sign of the entertainment industry’s willingness to embrace the technology regardless of the consequences. Previously, Secret Invasion executive producer Ali Selim has said he didn’t “really understand” the entire process behind Method Studios’ contribution to the series beyond how his team “would talk to them about ideas and themes and words, and then the computer would go off and do something.”

Now, though, in a statement to The Hollywood Reporter, Method Studios today made a point of clarifying that while computers did go off to do something, that something didn’t come at the expense of any living humans’ jobs. Method described the entire production process as being both “highly collaborative and iterative, with a dedicated focus on this specific application of an AI toolset” but also emphasized that the AI tools used were meant to help its creative teams.

“It involved a tremendous effort by talented art directors, animators (proficient in both 2D and 3D), artists, and developers, who employed conventional techniques to craft all the other aspects of the project,” Method Studios said. “However, it is crucial to emphasize that while the AI component provided optimal results, AI is just one tool among the array of toolsets our artists used. No artists’ jobs were replaced by incorporating these new tools; instead, they complemented and assisted our creative teams.”

Because the images in Secret Invasion’s credits look so much like the warped, trippy content people have grown accustomed to seeing deep learning models like DALL-E spit out, one of the bigger questions looming over Secret Invasion has been whether the AI tools used here were creating images based on original art made by humans. While Method Studio didn’t go into great detail about its processes, it did insist that its team of designers “skillfully leveraged the power of both existing and custom AI technologies to apply the otherworldly and alien look.”

“The entire process, guided by expert art direction, encompassed the initial storyboard phase, illustration, AI generation, 2D/3D animation and culminated in the final compositing stage,” the VFX house said.

 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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