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Sex advice: I brought a priceless work of art into my sex life. Now everything is falling apart.

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How to Do It is Slate’s sex advice column. Have a question? Send it to Stoya and Rich here. It’s anonymous!

Dear How to Do It,

I (46m) work in historic art preservation, a relatively small field, so I have obscured some details of this letter for privacy. A co-worker and I began having an affair at work (she is married and chose not to disclose our secret to anyone) about six months ago. She is incredibly talented, attractive, and sexual. We would wait until after work hours to sneak back into the storage areas of our workplace, where we would engage in all sorts of sexual fantasies, many involving art, which is a career and passion for us both.

About a month into our trysting, I was receiving an excellent blow job behind a somewhat famous neoclassical marble statue, which happened to be in our workshop being serviced. Right before I could orgasm, I had a sudden bout of dizziness, which occasionally happens to me, so to steady myself and without thinking, I reached out and grabbed the statue. To be more specific, I grabbed the larger-than-life marble ass cheek of a Greek goddess. The cold hardness and sensual curves of the statue combined with the hot (real) woman sucking me off, and overwhelmed my sensory brain. It was a good orgasm. My partner noticed, and we began incorporating the statue into our sex game, at one point having pretend threesomes, and even a crisis when bodily fluids needed emergency cleanup on a priceless work of art. I even found myself fondling this artwork while I masturbated alone late after hours.

Unfortunately, the work on our love statue was completed about two months ago, and the project was packed and shipped back to its museum home, leaving me unable to be aroused. I have not been able to get erect since the statue has gone. I considered commissioning a replica, but a full-size marble and place to put it is beyond my modest means. My partner has been upset with my newfound erectile dysfunction and doesn’t believe that I am sincerely love-lorn over a piece of sculpted rock. She tried to tempt me with an offer to find a woman to dress up and participate in the same pose as our sculpture, but I can’t imagine hiring a person to do something so silly. This is the longest I have gone in my adult life without being aroused.

—Marble Mania

Dear Marble Mania,

There’s something about the formal tone and painstaking attention to detail in your letter that makes me wonder whether this is an embellished tale, but I’m willing to play along regardless, as the issue described has much potential to be worked through.

Who says marble is key here? Try commissioning a statue that looks like your beloved out of a more affordable material. Or go shopping for one that already exists—if nothing, it would be interesting to see if you respond to a similar but decidedly different sculpted body. Or try a mannequin or a sex doll. There is, after all, an upside to all of this: There will be no need for you to be putting your hands (or anything else) on a priceless piece of art any longer. For the ED, look into PDE5 inhibitors, and/or a cock ring. Sometimes things that are important are taken from us, and that can be disorienting or even cause certain deficits, but I think it makes more sense to try something, anything here rather than to admit that a marble statue straight up took you down.

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Dear How to Do It,

I’ve (27F) struggled with my mental health for years and, despite many years of therapy, it has recently started to interfere with my life in a way I couldn’t brush aside anymore. As a result, I decided to start taking an SSRI in addition to maintaining therapy. However, one of my biggest fears about taking an SSRI is the potential sexual dysfunction side effects. I know that both SSRIs and the sexual dysfunction they can cause are exceedingly common, but there’s not much out there on how to cope with them—especially as a woman!

My sexuality and my sexual relationship with my husband are very important to me, which is one of the reasons I’ve put off starting an SSRI for so long. I’m also wary of being on such high alert for adverse sexual side effects that I’ll create them simply through having stress/anxiety about it. Nothing makes it harder to orgasm than worrying about not being able to orgasm! How can I both talk myself down about this and also make sure I’m supporting my sexual health as I adjust to this new normal? A new normal that is hopefully happier and more balanced even if it does mean putting up with sexual side effects I’d rather not have.

—Prozac’d in the Sack

Dear Prozac’d in the Sack,

Indeed, the anxiety has already hit—you’re worried about something that hasn’t yet happened and may never. Still, your fear is not without justification—a substantial proportion of people who take SSRIs experience sexual side effects. Because of this, clinicians are well-equipped to combat these effects. Not every effort will be successful, but there are a ton of documented options that will allow you and your doctors to tinker. You could, for example, drop your dose. Or add bupropion to your regimen (that drug is known to have lesser side effects than other antidepressants and in some patients has even boosted libido). Scheduling sex for a time when your SSRI is less effective (if you find that it wears off over the course of the day, for example) could help, and so could a “drug holiday,” or a temporary abstinence from your dosage when you think you may have sex.

