For thousands of years, ginseng has been believed to help to boost energy levels, and it’s likely to be in-demand this week in South Korea as Seoul Art Week returns. Programming around the sophomore edition of Frieze Seoul and the stalwart fair Kiaf Seoul appears to have grown this year; art world players are also said to be struggling with organizing their schedule because there are just too many gallery dinners, parties, and art openings to attend.
In sum, the packed event list can be seen as a vote of confidence for the market in South Korea despite recent reports of sales decline. Besides openings at commercial galleries, top international auction houses are staging large-scale exhibitions that are not to miss. Christie’s is teaming up with Hyundai Card (a credit card company of Hyundai Motor Group) to stage “Heads On: Basquiat & Warhol,” a $150 million spectacle of works by Jean-Michel Basquiat and Andy Warhol.
For its part, Sotheby’s will be presenting “Love in Paradise,” an exhibition that unites Banksy and Keith Haring, featuring the South Korean public debut of Banksy’s famed shredded artwork Girl without Balloon (2021). And Phillips has assembled works by more than 30 artists from around the world, including up-and-coming artists and blue chip names, for the selling exhibition “Briefly Gorgeous” at Songwon Art Center.
Those who are keen on discovering Korean talents should check out shows staged by the art world arms of the fashion giants Prada and Hermes, which will each be presenting Korean artists, or head to the MMCA and Songeun Art and Cultural Foundation, which are respectively staging group exhibitions of Korean contemporary art.
We sifted through the long lists of shows and events and plucked out five exhibitions that deserve your attention.
Kim Beom, Swan (2004). Courtesy Leeum Museum of Art. ⓒ Kim Beom.
The opening of Kim Beom’s show at Leeum in July was met with great expectations; the exhibition is the first major solo presentation of the artist in 13 years, despite the fact that the 60-year-old is championed as one of the most important Korean contemporary artists. The presentation includes quirky installations and conceptual pieces spanning three decades of Kim’s creative output.
Kangja Jung: “Dear Dream, Fantasy, and Challenge” Arario Museum
Through September 10
Installation view of Kangja Jung: “Dear Dream, Fantasy, and Challenge” ⓒ 2023 ARARIO MUSEUM.
When Kangja Jung first emerged in the Korean art scene with her 1968 performance, Transparent Balloons and Nude, she was dismissed by critics. Jung persevered, becoming a pioneer who was well ahead of her time and who is now recognized as the first known feminist nude performer in South Korea.
As a member of the Korean Young Artists Association Exhibition, she was also at the forefront of the country’s avant-garde art movement before she relocated to Singapore with her family in 1970, effectively vanishing from the Korean art scene for over a decade. Upon returning to Korea in 1981, she focused on painting, transcending her critical spirit onto canvas. This exhibition explores Jung’s journey via archival materials, paintings, and batik works made in the 1970s and ’80s.
Suh Yongsun: “My Name is Red” Art Sonje Center
Through October 22
Suh Yongsun, Lying on the Sea (2012). Courtesy the artist and Art Sonje Center.
Born in Seoul in 1951, Suh Yongsun studied painting and is highly regarded in the South Korean art world for his depiction of “human existence,” with his works that often reference historical events or characters with signature broad brushstrokes, bold colors, and rough texture. The aesthetics of his work, which brings together a traditional Korean style with European influences, has set him apart from the popular trend of minimalism in the country.
Art Sonje Center, 87, Yulgok-ro 3-gil, Jongno-gu, Seoul, 03062
Lawrence Weiner, SMASHED TO PIECES (IN THE STILL OF THE NIGHT) (1976). Courtesy Pace Gallery.
“Under the Sun” marks the artist’s Asian debut and the first expansive solo institutional show after his death in 2021. The show at Amorepacific Museum of Art features 47 text-based sculptures juxtaposed against the institution’s Korean art collection, with an aim to create a new visual dialogue.
Also on view are edition works, drawings, posters, and video by Weiner, as well as acclaimed early works from the 1970s, such as SMASHED TO PIECES (IN THE STILL OF THE NIGHT) (1971) and TO SEE AND BE SEEN (1972). Pace Gallery has recently announced that it now represents the artist’s estate in Asia—Weiner’s work will be shown at the gallery’s booth at Frieze Seoul.
Amorepacific Museum of Art, 100 Hangang-daero, Yongsan-gu, Seoul.
Kim Kulim, Civilization, Woman, Money, film 1969, video 1969-2016, single-channel video, color, sound, 22 min. 10 sec. MMCA collection.
The solo exhibition of Kim Kulim brings together the artist’s expansive body of work from the 1950s to today. Dubbed the founding father of Korean multimedia art, Kim’s paintings from the 1960s, made in the wake of the Korean War, as well as his performances and installations made in decade that followed, have become key reference points in Korean art history. A total of 230 works and 60 pieces of archival materials are included in this career-spanning show.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