As of now, obviously, these options are all theoretical. You won’t know what you need until you understand the full impact of the SSRI on your system, and then what works to counter its potential side effects will be trial and error. It’s a long process and, yes, may even signal a new normal for you. But you’ll go through it all one step at a time, hopefully with the support of your husband and that of your therapist. In the worst-case scenario, you may have to choose between a sense of balance/happiness versus a robust sex life. I hope you don’t, but at least then you will have options and the agency to navigate them.

Dear How to Do It,

I’m wondering how to go about communicating with a partner who, to be honest, just isn’t that good at sex. My partner of three years and I are both in our mid-20s, and we are both trans/nonbinary people with vaginas. When we started dating, I topped almost exclusively, which worked well since they have always identified as a bottom. With time and hormone replacement therapy (HRT), I have come to enjoy being touched during sex, although I still spend the majority of the time topping. I don’t enjoy being penetrated and stick to clit rubbing or clit-focused oral when I am the one being pleasured. The problem is that my partner struggles to get me off even though it doesn’t take much to make me come.

I find that I am always telling them the same things when they are touching me (go lower, grab my clit instead of rubbing it, etc.) but it never sticks. They will sort of do what I am saying when I direct them, but they stray from it pretty quickly and have to be reminded again. The next time we have sex, it’s as if the information has left their brain. It seems that they either have a hard time remembering what we’ve discussed, or they simply don’t care that much. They have ADHD and are somewhat forgetful in general, so I’ve always thought it could be a memory issue, but this level of forgetfulness after repeated reminders is unusual even for them.

They also don’t really have a good ability to make repetitive motions for an extended amount of time. They often make one motion repetitively for five seconds or less before moving onto a different one. I am not sure if this is a mental or physical issue. I think there is a good chance that they are simply bored with doing the same motions for more than a few seconds at a time, but they have never admitted it. And as a top, I know what it’s like to become physically tired from repeating motions over and over, but I’ve always thought of it as a necessary part of pleasuring someone. I love to lean into the physical difficulty of topping, and I get that my partner isn’t so naturally inclined, but I wish they would do it for me!

The bottom line: I wish my partner was more invested in making sex better for me, especially since I feel like I do so much to please them. It really doesn’t take a lot for me to come. I both love them and am really turned on by them, and I just want to come once during sex to relieve my horniness and then get to topping them. I often don’t come when we have sex, and on particularly bad days my partner gets tired and feels “out of it” from trying for too long, and we have to stop altogether. I’ve faked it a couple of times, which I’m not proud of. How can I talk to them about this in a way that is gentle yet firm? How can I emphasize that if they follow the guidelines I’ve laid out, things will surely improve? And how can I figure out if their difficulty getting me off is out of apathy or genuine mental/physical limitations?

—It’s Not Rocket Science

Dear It’s Not Rocket Science,

I don’t want to lean too hard into any binary structure as clearly you and your partner are living beyond that and I think there’s way too much emphasis on a top/bottom schism in queer discourse, given that, in my anecdotal experience and per lots of data, versatility is extremely prevalent. Buuuut, you’re asking someone who has “always identified as a bottom” to top you, and you’re getting frustrated with the results. Talk about things not being rocket science! Based on the information you’ve provided, your partner may be showing signs that they’re uncomfortable in the role that you’ve assigned them. Sometimes people approach obligations half-heartedly merely to suggest that they’ve tried.

Do you have any sense of what your partner makes of this switching? I’m going to guess no. You seem mystified about a few things in your letter: You mention that “it seems” like they’re having a hard time remembering and/or don’t care, and that there’s “a good chance” they’re getting bored with repetitive motions. A conversation, conducted when you’re both feeling good about each other and the world that takes place in a non-sexual scenario, could help clear this up. I’m not suggesting that you go right into “gentle-yet-firm” instruction. I think you need to first understand how your partner feels about doing this stuff and hear from them as to why it’s so difficult. You should prepare yourself for answers that you don’t want to hear: “I’m just not into topping you,” being one of them. Perhaps your partner prefers to stay in one lane.

I know that you wrote a letter to an advice column to help you with your issues, but I’m urging you to go to your partner to find out what’s up with them and their relationship to the sex you’re both having. There’s too much supposition and guessing here, where there should be data. You could also consider showing your partner exactly how you like to be done, bringing yourself to orgasm in their presence. If they don’t join in, doing so could nonetheless be a good way to get you over the hump and into topping—there’s no shame in getting yourself off in front of your partner, provided that your partner’s cool with that.

—Rich

More Advice From Slate

My wife and I have been in an open marriage for five years. On the whole, our relationship has been uncommonly open and supportive; we both strive to encourage one another to explore, and even playfully push the limits, romantically and sexually. For as long as I have known her, my wife has been interested in “incest” role play…

 

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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